Maurice Guest. Henry Handel Richardson

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down. But Krafft turned nonchalantly to the piano, where his attention was caught by a song that was standing on the rack. He chuckled, and set about making merciless fun of the music—the composer was an elderly singing-teacher, of local fame. Madeleine grew angry, and tried to take it from him.

      "Hold your tongue, Heinz! If your own songs were more like this, they would have a better chance of success. Now be quiet! I won't hear another word. Herr Wendling is a very good friend of mine."

      "A friend! Heavens! She says friend as if it were an excuse for him.—Mada, let your friend cease making music if he hopes for salvation. Let him buy a broom and sweep the streets—let him——"

      "You are disgusting!"

      She had got the music from him, but he was already at the piano, parodying, from memory, the conventional accompaniment and sentimental words of the song. "And this," he said, "from the learned ass who is not yet convinced that the FEUERZAUBER is music, and who groans like a dredge when the last act of SIEGFRIED is mentioned. Wendling and Wagner! Listen to this!—for once, I am a full-blooded Wagnerite."

      He felt after the chords that prelude Brunnhilde's awakening by Siegfried. Until now, Avery Hill had sat indifferent, as though what went on had nothing to do with her; but no sooner had Krafft commenced to play than she grew uneasy; her eyes lost their cold assurance, and, suddenly getting up and going round to the front of the piano, she pushed the young man's hands from the keys. Krafft yielded his place to her, and, taking up the chords where he had left them, she went on. She played very well—even Maurice in his disturbance could, not but notice it—with a firm, masculine touch, and that inborn ease, that enviable appearance of perfect fitness, of being one with the instrument, which even the greatest players do not always attain. She had, besides, grip and rhythm, and long, close-knit hands insinuated themselves artfully among the complicated harmonies.

      When she began to play, Madeleine made "Tch, tch, tch!" and shook her head, in despair of now ever being rid of them. Krafft remained standing behind the piano at the window leaning his forehead on the glass. Maurice, who watched them both surreptitiously, saw his face change, and grow thoughtful as he stood there; but when Avery Hill ceased abruptly on a discord, he wheeled round at once and patted her on the back. While looking over to Maurice, he said: "No doubt you found that very pretty and affecting?"

      "I think that's none of your business," said Maurice.

      But Krafft did not take umbrage. "You don't say so?" he murmured with a show of surprise.

      "Now, go, go, go!" cried Madeleine. "What have I done to be subjected to such a visitation? No, Heinz, you don't sit down again. Here's your hat. Away with you!—or I'll have you put out by force."

      And at last they really did go, to a cool bow from Maurice, who still sat holding his magazine. But Madeleine had hardly closed the door behind them, when, like a whirlwind, Krafft burst into the room again.

      "Mada, I forgot to ask you something," he said in a stage-whisper, drawing her aside. "Tell me—you KUPPLERIN, you!—does he know her?" He pointed over his shoulder with his thumb at Maurice.

      Madeleine shook her head, in real vexation and distress, and laid a finger on her lip. But it was of no use. Stepping over to Maurice, Krafft bowed low, and held his hat against his breast.

      "It is impossible for you to understand how deeply it has interested me to meet you," he said. "Allow me, from the bottom of my heart, to wish you success." Whereupon, before Maurice could say "damn!" he was gone again, leaving his elfin laugh behind him in the air, like smoke.

      Madeleine shut the door energetically and gave a sigh of relief.

      "Thank goodness! I thought they would never go. And now, the chances are, they'll run into Louise on the stairs. You'll wonder why I was so bent on getting rid of them. It's a long story. I'll tell it to you some other time. But if Louise had found them here when she came, she would not have stayed. She won't have anything to do with Heinz."

      "I don't wonder at it," said Maurice. He stood up and threw the magazine on the table.

      Madeleine displayed more astonishment than she felt. "Why what's the matter? You're surely not going to take what Heinz said, seriously? He was in a bad mood to-day, I know, and I noticed you were very short with him. But you mustn't be foolish enough to be offended by him. No one ever is. He is allowed to say and do just what he likes. He's our spoilt child."

      Maurice laughed. "The fellow is either a cad, or an unutterable fool. You, Madeleine, may find his impertinence amusing. I tell you candidly, I don't!" and he went on to make it clear to her that the fault would not be his, were Krafft and he ever in the same room together again. "The kind of man one wants to kick downstairs. What the deuce did he mean by guffawing like that when you told him who was coming?"

      "You mean about Louise?" Madeleine gave a slight shrug. "Yes, Maurice—unfortunately that was not to be avoided. But sit down again, and let me explain things to you. When you hear——"

      But he did not want explanations; he did not even want an answer to the question he had put; his chief concern now was to get away. To stay there, in that room, for another quarter of an hour, would be impossible, on such tenterhooks was he. To stay—for what? Only to listen to more slanderous hints, of the kind he had heard before. As it was, he did not believe he could face her frankly, should she still come. He felt as if, in some occult way, he had assisted at a tampering with her good name.

      "You will surely not be so childish?" said Madeleine, on seeing him take up his hat.

      "Childish?—you call it childish?" he exclaimed, growing angry with her, too. "Do you know what time it is? Three o'clock, you write me, and it's now a quarter past five. I have sat here doing nothing for over two mortal hours. It seems to me that's enough, without being made the butt of your friends' wit into the bargain. I'm sick of the whole thing. Good-bye."

      "We seem bound to quarrel," said Madeleine calmly. "And always about Louise. But there's no use in being angry. I am not responsible for what Heinz says and does. And on the mere chance of his coming in to-day, to sit down and unroll another savoury story to you, about your idol—would you have thanked me for it? Remember the time I did try to open you eyes!—It's not fair either to blame me because Louise hasn't come. I did my best for you. I can't help it if she's as stable as water."

      "I think you dislike her too much to want to help it," said Maurice grimly. He stood staring at the carnations, and his resentment gave way to depression, as he recalled the mood which he had bought them.

      "Come back as soon as you feel better. I'm not offended, remember!" Madeleine called after him as he went down the stairs. When she was alone, she said "Silly boy!" and, still smiling, made excuses for him: he had come with such pleasurable anticipations, and everything had gone wrong. Heinz had behaved disagracefully, as only he could. While as for Louise, one was no more able to rely on her than on a wisp straw; and she, Madeleine, was little better than a fool not to have known it.

      She moved about the room, putting chairs and papers in their places, for she could not endure disorder of any kind. Then she sat down to write a letter; and when, some half hour later, the girl for whom they had waited, actually came, she met her with exclamations of genuine surprise.

      "Is it really you? I had given you up long ago. Pray, do you know what time it is?"

      She took out her watch and dangled it before the other's eyes. But Louise Dufrayer hardly glanced at it. As, however, Madeleine persisted, she said: "I'm late, I know. But it was not my fault. I couldn't get away."

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