my hiding place with a dreamy, abstracted air, but she saw nothing; she was thinking of other things.
Suddenly she descended, leaving her old shoes at the bottom of the steps. “Without doubt,” thought I, “she is going to see if the door below is well fastened.”
I saw her remount hastily, springing up three or four steps at a time—it was terrible.
She rushed into the neighboring chamber, and I heard something like the falling of the top of a great chest; then Fledermausse appeared in the gallery, dragging a manikin after her, and this manikin was clothed like the Heidelberg student.
With surprising dexterity the old woman suspended this hideous object to a beam of the shed, then descended rapidly to the courtyard to contemplate it. A burst of sardonic laughter escaped from her lips; she remounted, then descended again like a maniac, and each time uttered new cries and new bursts of laughter.
A noise was heard near the door, and the old woman bounded forward, unhooked the manikin and carried it off; then, leaning over the balustrade with her throat elongated, her eyes flashing, she listened earnestly. The noise was lost in the distance, the muscles of her face relaxed, and she drew long breaths. It was only a carriage which had passed.
The old wretch had been frightened.
She now returned to the room, and I heard the chest close. This strange scene confounded all my ideas. What did this manikin signify? I became more than ever attentive.
Fledermausse now left the house with her basket on her arm. I followed her with my eyes till she turned the corner of the street. She had reassumed the air of a trembling old woman, took short steps, and from time to time turned her head partly around, to peer behind from the corner of her eye.
Fledermausse was absent fully five hours. For myself, I went, I came, I meditated. The time seemed insupportable. The sun heated the slate of the roof, and scorched my brain.
Now I saw, at the window, the good man who occupied the fatal Green Chamber; he was a brave peasant of Nassau, with a large three-cornered hat, a scarlet vest, and a laughing face; he smoked his pipe of Ulm tranquillity, and seemed to fear no evil.
I felt a strong desire to cry out to him: “Good man, be on your guard! Do not allow yourself to be entrapped by the old wretch; distrust yourself!” but he would not have comprehended me. Toward two o’clock Fledermausse returned. The noise of her door resounded through the vestibule. Then alone, all alone, she entered the yard, and seated herself on the interior step of the stairway; she put down her basket before her, and drew out first some packets of herbs, then vegetables, then a red vest, then a three-cornered hat, a coat of brown velvet, pants of plush, and coarse woolen hose—the complete costume of the peasant from Nassau.
For a moment I felt stunned; then flames passed before my eyes.
I recollected those precipices which entice with an irresistible power; those wells or pits, which the police have been compelled to close, because men threw themselves into them; those trees which had been cut down because they inspired men with the idea of hanging themselves; that contagion of suicides, of robberies, of murders, at certain epochs, by desperate means; that strange and subtile enticement of example, which makes you yawn because another yawns, suffer because you see another suffer, kill yourself because you see others kill themselves—and my hair stood up with horror.
How could this Fledermausse, this base, sordid creature, have derived so profound a law of human nature? how had she found the means to use this law to the profit or indulgence of her sanguinary instincts? This I could not comprehend; it surpassed my wildest imaginations.
But reflecting longer upon this inexplicable mystery, I resolved to turn the fatal law against her, and to draw the old murderess into her own net.
So many innocent victims called out for vengeance!
I felt myself to be on the right path.
I went to all the old-clothes sellers in Nuremberg, and returned in the afternoon to the Inn Boeuf-Gras, with an enormous packet under my arm.
Nichel Schmidt had known me for a long time; his wife was fat and good-looking; I had painted her portrait.
“Ah, Master Christian,” said he, squeezing my hand, “what happy circumstance brings you here? What procures me the pleasure of seeing you?”
“My dear Monsieur Schmidt, I feel a vehement, insatiable desire to sleep in the Green Room.”
We were standing on the threshold of the inn, and I pointed to the room. The good man looked at me distrustfully.
“Fear nothing,” I said; “I have no desire to hang myself.”.
“À la bonne heure! à la bonne heure! For frankly that would give me pain; an artist of such merit! When do you wish the room, Master Christian?”
“This evening.”
“Impossible! it is occupied!”
“Monsieur can enter immediately,” said a voice just behind me, “I will not be in the way.”
We turned around in great surprise; the peasant of Nassau stood before us, with his three-cornered hat, and his packet at the end of his walking stick. He had just learned the history of his three predecessors in the Green Room, and was trembling with rage.
“Rooms like yours!” cried he, stuttering; “but it is murderous to put people there—it is assassination! You deserve to be sent to the galleys immediately!”
“Go—go—calm yourself,” said the innkeeper; “that did not prevent you from sleeping well.”
“Happily, I said my prayers at night,” said the peasant; “without that, where would I be?” and he withdrew, with his hands raised to heaven.
“Well,” said Nichel Schmidt, stupefied, “the room is vacant, but I entreat you, do not serve me a bad trick.”
“It would be a worse trick for myself than for you, monsieur.”
I gave my packet to the servants, and installed myself for the time with the drinkers. For a long time I had not felt so calm and happy. After so many doubts and disquietudes, I touched the goal. The horizon seemed to clear up, and it appeared that some invisible power gave me the hand. I lighted my pipe, placed my elbow on the table, my wine before me, and listened to the chorus in “Freischütz,” played by a troupe of gypsies from the Black Forest. The trumpets, the hue and cry of the chase, the hautboys, plunged me into a vague reverie, and, at times rousing up to look at the hour, I asked myself gravely, if all which had happened to me was not a dream. But the watchman came to ask us to leave the salle, and soon other and more solemn thoughts were surging in my soul, and in deep meditation I followed little Charlotte, who preceded me with a candle to my room.
We mounted the stairs to the third story. Charlotte gave me the candle and pointed to the door.
“There,” said she, and descended rapidly.
I opened the door. The Green Room was like any other inn room. The ceiling was very low, the bed very high. With one glance I explored the interior, and then glided to the window.
Nothing was to be seen in the house of Fledermausse; only, in some distant room, an obscure light was burning. Some one was on the watch. “That
