Atlantic Narratives: Modern Short Stories. E. V. Lucas

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Atlantic Narratives: Modern Short Stories - E. V. Lucas

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      It had been heavy, with hope now as well as with dread, for the past week. It was a week since she had last heard from Jack. Mrs. Crawley, over the hill, had had her wire, and her husband was now with her; and Lady Wrexham expected her boy to-morrow. There was no certainty at all as regarded herself; yet at any moment she might have a wire; and feeling to-day the stress of waiting too great to be borne in passivity, she left her books and letters, and put on her gardening shoes and gloves, and went out to her borders.

      For weeks now the incessant rain had made the relief and solace of gardening almost an impossibility; but to-day was mild and clear. There was no radiance in the air; curtains of pearly mist shut out the sky; yet here and there a soft opening in the white showed a pale, far blue, gentle and remote as the gaze of a wandering goddess, and the hills seemed to smile quietly up at the unseen sun. Mrs. Bradley, as she went along the river-path, could look across at the hills; the river-path and the hills were the great feature of Dorrington—the placid, comely red brick house to which she and Jack had come fifteen years ago, after the death of her husband in India. Enclosed by woods, and almost catching sight of the road—from its upper windows and over its old brick wall—the house could have seemed to her too commonplace and almost suburban, in spite of the indubitably old oak-paneling of the drawing-room, had it not been for the river and the hills. Stepping out on to the lawn from the windows of the drawing-room, she and Jack, on that April day, had found themselves confronting both—the limpid, rapid little stream, spanned near the house by its mossy bridge, and the hills, beyond the meadows, streaked with purple woodlands and rising, above the woods, to slopes russet, fawn, and azure. Jack, holding her by the hand, had pointed at once with an eager 'Isn't it pretty, mummy!'—even at eight he had cared almost as much as she, and extraordinarily in the same way, for the sights of the country; and if the hills had not settled the question, it was settled, quite finally, ten minutes later, by the white hepaticas.

      They had come upon them suddenly, after their tour of the walled kitchen garden and their survey of the lawn with its ugly shrubberies—now long forgotten—penetrating a thicket of hazels and finding themselves in an opening under trees where neighboring woods looked at them over an old stone wall, and where, from an old stone bench, one could see the river. The ground was soft with the fallen leaves of many an autumn; a narrow path ran, half obliterated, down to the river; and among the faded brown, everywhere, rose the thick clusters, the dark leaves, and the snowy flowers—poignant, amazing in their beauty.

      She and Jack had stopped short to gaze. She had never seen such white hepaticas, or so many, or so placed. And Jack, presently, lifting his dear nut-brown head and nut-brown eyes, had said, gazing up at her as he had gazed at the flowers, 'They are just like you, mummy.'

      She had felt at once that they were like her; more like than the little boy's instinct could grasp. He had thought of the darkness and whiteness; her widow's weeds and pale face had suggested that; but he could not know the sorrow, the longing, the earthly sense of irreparable loss, the heavenly sense of a possession unalterably hers, that the dark, melancholy leaves and celestial whiteness of the flowers expressed to her. Tears had risen to her eyes and she had stooped and kissed her child—how like her husband's that little face!—and had said, after a moment, 'We must never leave them, Jack.'

      They had never left them. Dorrington had been their home for fifteen years, and the hepaticas the heart of it, it had always seemed to them both; the loveliest ritual of the year that early spring one when, in the hazel copse, they would find the white hepaticas again in flower. And of all the autumnal labors none were sweeter than those which cherished and divided and protected the beloved flowers.

      Mrs. Bradley, to-day, worked in her long border, weeding, troweling, placing belated labels. She was dressed in black, her straw hat bound beneath her chin by a ribbon and her soft gardening gloves rolling back from her firm, white wrists. Her gestures expressed a calm energy, an accurate grace. She was tall, and when she raised herself to look over the meadows at the hills, she showed small, decisive features, all marked, in the pallor of her face, as if with the delicate, neutral emphasis of an etching: the gray, scrutinizing eyes, the charming yet ugly nose, the tranquil mouth which had, at the corners, a little drop, half sweet, half bitter, as if with tears repressed or a summoned smile. Squared at brow and chin, it would, but for the mildness of the gaze, have been an imperious face; and her head, its whitened hair drawn back and looped in wide braids behind, had an air at once majestic and unworldly.

      She had worked for over an hour and the last label was set beside a precious clump of iris. The hazel copse lay near by; and gathering up her tools, drawing off her wet gloves, she followed the path under the leafless branches and among the hepaticas to the stone bench, where, sinking down, she knew that she was very tired. She could see, below the bank, the dark, quick stream; a pale, diffused light in the sky showed where the sun was dropping toward the hills.

      Where was Jack at this moment, this quiet moment of a monotonous English winter day?—so like the days of all the other years that it was impossible to think of what was happening a few hours' journey away across the Channel. Impossible to think of it; yet the thick throb of her heart spoke to the full of its significance. She had told herself from the beginning—passionate, rebellious creature as, at bottom, she knew herself to be, always in need of discipline and only in these later years schooled to a control and submission that, in her youth, she would have believed impossible to her—she had told herself, when he had gone from her, that, as a soldier's widow, she must see her soldier son go to death. She must give him to that; be ready for it; and if he came back to her it would be as if he were born again—a gift, a grace, unexpected and unclaimed. She must feel, for herself as well as for her country, that these days of dread were also days of a splendor and beauty unmatched by any in England's history, and that a soldier's widow must ask for no more glorious fate for her son than death in such a cause. She had told herself all this many times; yet, as she sat there, her hands folded on her lap, her eyes on the stream below, she felt that she was now merely motherhood, tense, huddled, throbbing and longing, longing for its child.

      Then, suddenly, she heard Jack's footsteps. They came, quick and light, along the garden path; they entered the wood; they were near, but softened by the fallen leaves. And, half rising, afraid of her own joy, she hardly knew that she saw him before she was in his arms; and it was better to meet thus, in the blindness and darkness of their embrace, her cheek pressed against his hair, his head buried close between her neck and shoulder.

      'Jack!—Jack!' she heard herself say.

      He said nothing, holding her tightly to him, with quick breaths; and even after she had opened her eyes and could look down at him—her own, her dear, beautiful Jack—could see the nut-brown head, the smooth brown cheek, the firm brown hand which grasped her, he did not for a long time raise his head and look at her. When, at last, he did look up, she could not tell, through her tears, whether, like herself, he was trying to smile.

      They sat down together on the bench. She did not ask him why he had not wired. That question pressed too sharply on her heart; to ask might seem to reproach.

      'Darling, you are so thin—so much older—but you look—strong and well.'

      'We're all of us extraordinarily fit, mummy. It's wholesome, living in mud.'

      'And wholesome living among bursting shells? I had your last letter telling of that miraculous escape.'

      'There have been a lot more since then. Every day seems a miracle—that one's alive at the end of it.'

      'But you get used to it?'

      'All except the noise. That always seems to daze me still. Some of our fellows are deaf from it.—You heard of Toppie, mother?' Jack asked.

      Toppie was Alan Thorpe, Jack's nearest friend. He had been killed ten days ago.

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