Maurice Guest. Henry Handel Richardson

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in quaint scales and broken octaves, to a syncopated bass of chords that were adapted to the stretch of no ordinary hand.

      "LIEBLOS UND OHNE GOTT AUF EINER HAIDE," sang Madeleine on the high F sharp; but Maurice, having collected neither his wits nor his fingers, began blunderingly, could not right himself, and after scrambling through a few bars, came to a dead stop, and let his hands fall from the keys.

      "Not to-day, Madeleine."

      She laughed good-naturedly. "Very well—not to-day. One shouldn't ask you to believe to-day that DIE GANZE WELT IST ZUM VERZWEIFELN TRAURIG."

      While she made tea, he returned to the window, where he stood with his hands in his pockets, lost in thought. He told himself once more what he found it impossible to believe: that he was going to see Louise again in a few hours; and not only to see her, but to speak to her, to be at her side. And when his jubilation at this had subsided, he went over in memory all that had just taken place. His first impression, he could afford now to admit it, had been almost one of disappointment: that came from having dreamed so long of a shadowy being, whom he had called by her name, that the real she was a stranger to him. Everything about her had been different from what he had expected—her voice, her smile, her gestures—and in the first moments of their meeting, he had been chill with fear, lest—lest … even yet he did not venture to think out the thought. But this first sensation of strangeness over, he had found her more charming, more desirable, than even he had hoped; and what almost wrung a cry of pleasure from him as he remembered it, was that not the smallest trifle—no touch of coquetry, no insincerely spoken word—had marred the perfect impression of the whole. To know her, to stand before her, he recognised it now, gave the lie to false slander and report. Hardest of all, however, was it to grasp that the meeting had actually come to pass and was over: it had been so ordinary, so everyday, the most natural thing in the world; there had been no blast of trumpets, nor had any occult sympathy warned her that she was in the presence of one who had trembled for weeks at the idea of this moment and again he leaned forward and gazed at the spot in the street, where she had disappeared from sight. He was filled with envy of Dove—this was the latter's reward for his unfailing readiness to oblige others—and in fancy he saw Dove walking street after street at her side.

      In reality, the two parted from each other shortly after turning the first corner.

      On any other day, Dove would have been still more prompt to take leave of his companion; but, on this particular one, he was in the mood to be a little reckless. In the morning, he had received, with a delightful shock, his first letter from Ephie, a very frank, warmly written note, in which she relied on his great kindness to secure her, WITHOUT FAIL—these words were deeply underscored—two places in the PARQUET of the theatre, for that evening's performance. Not the letter alone, but also its confiding tone, and the reliance it placed in him, had touched Dove to a deep pleasure; he had been one of the first to arrive at the box-office that morning, and, although he had not ventured, unasked, to take himself a seat beside the sisters, he was now living in the anticipation of promenading the FOYER with them in the intervals between the acts, and of afterwards escorting them home.

      On leaving Louise he made for the theatre with a swinging stride—had he been in the country, stick in hand, he would have slashed off the heads of innumerable green and flowering things. As it was, he whistled—an unusual thing for him to do in the street—then assumed the air of a man hard pressed for time. Gradually the passers-by began to look at him with the right amount of attention; he jostled, as if by accident, one or two of those who were unobservant, then apologised for his hurry. It was not pleasurable anticipation alone that was responsible for Dove's state of mind, and for the heightening and radiation of his self-consciousness. In offering to go early to the theatre, and to stand at the doors for at least three-quarters of an hour, in order that the others, coming considerably later might still have a chance of gaining their favourite seats: in doing this, Dove was not actuated by a wholly unselfish motive, but by the more complicated one, which, consciously or unconsciously, was present beneath all the friendly cares and attentions he bestowed on people. He was never more content with himself, and with the world at large, than when he felt that he was essential to the comfort and well-being of some of his fellow-mortals; than when he, so to speak, had a finger in the pie of their existence. It engendered a sense of importance, gave life fulness and variety; and this far outweighed the trifling inconveniences such welldoing implied. Indeed, he throve on them. For, in his mild way, Dove had a touch of Caesarean mania—of a lust for power.

      Left to herself, Louise Dufrayer walked slowly home to her room in the BRUDERSTRASSE, but only to throw a hasty look round. It was just as she had expected: although it was long past the appointed time, he was not there. At a flower-shop in a big adjoining street, she bought a bunch of many-coloured roses, and with these in her hands, went straight to where Schilsky lived.

      Mounting to the third floor of the house in the TALSTRASSE, she opened, without ceremony, the door of his room, which gave direct on the landing; but so stealthily that the young man, who was sitting with his back to the door, did not hear her enter. Before he could turn, she had sprung forward, her arms were round his neck, and the roses under his nose. He drew his face away from their damp fragrance, but did not look up, and, without removing his cigarette, asked in a tone of extreme bad temper: "What are you doing here, Lulu? What nonsense is this? For God's sake, shut the door!"

      She ruffled his hair with her lips. "You didn't come. And the day has seemed so long."

      He tried to free himself, putting the roses aside with one hand, while, with his cigarette, he pointed to the sheets of music-paper that lay before him. "For a very good reason. I've had no time."

      She went back and closed the door; and then, sitting down on his knee, unpinned her big hat, and threw it and the roses on the bed. He put his arm round her to steady her, and as soon as he held her to him, his ill-temper was vanquished. He talked volubly of the instrumentation he was busy with. But she, who could point out almost every fresh note he put on paper, saw plainly that he had not been at work for more than a quarter of an hour; and, in a miserable swell of doubt and jealousy, such as she could never subdue, she asked:

      "Were you practising as well?"

      He took no notice of these words, and she did not trust herself to say more, until, with his free hand, he began jotting again, making notes that were no bigger than pin-heads. Then she laid her hand on his. "I haven't seen you all day."

      But he was too engrossed to listen. "Look here," he said pointing to a thick-sown bar. "That gave me the deuce of a bother. While here "—and now he explained to her, in detail, the properties of the tenor-tuba in B, and the bass-tuba in F, and the use to which he intended to put these instruments. She heard him with lowered eyes, lightly caressing the back of his hand with her finger-tips. But when he ceased speaking, she rubbed her cheek against his.

      "It is enough for to-day. Lulu has been lonely."

      Not one of his thoughts was with her, she saw that, as he answered: "I must get this finished."

      "To-night?"

      "If I can. You know well enough, Lulu, when I'm in the swing——"

      "Yes, yes, I know. If only it wouldn't always come, just when I want you most."

      Her face lost its brightness; she rose from his knee and roamed about the room, watched from the wall by her pictured self.

      "But is there ever a moment in the day when you don't want me? You are never satisfied." He spoke abstractedly, without interest in the answer she might make, and, relieved of her weight, leant forward again, while his fingers played some notes on the table. But when she began to let her hands stray over the loose papers and other articles that encumbered chairs, piano

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