Champavert. Petrus Borel the Lycanthrope

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      Joyful, importunate sound of a melodious keyboard,

      Speak—what do you want of me?

      Have you come into my attic to heap further insult

      Upon this defeated heart?

      Joyful sound, come no more; pour intoxication on others;

      Their life is a feast

      That I have not disturbed; you’re troubling my distress,

      My clandestine agony!

      Imprudent, were do you come from? Doubtless a white hand,

      A beautiful finger imprisoned

      In rich jewels, has struck your reed

      Of ebony and ivory;

      Are you accompanying an angelic child

      In her timid lesson?

      Perhaps the somber rhythm and the melancholy tune

      Betray her song to me.

      No, I hear the muffled footsteps of a noisy crowd

      In a narrow room;

      It is whirling around, excited by the waltz,

      Shaking the walls and roof.

      Outside, confused sounds, cries and whinnying horses,

      Flowers, slaves, torches;

      The rich spread their joy and the poor moan

      Ashamed in their rags!

      Around me there is only a palace, indecent joy

      Wealth, sumptuous nights,

      Future, glory, honors; in the midst of that world

      Poor and suffering I am

      As if surrounded by the great, the king, the Holy Office

      All in pomp assembled to inhale a sacrifice,

      A Jew on the brazero!

      For everything overwhelms me: oblivion, misery, desire,

      Are parceling out my days!

      My amours embroidered the crêpe of my life with gold,

      No more amours henceforth.

      Poor girl! I was the one who dragged you

      Along the path of pain;

      But with a stronger poison, before it withered you.

      You killed unhappiness!

      Oh I, no more than a child, timid, weak, force-fed

      With that sharpened blade

      Have not sliced with this cowardly arm

      My ulcerated breast!

      I ruminate my disgrace; its shadow is pursued

      By a customary regret.

      What renders me so spineless and chains me to life?

      Poor Job on his dung-heap.

      HYMN TO THE SUN

      There, in the sunken path, a solitary stroller

      In my clandestine disgrace,

      I come, suffering, and lie down on the ground

      Like a brute beast

      I nurse my hunger, head on a stone

      Appealing to sleep

      To staunch my burning eyelids a little;

      I have exhausted my ration of sunlight!

      Back there in the city, the sordid avarice

      Sunlight and void are sold to the human flock;

      I have paid; I have my share!

      But over everyone, all equal before you, just sun.

      You shed your rays,

      Which are no gentler on the face of an august prince

      Than the dirty face of a beggar in rags.

      Excerpt from a piece entitled

      HAPPINESS AND UNHAPPINESS

      He is a bird, the bard! He must remain wild;

      By night in the branches, he twitters his song;

      A muddy duck strutting on the river-bank

      Saluting every rising or setting sun.

      He is a bird, the bard! He must grow old austere,

      Sober, poor, ignored, grim and careworn,

      Singing for no one, and having nothing on earth

      But a torn cape, a dagger and the skies!

      But the bard today is a womanly voice,

      A tight-fitting suit, a scrubbed pretty face,

      A parrot on a perch, singing for Madame,

      In a gilded cage, a pet canary;

      He is marvelously fat, weeping warm tears

      Over obligatory evils after a long meal,

      Carrying an umbrella and swearing by his arms,

      And, elixir in hand, invoking death,

      Jewels, balls, flowers, horses, châteaux, slender mistresses

      Are the materials of his leaden poems:

      Nothing for poverty, nothing for the humble in distress;

      Always insulting them in his velvet verses.

      Please! Spare us your autocratic airs;

      Good for you, if you glean wealth by the handful,

      But

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