The Audible and the Evident. Julie Hanson

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The Audible and the Evident - Julie Hanson Hollis Summers Poetry Prize

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      in the box. And not only that:

      we are completely out of celery!

      I tell you, real life is a pull and a lure

      and a fling-back thing, a need

      and a need and a slow-motion slide

      through all sorts of partially identified

      coming-right-at-you sudden matters.

      Some of them just plain practical

      to attend to. And then, right before

      Autumn, the yard was in Summer,

      the whole out-of-doors bobbing

      or zooming—at any rate, busy.

      I hung our laundry on the line and,

      charmed by the shape and efficiencies

      of the wooden pins, was made

      nostalgic for my own first toys.

       Mushroom on the Lawn

      What with a stem

      so short, a cap

      so long, so tall,

      so disproportionate

      and droll,

      what with it standing

      so alone on the lawn,

      small and white,

      nothing like it

      anywhere around,

      it was easy from the first

      to resist the urge

      to topple it.

      One day passed,

      and that cap

      resembled more

      a parasol

      to shelter from the sun

      someone pale

      and imaginably small,

      its silhouette

      no less storybook

      than on the day

      before. But now,

      at next day noon,

      a bump’s developed

      at the center of the cap.

      And the surface has

      more experience

      —with oxygen, I guess.

      It’s flecking brown.

      If we are reminded of

      our own hands

      and our own arms,

      we might detect

      decline in this.

      And notice, too,

      the veil has dropped.

      The cap is drying from

      the edges in.

      Furthermore,

      one side has tipped,

      giving us a glimpse

      of gills without our close

      approach or

      stooping much,

      visceral

      without our touch.

       Qu’est-ce qu’il y a?

      Each morning my eye goes straight to the high bare branches of the ash

      where a plastic Hy-Vee bag tugs and puffs

      but has no choice.

      Well I won’t see that in France,

      I say to myself, but the consolation is as temporary

      as the trip will have been

      once I’m standing here again,

      staring at that bag

      and thinking, Now that’s the kind of thing I never saw in France.

      It looks so orphaned and waif-like

      against the shiny gray bark of the ash and the muted gray of the sky,

      so white, so insubstantial, so wanting,

      and, even with its one red word,

      so caught there in the tree.

      I’m certain it can hang on to the branch that has pierced it

      for another six weeks.

      There may be another bag in the maple by then,

      recently freed from a thatch of wet leaves

      or come tumbling

      lightly from the garbage truck

      that will have taken on that day no offering from us.

      On the day we come back, it will still be

      bare as scattered bones out there,

      not yet the middle of March.

      the ground will be hard. The grass will be tan.

      This is so like me,

      imagining,

      not the cottage roofs of flat stones

      pictured in the Green Guide to the Dordogne,

      the massive ramparts for the great gone door of Domme,

      but the day after—these littered horizons, and winter

      still trying to get out of the yard.

      On the day we come back

      the

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