A Fountain Sealed. Anne Douglas Sedgwick

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A Fountain Sealed - Anne Douglas Sedgwick

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tints of fawn and russet predominated throughout his garments with a pleasing harmony, so that in his rough tweeds and riding-gaiters he seemed as much a product of the nature outside as any bird or beast. The air of a delightfully civilized rurality was upon him, an air of landowning, law-dispensing, sporting efficiency; and if, in the fitness of his coloring, he made one think of a fox or a pheasant, in character he suggested nothing so much as one of the deep-rooted oaks of his own park. His very simplicity and uncomplexity of consciousness was as fresh, as wholesome, as genially encompassing, as full summer foliage. One rested in his shade.

      He was an inarticulate person and his eyes, now, in their almost seared solicitude, spoke more of sympathy and tenderness than his halting tongue. He ended by repeating a good many times that he hoped she wasn't too frightfully pulled down. Mrs. Upton said that she was really feeling very well, though conscious that her sincerity might somewhat bewilder her friend in his conceptions of fitness, and they sat down side by side on a small sofa near the window.

      We have said that for the first years of her freedom Mrs. Upton had been very gay. Of late years the claims on her resources from the family across the Atlantic had a good deal clipped her wings, and, though she made a round of spring and of autumn visits, she spent her time for the most part in her little Surrey house, engaged desultorily in gardening, study, and the entertainment of the friend or two always with her. She had not found it difficult to fold her wings and find contentment in the more nest-like environment. She had never been a woman to seek, accepting only, happily, whatever gifts life brought her; and it seemed as natural to her that things should be taken as that things should be given. But with the renouncement of more various outlooks this autumnal quietness, too, had brought its gift, discreet, delicate, a whispered sentence, as it were, that one could only listen to blindfolded, but that, once heard, gave one the knowledge of a hidden treasure. Sir Basil had been one of the reasons, the greatest reason, for her happiness in the Surrey nest. It was since coming there to live that she had grown to know him so well, with the slow-developing, deep-rooted intimacy of country life. The meadows and parks of Thremdon Hall encompassed all about the heath where Valerie Upton's cottage stood among its trees. They were Sir Basil's woods that ran down to her garden walls and Sir Basil's lanes that, at the back of the cottage, led up, through the heather, to the little village, a mile or so away. She had met Sir Basil before coming to live there, once or twice in London, and once or twice for week-ends at country-houses; but he was not a person whom one came really to know in drawing-room conditions; indeed, at the country-houses one hardly saw him except at breakfast and dinner; he was always hunting, golfing, or playing billiards, and in the interludes to these occupations one found him a trifle somnolent. It was after settling quite under his wing—and that she was under it she had discovered only after falling in love with the little white cottage and rushing eagerly into tenancy—that she had found out what a perfect neighbor he was; then come to feel him as a near friend; then, as those other friends had termed it, to care for him.

      Valerie Upton, herself, had never called it by any other name, this feeling about Sir Basil; though it was inevitable, in a woman of her clearness of vision, that she should very soon recognize a more definite quality in Sir Basil's feeling about her. That she had always kept him from naming it more definitely was a feat for which, she well knew it, she could allow herself some credit. Not only had it needed, at some moments, dexterity; it had needed, at others, self-control. Self-control, however, was habitual to her. She had long since schooled herself into the acceptance of her stupidly maimed life, seeing herself in no pathetic similes at all, but, rather, as a foolish, unformed creature who, partly through blindness, partly through recklessness, had managed badly to cripple herself at the outset of life's walk, and who must make the best of a hop-skip-and-jump gait for the rest of it. She had felt, when she decided that she had a right to live away from Everard, that she had no right to ask more of fortune than that escape, that freedom. One paid for such freedom by limiting one's possibilities, and she had never hesitated to pay. Never to indulge herself in sentimental repinings or in sentimental musings, never to indulge others in sentimental relationships, had been the most obvious sort of payment; and if, in regard to Sir Basil, the payment had sometimes been difficult, the reward had been that sense of unblemished peace, that sense of composure and gaiety. It was enough to know, as a justification of her success, that she made him happy, not unhappy. It was enough to know that she could own freely to herself how much she cared for him, so much that, finding him funny, dear, and dull, she was far fonder of his funniness, of his dullness, than of other people's cleverness. He made her feel as if, on that maimed, that rather hot and jaded walk, she had come upon the great oak-tree and sat down to rest in its peaceful shadow, hearing it rustle happily over her and knowing that it was secure strength she leaned against, knowing that the happy rustle was for her, because she was there, peaceful and confident. So it had all been like a gift, a sad, sweet secret that one must not listen to except with blindfolded eyes. She had never allowed the gift to become a burden or a peril. And now, to-day, for the first time, it was as though she could raise the bandage and look at him.

      She sat beside him in her widow's enfranchising blackness and she couldn't but seer at last, how deep was that upwelling, inevitable fondness. So deep that, gazing, as if with new and dazzled eyes, she wondered a little giddily over the long self-mastery; so deep that she almost felt it as a strange, unreal tribute to trivial circumstance that, without delay, she should not lean her head against the dear oak and tell it, at last, that its shelter was all that she asked of life. It was necessary to banish the vision by the firm turning to that other, that dark one, of her dead husband, her grief-stricken child, and, in looking, she knew that while it was so near she could not dwell on the possibilities of freedom. So she talked with her friend, able to smile, able, once or twice, to use toward him her more intimate tone of affectionate playfulness.

      "But you are coming back—directly!" Sir Basil exclaimed, when she told him that she expected her boy in a few days and that they would sail for New York together.

      Not directly, she answered. Before very long, she hoped. So many things depended on Imogen.

      "But she will live with you now, over here."

      "I don't think that she will want to leave America," said Valerie. "I don't think, even, that I want her to."

      "But this is your home, now," Sir Basil protested, looking about, as though for evidences of the assertion, at the intimate comforts of the room. "You know that you are more at home here than there."

      "Not now. My home, now, is Imogen's."

      Sir Basil appeared to reflect, and then to put aside reflection as, after all, inapplicable, as yet, to the situation.

      "Well, I must pay America a visit," he said with an unemphatic smile. "I've not been there for twenty years, you know. I'll like seeing it again, and seeing you—in Miss Imogen's home."

      Valerie again flushed a little. In some matters Sir Basil was anything but dull, and his throwing, now, of the bridge was most tactfully done. He intended that she should see it solidly spanning the distance between them and only time was needed, she knew, to give him his right of walking over it, and her right—but that was one of the visions she must not look at. A great many things lay between now and then, confused, anxious, perhaps painful, things. The figure of Imogen so filled the immediate future that the place where Sir Basil should take up his thread was blotted into an almost melancholy haze of distance. But it was good to feel the bridge there, to know him so swift and so sure.

      "She is very clever, your girl, isn't she? I've always felt it from what you've told me," he said, defining for himself, as she saw, the future where they were to meet.

      "Very, I think."

      "Very learned and artistic. I'm afraid she'll find me an awful Philistine.

       You must stand up for me with her."

      "I will," Valerie smiled, adding, "but Imogen

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