the gallery bowing to the ground. I cannot tell whether this was illusion or not, but in a moment the principal beam gave a loud crack and became depressed by three inches at the least. Then, my friends, it was horrible to behold—the deep silence of a minute before was succeeded by tumult, cries, screams, and ravings. That mass of human beings heaped up in the galleries, one above another, were some clutching the walls, the pillars, the banisters; others were fighting with fury, and even biting, to get away faster, and from the midst of this frightful confusion arose the plaintive voices of the suffering women. I shudder at the remembrance. Oh, may I never see such a sight as this again!
But, most terrible circumstance of all, the bear was chained close by the staircase that leads up to the galleries!
If I were to live a thousand years never should I forget the horror of Friar Johannes, who had cleared a way for himself with his long staff, and was placing his foot on the last step when he discovered, just before the bottom of the staircase, Beppo seated calmly on his tail, his chain tightened, his eye expressive of joy, ready to snap him up first!
None can tell the muscular power which Maître Johannes was obliged to put forth to stem the force that was driving him in from behind. Convulsively grasping the banister with both hands, his broad shoulders formed a mighty buttress against the pressing flood. Like Atlas, I do believe he would have borne the earth upon his back to save his precious skin.
In the midst of this confusion and tumult, and when there seemed no way to avert the threatening catastrophe, suddenly the door of the cattle-shed opened violently, and the redoubtable Horni, Maître Sébaldus’s magnificent bull, rushed into the arena, his massive dewlap shaking loosely like an apron, his tail extended straight, his mouth and nostrils white with fleecy foam.
It was an inspiration of the master’s. He had resolved to risk his bull to save human life. At the same moment the fat, round, rosy face of our landlord appeared through the skylight of the stable, crying to the crowd not to be alarmed, for that he would open the inner door which abuts into the old synagogue, and let out the crowd by the Jews’ street, which was done in two or three minutes, to the immense relief and comfort of the public.
But now listen to the end of my story.
Scarcely had the bear caught sight of the bull when he made an ugly rush upon this new adversary with so terrible a shock that the chain burst. The bull retired, facing his foe, to a corner of the court near the pigeon-cote, and there, head well down between his short legs and horns presented, he awaited the shock of war.
The bear made several feints, slipping along by the wall from right to left; but the bull, with his forehead almost touching the ground, followed the enemy’s movements with marvellous coolness.
In five minutes the galleries had been cleared; the noise of the crowd taking refuge down the Jews’ street was becoming more remote, and this manoeuvring of the two huge brutes seemed as if they were meditating a drawn battle, when suddenly the bull, losing patience, threw himself upon the bear with the whole momentum of his monstrous bulk. The unhappy brute, pressed so closely, took refuge under the wood-shed, but the head and horns of his foe pursued him thither, and there no doubt he nailed his adversary to the wall, for although I could only see the bull’s hind-quarters, I could hear a dreadful shriek, followed by a crunching of bones, and presently a pool of blood was flowing over the pavement.
I could only see the bull’s hind-quarters and his tail waving aloft like a battle-flag. You would have thought he wanted to bring the walls down by the furious and violent pounding of his hind-feet. That silent scene in shadow was fearful. I did not wait to see the end. I came carefully down my ladder, and slipped out of the court like a thief. You may imagine with what pleasure I inhaled the pure open air; and passing through the crowd collected round the door where the bear-leader was tearing his hair in his wild despair, I ran off to my aunt’s house.
I was just going round under the arcades when I was stopped by my old drawing-master, Conrad Schmidt.
“Caspar!” he cried, “where are you going in such a hurry?”
“I am going to paint the great bear-fight!” I answered enthusiastically.
“Another tavern scene, I suppose,” he remarked with a shrug.
“Why not, Master Conrad? Is not a tavern scene as good as one in the forum?”
I would have said a good deal, but we were standing at his door.
“Good night, Maître Conrad,” I cried, pressing his hand. “Don’t bear a grudge against me for not going to study in Italy.”
“Grudge! No,” replied the old master, smiling. “You know that privately I am of your opinion. If I tell you now and then to go to Italy, it is to satisfy Dame Catherine. But follow out your own idea, Caspar. Men who only follow other men’s ideas never do any good.”
THE SCAPEGOAT
NOTE
This story, allowing for the exercise of fancy in its construction, is only too faithful a picture of German student life and habits, with its ignorance or disregard of the Christianity taught us in the Gospel, its only half-concealed leaning towards the ancient systems of religion properly known as heathen, and its careless indifference to human life. The translator has ventured to deviate slightly from the original in one or two places in order to avoid giving an unnecessary shock to the susceptibilities of readers trained and educated in principles widely differing from these.—Translator
Doesn’t everybody at Tubingen know the lamentable history of the quarrel between the Seigneur Kaspar Evig and the young Jew Elias Hirsch? Kaspar Evig was courting Mademoiselle Eva Salomon, the daughter of the old picture-dealer in the Rue de Jericho. One day he found my friend Elias In the broker’s shop, and, on what pretext I know not, he boxed his ears soundly three or four times.
Elias Hirsch, who had begun his medical studies only about five months before, was called upon by a council of the students to challenge the Seigneur Kaspar to fight, a step which he took with the greatest repugnance, for it was quite to be expected that a seigneur should be a perfect swordsman.
For all that Elias put himself well on the defensive, and, watching his opportunity, inserted his finely-pointed sword so neatly between the ribs of the above-mentioned seigneur as considerably to affect his breathing, the consequence of which was that he was dead in ten minutes.
The Rector Diemer, being informed of this transaction by credible witnesses, listened coldly and remarked briefly—
“I understand you, gentlemen. He is dead, is he? Very well, then; bury him.”
Elias was carried about in triumph, like another Mattathias; but, far from accepting the proffered glory, he drooped under a profound melancholy.
He lost flesh, he sighed, he groaned; his nose, already a pretty long one, seemed to gain in prominence what it lost in solidity, and often in the evening, as he was passing down the Rue des Trois Fontaines, he might be heard murmuring—
“Kaspar Evig, forgive me; I did not mean to take your life. Oh, unhappy Eva! what have you done? By your thoughtless flirting you made two brave men quarrel, and now the shade of the Seigneur Kaspar pursues me everywhere, even in my sleep. Oh, Eva! wretched Eva! why did you behave so?”
So poor Elias moaned in his misery; and he was the more to be pitied because the sons of Israel are not bloodthirsty, and they know it is written in their law, “Whosoever sheddeth man’s blood by man shall his blood be shed.”
Now
