Atlantic Narratives: Modern Short Stories. E. V. Lucas
Чтение книги онлайн.
Читать онлайн книгу Atlantic Narratives: Modern Short Stories - E. V. Lucas страница 9
'Father—?'
'Yes, Ollie.'
'Father, see here. He was weak and gave way—once! Are there any men in the world who haven't given way at least once about something or other?—are there, father?'
There was a note of anguish in the boy's voice. Perhaps he was being pushed too far. Oliver Pickersgill Senior cleared his throat, paused, and at last answered sombrely—
'God knows, Ollie. I don't. I won't say there are.'
'Well, then—'
'See here!' his father interrupted sharply. 'Of course I see your argument. I won't meet it. I shan't try. It doesn't change my mind even if it is a good argument. We'll never get anywhere, arguing along those lines. I'll propose something else. Suppose you go ask Peter Lannithorne whether you shall marry his daughter or not. Yes, ask him. He knows what's what as well as the next man. Ask Peter Lannithorne what a man wants in the family of the woman he marries.'
There was a note of finality in the older man's voice. Ollie recognized it drearily. All roads led to Lannithorne, it seemed. He rose, oppressed with the sense that henceforward life was going to be full of unforeseen problems; that things which, from afar, looked simple, and easy, and happy, were going to prove quite otherwise. Mrs. Lannithorne had angered rather than frightened him, and he had held his own with her; but this was his very own father who was piling the load on his shoulders and filling his heart with terror of the future. What was it, after all, this adventure of the married life whereof these seasoned travelers spoke so dubiously? Could it really be that it was not the divine thing it seemed when he and Ruth looked into each other's eyes?
He crossed the floor dejectedly, with the step of an older man, but at the door he shook himself and looked back.
'Say, dad!'
'Yes, Ollie.'
'Everybody is so terribly depressing about this thing, it almost scares me. Aren't there really any happy times for married people, ever? You and Mrs. Lannithorne make me feel there aren't; but somehow I have a hunch that Ruth and I know best! Own up now! Are you and mother miserable? You never looked it!'
His father surveyed him with an expression too wistful to be complacent. Ah, those broad young shoulders that must be fitted to the yoke! Yet for what other end was their strength given them? Each man must take his turn.
'It's not a soft snap. I don't know anything worth while that is. But there are compensations. You'll see what some of them are when your boys begin to grow up.'
IV
Across Oliver's young joy fell the shadow of fear. If, as his heart told him, there was nothing to be afraid of, why were his elders thus cautious and terrified? He felt himself affected by their alarms all the more potently because his understanding of them was vague. He groped his way in fog. How much ought he to be influenced by Mrs. Lannithorne's passionate protests and his father's stern warnings? He realized all at once that the admonitory attitude of age to youth is rooted deep in immortal necessity. Like most lads, he had never thought of it before save as an unpleasant parental habit. But fear changes the point of view, and Oliver had begun to be afraid.
Then again, before him loomed the prospect of his interview with Peter Lannithorne. This was a very concrete unpleasantness. Hang it all! Ruth was worth any amount of trouble, but still it was a tough thing to have to go down to the state capital and seek one's future father-in-law in his present boarding-place! One oughtn't to have to plough through that particular kind of difficulty on such an errand. Dimly he felt that the path to the Most Beautiful should be rose-lined and soft to the feet of the approaching bridegroom. But, apparently, that wasn't the way such paths were laid out. He resented this bitterly, but he set his jaws and proceeded to make his arrangements.
It was not difficult to compass the necessary interview. He knew a man who knew the warden intimately. It was quickly arranged that he was to see Peter Lannithorne in the prison library, quite by himself.
Oliver dragged himself to that conference by the sheer strength of his developing will. Every fibre of his being seemed to protest and hold back. Consequently he was not in the happiest imaginable temper for important conversation.
The prison library was a long, narrow room, with bookcases to the ceiling on one side and windows to the ceiling on the other. There were red geraniums on brackets up the sides of the windows, and a canary's cage on a hook gave the place a false air of domesticity, contradicted by the barred sash. Beneath, there was a window-seat, and here Oliver Pickersgill awaited Lannithorne's coming.
Ollie did not know what he expected the man to be like, but his irritated nerves were prepared to resent and dislike him, whatever he might prove. He held himself rigidly as he waited, and he could feel the muscles of his face setting themselves into hard lines.
When the door opened and some one approached him, he rose stiffly and held out his hand like an automaton.
'How do you do, Mr. Lannithorne? I am Oliver Pickersgill, and I have come—I have come—'
His voice trailed off into silence, for he had raised his eyes perfunctorily to Peter Lannithorne's face, and the things printed there made him forget himself and the speech he had prepared.
He saw a massive head topping an insignificant figure. A fair man was Peter Lannithorne, with heavy reddish hair, a bulging forehead, and deep-set gray eyes with a light behind them. His features were irregular and unnoticeable, but the sum-total of them gave the impression of force. It was a strong face, yet you could see that it had once been a weak one. It was a tremendously human face, a face like a battle-ground, scarred and seamed and lined with the stress of invisible conflicts. There was so much of struggle and thought set forth in it that one involuntarily averted one's gaze. It did not seem decent to inspect so much of the soul of a man as was shown in Peter Lannithorne's countenance. Not a triumphant face at all, and yet there was peace in it. Somehow, the man had achieved something, arrived somewhere, and the record of the journey was piteous and terrible. Yet it drew the eyes in awe as much as in wonder, and in pity not at all!
These things were startlingly clear to Oliver. He saw them with a vividness not to be overestimated. This was a prison. This might be a convict, but he was a man. He was a man who knew things and would share his knowledge. His wisdom was as patent as his suffering, and both stirred young Oliver's heart to its depths. His pride, his irritation, his rigidity vanished in a flash. His fears were in abeyance. Only his wonder and his will to learn were left.
Lannithorne did not take the offered hand, yet did not seem to ignore it. He came forward quietly and sat down on the window-seat, half turning so that he and Oliver faced each other.
'Oliver Pickersgill?' he said. 'Then you are Oliver Pickersgill's son.'
'Yes, Mr. Lannithorne. My father sent me here—my father, and Mrs. Lannithorne, and Ruth.'
At his daughter's name a light leaped into Peter Lannithorne's eyes that made him look even more acutely and painfully alive than before.
'And what have you to do with Ruth, or her mother?' the man asked.
Here