Corleone: A Tale of Sicily. F. Marion Crawford

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Corleone: A Tale of Sicily - F. Marion Crawford

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now.'

      San Giacinto did not like to repeat explanations.

      'I thought you were joking,' remarked Orsino.

      'I never did that. I suppose we shall not have the luck to fall in with any of those fellows, but there has been a good deal of trouble lately, and we shall not be particularly popular as Romans going to take possession of Sicilian lands. We should be worth a ransom too, and by this time the whole country knows that we are coming.'

      'Then we may really have some excitement,' said Orsino, more surprised than he would show at his cousin's confirmation of much that Vittoria had said. 'How about the mafia?' he asked by way of leading San Giacinto into conversation. 'How will it look at us?'

      'The mafia is not a man,' answered San Giacinto, bluntly. 'The mafia is the Sicilian character—Sicilian honour, Sicilian principles. It is an idea, not an institution. It is what makes it impossible to govern Sicily.'

      'Or to live there,' suggested Orsino.

      'Except with considerable tact. You will find out something about it very soon, if you try to manage that place. But if you are nervous you had better not try.'

      'I am not nervous, I believe.'

      'No, it is of no use to be. It is better to be a fatalist. Fatalism gives you your own soul, and leaves your body to the chemistry of the universe, where it belongs. If your body comes into contact with something that does not agree with it, you die. That is all.'

      There was an admirable directness in San Giacinto's philosophy, as Orsino knew. They made a final agreement about meeting at the station on the following morning, and Orsino went home a good deal less inclined to treat Vittoria's presentiments lightly. It had been characteristic of San Giacinto that he had hitherto simply forgotten to mention that there might be real danger in the expedition to Camaldoli, and it was equally in accordance with Orsino's character to take the prospect of it simply and gravely. There was a strong resemblance between the two kinsmen, and Orsino understood his cousin better than his father or any of his brothers.

      He had already explained to his mother what he was going to do, and she had been glad to learn that he had found something to interest him. Both Corona and Sant' Ilario had the prevailing impression that the Sicilian difficulties were more or less imaginary. That is what most Romans think, and the conviction is general in the north of Italy. As Orsino said nothing about his conversation with San Giacinto on that last evening, his father and mother had not the slightest idea that there was danger before him, and as they had both noticed his liking for Vittoria, they were very glad that he should go away just then, and forget her.

      The old Prince bade him goodbye that night.

      'Whatever you do, my boy,' he said, shaking his snowy old head energetically, 'do not marry a Sicilian girl.'

      The piece of advice was so unexpected that Orsino started slightly, and then laughed, as he took his grandfather's hand. It was oddly smooth, as the hands of very old men are, but it was warm still, and not so feeble as might have been expected.

      'And if you should get into trouble down there,' said the head of the house, who had known Sicily seventy years earlier, 'shoot first. Never wait to be shot at.'

      'It is not likely that there will be much shooting nowadays,' laughed Sant' Ilario.

      'That does not make my advice bad, does it?' asked old Saracinesca, turning upon his son, for the least approach to contradiction still roused his anger instantly.

      'Oh no!' answered Giovanni. 'It is very good advice.'

      'Of course it is,' growled the old gentleman, discontentedly. 'I never gave anyone bad advice in my life. But you boys are always contradicting me.'

      Giovanni smiled rather sadly. It was not in the nature of things that men over ninety years old should live much longer, but he felt what a break in the household's life the old man's death must one day make, when the vast vitality should be at last worn out.

       Table of Contents

      Orsino travelled down to Naples with San Giacinto in that peculiar state of mind in which an unsentimental but passionate man finds himself when he is leaving the woman he loves in order to go and do something which he knows must be done, which he wishes to do, and which involves danger and difficulty.

      San Giacinto did not say much more about brigands, or the mafia, but he talked freely of the steps to be taken on arriving in Messina, in order to get a proper escort of soldiers from Piedimonte to Camaldoli, and it was perfectly clear that he anticipated trouble. Orsino was surprised to find that he expected to have four or five carabineers permanently quartered at Camaldoli, by way of protection, and that he had already applied in the proper quarter to have the men sent to meet him. Then he began to talk of the projected railway and of the questions of engineering involved.

      Orsino felt lonely in his society, and it was a sensation to which he was not accustomed. It was long since he had known what it was to miss a woman's eyes and a woman's voice, and he had not thought that he should know it again. As the train ran on, hour after hour, he grew more silent, not wondering at himself, but accepting quite simply the fact that it hurt him to leave Vittoria far behind, and that he longed for her presence more and more. He could not help thinking how easy it would be for him to refuse to go on, and to take the next train back from Naples to Rome, and to see her to-morrow. He would not have done such a thing for the world, but he could not escape from the rather contemptible pleasure of thinking about it.

      Late in the afternoon the steamer that was to take them to Messina got under way—an old-fashioned, uncomfortable boat, crowded with people of all kinds, for the vessel was to go on to Malta on the next day. At the bad dinner in the dim cabin the tables were full, and many of the people were talking in the Maltese dialect, which is an astonishing compound of Italian and Arabic, perfectly incomprehensible both to Arabs and Italians. They stared at San Giacinto because he was a giant, and evidently talked about him in their own language, which irritated Orsino, though the big man seemed perfectly indifferent. Neither cared to speak, and they got through their abominable dinner in silence and went up to smoke on deck.

      Orsino leaned upon the rail and gazed longingly at the looming mountains, behind which the full moon was rising. He was not sentimental, for Italian men rarely are, but like all his fellow-countrymen he was alive to the sensuous suggestions of nature at certain times, and the shadowy land, the rising moon, the gleaming ripple of the water, and the evening breeze on his face, brought Vittoria more vividly than ever to his mind. He looked up at San Giacinto, and even the latter's massive and gloomy features seemed to be softened by the gentle light and the enchantment of the southern sea. Unconsciously he was more closely drawn to the man of his own blood, after being jostled in the crowd of doubtful passengers who filled the steamer.

      It was not in his nature to make confidences, but he wished that his friend and kinsman knew that he was in love with Vittoria and meant to marry her. It would have made the journey less desolate and lonely. He was still young, as San Giacinto would have told him, with grim indifference, if Orsino had unburdened his heart at that moment. But he did not mean to do that. He leaned over the rail and smoked in silence, looking from the moon to the rippling water and back again, and wishing that the night were not before him, but that he were already in Messina with something active to do. To be doing the thing would be to get nearer to Vittoria, since he could return with a clear conscience as soon

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