in a long history, like a picture reduced by a photographic process. If a brief history is to be a work of true art, it must omit a great deal, and concentrate the reader’s attention on a certain number of critical points in the development of events, elaborating these sufficiently to present them in life-like and clearly intelligible form. True historical genius lies in selecting the great crises, the great agents, and the great movements, in making these clear to the reader in their real nature, in passing over with the lightest and slightest touch numerous events and many persons, but always keeping clear before the reader the plan of composition. The historian may dismiss years with a word, and devote considerable space to a single incident. In such a work, the omission of an event does not constitute a gap, but is merely a proof that the event had not sufficient importance to enter into the plan. A gap is some omission that offends our reason and our sense of harmony and propriety; and where something is omitted that bears on the author’s plan, or where the plan as conceived by the author does not correspond to the march of events, but only to some fanciful and subjective view, there the work fails short of the level of history.
I may fairly claim to have entered on this investigation without any prejudice in favour of the conclusion which I shall now attempt to justify to the reader. On the con-
The Acts of the Apostles CHAP. I
trary, I began with a mind unfavourable to it, for the ingenuity and apparent completeness of the Tübingen theory had at one time quite convinced me. It did not lie then in my line of life to investigate the subject minutely; but more recently I found myself often brought in contact with the book of Acts as an authority for the topography, antiquities, and society of Asia Minor. It was gradually borne in upon me that in various details the narrative showed marvellous truth. In fact, beginning with the fixed idea that the work was essentially a second-century composition, and never relying on its evidence as trustworthy for first-century conditions,. I gradually came to find it a useful ally in some obscure and difficult investigations. But there remained still one serious objection to accepting it as entirely a first-century work. According to the almost universally accepted view, this history led Paul along a path and through surroundings which seemed to me historically and topographically self-contradictory. It was not possible to bring Paul’s work in Asia Minor into accordance with the facts of history on the supposition that an important part of that work was devoted to a district in the northern part of the peninsula, called Galatia. It may appear at first sight a mere topographical subtlety whether Paul travelled through North Galatia or through Lycaonia; but, when you consider that any details given of his journeys must be false to the one side just in proportion as they are true to the other, you will perceive that, if you try to apply the narrative to the wrong side of the country, it will not suit the scene, and if it does not suit, then it must appear to be written by a person ignorant of what he pretends to know. The case might be illustrated from our own experience. Suppose
SEC 1. Trustworthiness
that an unknown person came to Auburn from New York, and you wished to find out whether he was an impostor or not. In our country we are exposed to frequent attempts at imposition, which can often be detected by a few questions; and you would probably ask him about his experiences on his journey from New York to Auburn. Now suppose you had been informed that he had come not along the direct road, but by a long detour through Boston, Montreal, and Toronto, and had thus arrived at Auburn; and suppose that you by questioning elicited from him various facts which suited only a route through Schenectady and Utica, you would condemn the man as an impostor, because he did not know the road which he pretended to have travelled. But suppose further that it was pointed out by some third party that this stranger had really travelled along the direct road, and that you had been misinformed when you supposed him to have come by the round-about way, your opinion as to the stranger’s truthfulness would be instantly affected. Precisely similar is the case of Acts as a record of travel; generations and centuries have been attempting to apply it to the wrong countries. I must speak on this point confidently and uncompromisingly, for the facts stand out so clear and bold and simple that to affect to hesitate or to profess any doubt as to one’s judgment would be a betrayal of truth.
I know the difficulties of this attempt to understand rightly a book so difficult, so familiar, and so much mis- understood as Acts. It is probable that I have missed the right turn or not grasped the full meaning in some cases. I am well aware that I leave some difficulties unexplained, sometimes from inability, sometimes from mere omission.
The Acts of the Apostles CHAP. I
But I am sustained by the firm belief that I am on the right path, and by the hope that enough of difficulties have been cleared away to justify a dispassionate historical criticism in placing this great writer on the high pedestal that belongs to him.
2. DEVELOPMENT OF MODERN CRITICISM ON ACTS. With regard to the trustworthiness of Acts as a record of events, a change is perceptible in the tendency of recent criticism. Setting aside various exceptional cases, and also leaving out of sight the strictly “orthodox” view, which accepts Acts as truth without seeking to compare or to criticise (a view which in its simplicity and completeness needs neither defence nor examination), we may say that for a time the general drift of criticism was to conceive the book as a work composed in the second century with the intention of so representing (or rather misrepresenting) the facts as to suit the writer’s opinion about the Church questions of his own time. All theories of this class imply that the atmosphere and surroundings of the work are of the second-century type; and such theories have to be rounded on a proof that the details are represented in an inaccurate way and coloured by second-century ideas. The efforts of that earlier school of critics were directed to give the required proof; and in the attempt they displayed a misapprehension of the real character of ancient life and Roman history which is often astonishing, and which has been decisively disproved in the progress of Roman historical investigation. All such theories belong to the pre-Mommsenian epoch of Roman history: they are now impossible for a rational and educated critic; and they hardly survive except in popular magazines and novels for the semi-religious order.
SEC 2. Development of Modern Criticism on Acts.
But while one is occasionally tempted to judge harshly the assumption of knowledge made by the older critics where knowledge was at the time difficult or impossible, it is only fair also to emphatically acknowledge the debt we owe them for practising in a fearless and independent spirit the right and much needed task of investigating the nature and origin of the book.
Warned by the failure of the older theories, many recent critics take the line that Acts consists of various first century scraps put together in the book as we have it by a second-century Redactor. The obvious signs of vivid accuracy in many of the details oblige these critics to assume that the Redactor incorporated the older scraps with no change except such as results from different surroundings and occasional wrong collocation. Some hold that the Redactor made considerable additions in order to make a proper setting for the older scraps. Others reduce the Redactor’s action to a minimum; Spitta is the most remarkable example of this class. In the latter form the Redaction-theory is the diametrical opposite of the old tendency theories; the latter supposed that the second century author coloured the whole narrative and put his own views into every paragraph, while, according to Spitta, the Redactor added nothing of consequence to his first century materials except some blunders of arrangement. The older theories were rounded on the proof of a uniformity of later style and purpose throughout the book; the later theories depend on the proof of differences of style between the different parts. The old critics were impressed by the literary skill of the author, while the later critics can see no literary power or activity in him. Any argument in favour of the one class of theories tells
The Acts of the Apostles CHAP. I
against the other; and, if we. admit (as I think we must admit), that each view is rounded on a correct but one-sided perception of certain qualities in this remarkable book, we may fairly say that each disproves the other.
