The Audible and the Evident. Julie Hanson

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The Audible and the Evident - Julie Hanson Hollis Summers Poetry Prize

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ground will be hard. The grass will be tan.

      But there will come a day much deeper into spring,

      a day shady and humid

      in the unfurled foliage of June,

      when I realize I haven’t thought about that bag in weeks

      because I can’t see it at all,

      I can’t see its branch.

      The massive ramparts for the great gone door of Domme

      will have lost a lot of bulk by then,

      resembling more and more the sketch

      on page twenty-one

      in the Green Guide to the Dordogne.

       They Are Widening the Road

      The pipes have been revealed, enormous,

      that lurked all along underground.

      The clay-colored dirt is piled. Barriers

      are fortified by barrels, hurdles, stakes.

      Here’s the backhoe making three-point

      turns, the traffic at a halt. The heat.

      The sun that bakes the dust. The sun

      through glass that magnifies the heat.

      Too near to every business here, and house,

      a mile of road has moved from plan

      to controversy to regret. Several

      of the orange cones, disturbed,

      have tumbled into rolling hazards.

      Here is the church, the hardware store,

      the auto supply, the bank, the gallery,

      the pharmacy, the school. Here is the other

      auto supply. Here is the world

      with its six billion people, with its

      how many random cancellations

      of the single will, hopeful, defeated,

      locked once to another—rhythm, scent

      and curvature—in the ancient act

      of increase, not thought of in these terms,

      but felt: a direction that was sure.

      Detained, detoured, deferred.

      The personal is different than the whole.

      We are directed into other lanes.

      Does anybody out there feel

      that the issue of fairness has been given,

      all too often, a disproportionate attention?

      It takes but gentle mention and the matter’s

      tabled yet again. With us

      or without us, an agenda slips along

      like mercury through tubes of glass.

      The line is longer and the great big sound

      from close behind is right inside our car.

      There is no moving up in line

      and the pavement of the lane ahead is ripped.

       Pilot car

       Follow me

       Buttons

      The sons of friends have learned to fold and snap paper

      into abruptly-coming noise at my head. Oh, let them

      in their red-faced rowdiness have a bit of fun at my expense,

      I said to myself, what have I done so worthy of respect?

      I’ve worked soil through a sieve, let it cover seeds I couldn’t see.

      I’ve taken pleasure in rolling up loaves of once-risen dough.

      Yesterday I spent one hour picking free a broken zipper,

      then spent another hour stitching in a new one to replace it.

      Arvo Pärt came on the radio; it was easy to keep going.

      Once I even sized and joined by hand six graduated leaves

      of gauzy fill when I might have paid little more

      for manufactured shoulder pads. Less and less

      does my vocabulary match that of the television selves.

      Less and less do I buy what they assume I have,

      not to mention what they sell. More and more they seem

      to speak and reach out to one another. I remember when

      the newsman sat alone and looked me in the eye.

      I might as well take one of the overlarge buttons

      from my great-aunt’s quilted box that even I have failed

      to find a use for and strap it to my wrist for a watch.

       My Job as a Child

      I spent my childhood filling things in.

      I spent my childhood thrown out on the rug,

      rubbing crayon on pages

      in big thin books

      until color spread to the edge of the shape

      where a black, pre-drawn line defined it.

      I loved the August rhythms

      in the action of the hand’s edge against the page,

      and the interruption:

      the crucial exchange of one crayon

      for another in the cardboard box,

      one of so many decisions.

      I used the point or, more rarely

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