One Hundred. Ray Bradbury, Philip K. Dick, Isaac Asimov

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One Hundred - Ray Bradbury, Philip K. Dick, Isaac Asimov

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and stomped off and the matter ended. I lay back in my chair gasping with horror. My wife and family regarded me in wonder.

      "What’s wrong, dear?" my wife asked.

      I couldn’t tell her. Knowledge like this was too much for the ordinary run-of-the-mill person. I had to keep it to myself. "Nothing," I gasped. I leaped up, snatched the book, and hurried out of the room.

      *

      In the garage, I continued reading. There was more. Trembling, I read the next revealing passage:

       … he put his arm around Julia. Presently she asked him if he would remove his arm. He immediately did so, with a smile.

      It’s not said what was done with the arm after the fellow had removed it. Maybe it was left standing upright in the corner. Maybe it was thrown away. I don’t care. In any case, the full meaning was there, staring me right in the face.

      Here was a race of creatures capable of removing portions of their anatomy at will. Eyes, arms?—?and maybe more. Without batting an eyelash. My knowledge of biology came in handy, at this point. Obviously they were simple beings, uni-cellular, some sort of primitive single-celled things. Beings no more developed than starfish. Starfish can do the same thing, you know.

      I read on. And came to this incredible revelation, tossed off coolly by the author without the faintest tremor:

       … outside the movie theater we split up. Part of us went inside, part over to the cafe for dinner.

      Binary fission, obviously. Splitting in half and forming two entities. Probably each lower half went to the cafe, it being farther, and the upper halves to the movies. I read on, hands shaking. I had really stumbled onto something here. My mind reeled as I made out this passage:

       … I’m afraid there’s no doubt about it. Poor Bibney has lost his head again.

      Which was followed by:

       … and Bob says he has utterly no guts.

      Yet Bibney got around as well as the next person. The next person, however, was just as strange. He was soon described as:

       … totally lacking in brains.

      *

      There was no doubt of the thing in the next passage. Julia, whom I had thought to be the one normal person, reveals herself as also being an alien life form, similar to the rest:

       … quite deliberately, Julia had given her heart to the young man.

      It didn’t relate what the final disposition of the organ was, but I didn’t really care. It was evident Julia had gone right on living in her usual manner, like all the others in the book. Without heart, arms, eyes, brains, viscera, dividing up in two when the occasion demanded. Without a qualm.

       … thereupon she gave him her hand.

      I sickened. The rascal now had her hand, as well as her heart. I shudder to think what he’s done with them, by this time.

       … he took her arm.

      Not content to wait, he had to start dismantling her on his own. Flushing crimson, I slammed the book shut and leaped to my feet. But not in time to escape one last reference to those carefree bits of anatomy whose travels had originally thrown me on the track:

       … her eyes followed him all the way down the road and across the meadow.

      I rushed from the garage and back inside the warm house, as if the accursed things were following me. My wife and children were playing Monopoly in the kitchen. I joined them and played with frantic fervor, brow feverish, teeth chattering.

      I had had enough of the thing. I want to hear no more about it. Let them come on. Let them invade Earth. I don’t want to get mixed up in it.

      I have absolutely no stomach for it.

      The Putnam Tradition

      by Sonya Dorman

       Through generations the power has descended, now weaker, now stronger. And which way did the power run in the four-year-old in the garden, playing with a pie plate?

      It was an old house not far from the coast, and had descended generation by generation to the women of the Putnam family. Progress literally went by it: a new four-lane highway had been built two hundred yards from the ancient lilacs at the doorstep. Long before that, in the time of Cecily Putnam’s husband, power lines had been run in, and now on cold nights the telephone wires sounded like a concert of cellos, while inside with a sound like the breaking of beetles, the grandmother Cecily moved through the walls in the grooves of tradition.

      Simone Putnam, her granddaughter; Nina Putnam, her great-granddaughter; the unbroken succession of matriarchs continued, but times the old woman thought that in Simone it was weakened, and she looked at the four-year-old Nina askance, waiting, waiting, for some good sign.

      Sometimes one of the Putnam women had given birth to a son, who grew sickly and died, or less often, grew healthy and fled. The husbands were usually strangers to the land, the house, and the women, and spent a lifetime with the long-lived Putnam wives, and died, leaving their strange signs: telephone wires, electric lights, water pumps, brass plumbing.

      Sam Harris came and married Simone, bringing with him an invasion of washer, dryer, toaster, mixer, coffeemaster, until the current poured through the walls of the house with more vigor than the blood in the old woman’s veins.

      "You don’t approve of him," Simone said to her grandmother.

      "It’s his trade," Cecily Putnam answered. "Our men have been carpenters, or farmers, or even schoolmasters. But an engineer. Phui!"

      Simone was washing the dishes, gazing out across the windowsill where two pink and white Murex shells stood, to the tidy garden beyond where Nina was engaged in her private games.

      She dried the dishes by passing her hand once above each plate or glass, bringing it to a dry sparkle. It saved wear on the dishtowels, and it amused her.

      "Sam’s not home very much," she said in a placating voice. She herself had grown terrified, since her marriage, that she wouldn’t be able to bear the weight of her past. She felt its power on her and couldn’t carry it. Cecily had brought her up, after her father had disappeared and her mother had died in an unexplained accident. Daily she saw the reflection of her failure in the face of her grandmother, who seemed built of the same seasoned and secure wood as the old Putnam house. Simone looked at her grandmother, whom she loved, and became a mere vapor.

      "He’s not home so much," Simone said.

      *

      Her face was small, with a pointed chin, and she had golden-red hair which she wore loose on her shoulders. Nina, too, had a small face, but it was neither so pale nor so delicate as her mother’s, as if Sam’s tougher substance had filled her out and strengthened her bone structure. If it was true that she, Simone, was a weak link, then Sam’s strength might have poured into the child, and there would be no more Putnam family and tradition.

      "People

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