"Yes, I know; one can see that in the photographs," said Sir Basil. There were several of these standing about the room and he get up to look at them, one after the other—Imogen in evening, in day dress, all showing her erect slenderness, her crown of hair, her large, calm eyes.
"She looks kind but very cool, you know," he commented. "She would take one in at a great rate; not find much use for an every-day person like me."
"Oh, you won't be an every-day person to Imogen. And her great point, I think, is her finding a use for everybody."
"Making them useful to her?"
"No—to themselves—to the world in general."
"Improving them, do you mean?"
"Well, yes, I should say that was more it. She likes to give people a lift."
"But—she's so very young. How does she manage it?" Sir Basil queried over the photograph, whose eyes dwelt on him while he spoke,
"Oh, you'll see," Valerie smiled a little at his pertinacity. "I've no doubt that she will improve you."
"Well," said Sir Basil, recognizing her jocund intention, "she's welcome to try. As long as you are there to see that she isn't too hard on me." He dismissed Imogen, then, from his sight and thoughts, replacing her on the writing-table and suggesting that Mrs. Upton should take a little walk with him. His horse had been put into the stable and he could come back for him. Mrs. Upton said that when they came back he must stay to lunch and that be could ride home afterward, and this was agreed on; so that in ten minutes' time Mrs. Pakenham and Mrs. Wake, from their respective windows, were able to watch their widowed friend walking away across the heather with Sir Basil beside her.
Neither spoke much as they wended their way along the little paths of silvery sand that intersected the common. The day was clear, with a milky, blue-streaked sky; the distant foldings of the hills were of a deep, hyacinthine blue.
From time to time Sir Basil glanced at the face beside him, thoughtful to sadness, its dusky fairness set in black, but attentive, as always, to the sights and sounds of the well-loved country about her. He liked to watch the quick glancing, the clear gazing, of her eyes; everything she looked at became at once more significant to him—the tangle of tenacious roots that thrust through the greensand soil of the lane they entered, the suave, gray columns of the beeches above, the blurred mauves and russets of the woods, the swift, awkward flight of a pheasant that crossed their way with a creaking whir of wings, the amethyst stars of a bush of Michaelmas daisies, showing over a whitewashed cottage wall, the far blue distance before them, framed in the tracery of the beech-boughs. He knew that she loved it all from the way she looked at it and, almost indignantly, as though against some foolish threat, he felt himself asseverating, "It is her home—she knows it—the place she loves like that." And when they had made their wide round, down the lane, up a grassy dell, into his park, where he had to show her some trees that must come down; when they had skirted the park, along its mossy, fern-grown wall, and under its overhanging branches, until, once more, they were on the common and the white of Valerie's cottage glimmered before them, he voiced this protest, saying to her, as he watched her eyes, dwell on the dear little place, "You could never bear to leave all this for good—even if, even if we let you; you know you couldn't."
Valerie looked round at him, and in his face, against its high background of milk-streaked blue, she saw the embodiment of his words; it was that, not the hyacinthine hills, not the beech-woods, not the heathery common, not even the dear cottage, that she could not bear to leave for good. But since this couldn't be said, she consented to the symbol of it that he put before her, that "all this," and answered, as he had hoped, "No, indeed; I couldn't think of leaving it all, for good."
IV
It was an icy, sunny day, and Imogen Upton and Jack Pennington were walking up and down the gaunt wharf, not caring to take refuge from the cold in the stifling waiting-rooms. The early morning sky was still pink. The waters of the vast harbor were whitened by blocks and sheets of ice. The great city, drawn delicately on the pink in white and pearl, marched its fantastic ranges of "sky-scrapers"—an army of giants—down to the water's edge. And, among all the rose and gold and white, the ocean-liner, a glittering immensity of helpless strength, was being hauled and butted into her dock, like some harpooned sea-monster, by a swarm of blunt-nosed, agile little tugs.
Jack Pennington thought that he had never seen Imogen looking so "wonderful" as on this morning. The occasion, to him, was brimming over with significance. He had not expected to share it, but Imogen had spoken with such sweetness of the help that he would give her if he could be with her in her long, cold waiting, that, with touched delight, he found himself in the position of a friend so trusted, so leaned upon, that he could witness what there must be of pain and fear for her in this meeting of her new life. The old life was with them both. Her black armed her in it, as it were, made her valiant to meet the new. And for him that old life, the life menaced, though so trivially, by the arriving presence, seemed embodied in the free spaces of the great harbor, the soaring sky of frosty rose, the grotesque splendor of the giant city, the glory, the ugliness of the country he loved, the country that made giant-like, grotesque cities, and that made Imogens.
She was the flower of it all—the flower and the so much more than flower. He didn't care a fig, so he told himself, about the mere fact of her being beautiful, finished, in her long black furs, her face so white, her hair so gold under her little hat. She wasn't to be picked and placed high, above the swarming ugliness. No, and that was why he cared for her when he had ceased to care for so many pretty girls—her roots were deep; she shared her loveliness; she gave; she opened; she did not shut away. She was the promise for many rather than the guerdon of the few. Jack's democracy was the ripe fruit of an ancestry of high endeavor and high responsibility. The service of impersonal ends was in his blood, and no meaner task had ever been asked of him or of a long line of forebears. He had never in his own person experienced ugliness; it remained a picture, seen but not felt by him, so that it was not difficult for him to see it with the eyes of faith as glorified and uplifted. It constituted a splendid burden, an ennobling duty, for those who possessed beauty, and without that grave and happy right to serve, beauty itself would lose all meaning. He often talked about democracy to Imogen. She understood what he felt about it more firmly, more surely, than he himself did; for, where he sometimes suspected himself of theory, she acted. She, too, rejoiced in the fundamental sameness of the human family that banded it together in, essentially, the same great adventure—the adventure of the soul.
Imogen understood; Imogen rejoiced; Imogen was bound on that adventure—not only with him, but, and it was this that gave those wide wings to his feeling for her, with them—with all the vast brotherhood of humanity. Now and then, to be sure, faint echoes in her of her father, touches of youthful assurance, youthful grandiloquence, stirred the young man's sense of humor; but it was quickly quelled by an irradiating tenderness that showed her limitations as symptoms of an influence that, in its foolish aspects, he would not have had her too clearly recognize; her beautiful, filial devotion more than compensated for her filial blindness—nay, sanctified it; and her heavenly face had but to turn on him for him to envelop all her little solemnities and importances in a comprehending reverence. Jack thought Imogen's face very heavenly. He was an artist by profession, as we have said, taking himself rather seriously, too, but the artistic perception was so strongly colored by ethical and intellectual preoccupations that the spontaneous satisfaction in the Eternal Now of mere beauty was rarely his. Certainly he saw the flower-like texture of Imogen's skin; the way in which the light azured its whiteness and slid upon its child-like surfaces. He saw the long oval of the face, the
