Che Wants to See You. Ciro Bustos

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and the dividends from its produce. Anyone who owns twenty-five acres of vineyard is a millionaire. While he enjoys his summer holidays in Viña del Mar (Chile), his land is overseen by a manager and his family, and worked by the humble descendents of the indigenous peoples mixed first with poor Spaniards and Italians, and later with immigrants from all over the world, attracted by the dream of conquering paradise by the sweat of their brow. But not everyone’s dream came true. After independence, the lands seized from the original inhabitants were distributed by the incipient local oligarchy exclusively among their peers, leaving the masses still in poverty. What’s more, the latter – artisans and soldiers, tradesmen and smallholders, agricultural labourers and gauchos – were dependent on the vagaries of the Buenos Aires Customs House, the first established centre of power, now representing the export interests of the British.

      It is at this point that there begins a dual history, or a dual telling of Argentine history that pits historians against one another. On the one hand, the history of rich Argentines and their wealth, and on the other, the history of poor Argentines. History does not develop linearly in an unstoppable succession of ultimately constructive events, but is twisted and forced to benefit a class that presupposes and assumes the primacy of its rights, inalienable under their law, and divine according to their bishops.

      The whole structure of the nascent state, with all the weaponry at its disposal, was built to serve the landed oligarchy. If the national heroes of Argentina were filtered through a sieve, only glittering gold nuggets like Moreno, Castelli, Belgrano and San Martín would be left at the bottom. The rest would be washed away in a purifying flood.

      Take Rivadavia, the first constitutional president of the Republic. The first thing he did was legalize dispossession, by granting property rights over vast expanses of farmland and urban areas to the national bourgeoisie, his friends. Argentina, ruled by an increasingly rich minority, enjoyed a high rate of economic growth thanks to two insuperable gifts from heaven: the best prairies in the world, with fertile topsoil providing pasture for herds of cattle that increased in size at the same pace as the demand for hide and beef from the metropolis; and almost free labour provided by a seemingly endless influx of European immigration, and completely free in the case of the subjugated indigenous people. The latter were eventually wiped out rather than willingly give up their land, thus making way for the colonization of the furthest reaches of the country by the starving masses of Europeans arriving by boat every day.

      On 4 June 1943, at a turning point in the Second World War, the armed forces staged a coup against their own civilian government. The ideologue behind the coup, Juan Domingo Perón, was to become a key figure in the political landscape for the remainder of the century. No ordinary soldier, no dull lover of barracks life, no servant of the oligarchy, he had concrete plans and had made good use of his previous post as military attaché at the Argentine Embassy in Rome. As he would later explain to the Army chiefs of staff: ‘Gentlemen, the Russians will win the war. Social reform is on its way. Either we make our own revolution and lead it, or we will be swept away by history.’ But he needed charisma to win over the people. A stroke of luck came his way in the shape of a national catastrophe, an earthquake in the province of San Juan. At a gathering for the 10,000 victims, he had the good fortune, superlative good fortune as it turned out, to meet the person who would become the bond of steel between him and the proletariat, and bind herself to him in marriage: Eva Duarte – Evita.

      Peronism brought the biggest change in social structures, and ways of thinking, in Argentine history. The working class ceased to be a faceless mass and took power. Above all, they were no longer a tool to be used, abused and discarded. They became human beings, protagonists central to the life of the nation. For the first time in history, the poor downtrodden masses arrived in Buenos Aires as its masters, not its street cleaners.

      A passion for travel rather than sport, made me, in the words of Bernard Shaw, ‘leave school in order to get an education’. I set off for Salta, in the north of Argentina. I did not know then that whenever you leave a place, you are reborn, over and over again. But it really was like that. The journey opened up a whole new world, another country, much more Argentine, less Spanish, less Gringo than the Mendoza I lived in, a world of amazing natural beauty.

      Northern Argentina showed me a reality the Left refused to see, and influenced my nascent political consciousness. The country was Peronist. As a lesson in practical politics, it was a defining experience. Since vagrancy was not subsidized, I had to find work from time to time, and this took me to one of Argentina’s largest sugar mills, El Tabacal in Orán, Salta, where the sugar cane harvest was about to begin. I was given the job of overseeing the Indians who fed the sugar cane into the crushers on the platform beside the mill where the trains loaded with cane arrived. El Tabacal was a huge mill, self-sufficient in both cane and food from its vast plantation. It was closed to public traffic, guarded by its own police and run by a staff of technicians, some from overseas, skilled workers and ordinary personnel. The majority of cane cutters were Chahuanco and Toba Indians. The mill would collect them from the forests of Salta each year in cattle trucks, give them space on the river banks to build straw huts, provide them with a minimum amount of food, and after the harvest was over, take them back home, with no further costs.

      To a mind like mine filled with utopian socialist ideas, and despite my encounter with a real country in a process of change, Peronism seemed more like a stumbling block than a road to revolution. It did not stand up to scientific Marxist analysis. Its heterogeneous, something-for-everyone character – a mix of bible and boiler-room as the tango goes, of cops and robbers – hindered any effective manifesto.

      And then, Eva Perón died. She was the person who might have radicalized the movement. In fact, she had embodied the rage, the class ingredient, the banner of the poor. Her passing left millions orphaned, and uncoupled the train from the engine. On the day of her funeral, it drizzled on Buenos Aires and on the soul of half the country. For the poor, it was as if the light illuminating their hopes had gone out.

      The Argentine Communist Party was a typical petty-bourgeois party, divided into an arcane leadership, in the style of the Soviet Communist Party, and a militant rank and file. The few roots it had in the masses were swept away by Peronism, leaving space only for the middle class, professionals and students. There was, however, a larger sector on the Left that had been there almost from the birth of the nation, influenced by Rousseau’s ‘Social Contract’ and inspired by Argentina’s most brilliant independence heroes. This Left later absorbed the ideas of Marx’s First Socialist International, but did not join the party and became what were known as ‘fellow travellers’. In any case, the drama of continental realities south of the Río Grande stemmed not from the indigenous nature of a population that had been exploited since the Spanish Conquest, but from the exploitation itself, now firmly in the hands of the empire to the north.

      The Catholic Church, which had used Peronist power to impose religious education in schools and colleges, now began to oppose him, supported by its historical strongholds: the army and the oligarchy. Perón abolished religious education, passed the divorce law, made illegitimate children equal before the law, withdrew subsidies to Catholic schools – and thereby precipitated the end of his own term in office.

      On the morning of 16 June 1955, I was staying with Pepe Varona, a friend who subsequently became the official set designer of the New York Opera. I was preparing a set of proposals for advertising posters for an American travel agency when, around noon, we heard warplanes overhead. Without a second thought, we dashed up to the roof of Pepe’s hostel, on the corner of Montevideo and Rivadavia streets, and from there, with heavy hearts, we watched the criminal attack on government house in the Plaza de Mayo, no more than ten blocks away. The first wave of planes turned right over us, and continued on between Rivadavia and Avenida de Mayo, their guns firing on the Casa Rosada. We could see other planes coming in over the River Plate, nose-diving on the plaza and unloading their bombs and shrapnel. It was a murderous attack over streets crowded with cars and pedestrians, pensioners feeding the pigeons in the square, and children playing on the grass. Men and women fled in terror, dragging

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