After the Divorce. Grazia Deledda

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After the Divorce - Grazia Deledda

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said she. "You are an infidel," and, going out to where the children were still fighting, she made a rapid descent upon them, separated the belligerents, and sent each flying in a different direction. "On my word!" she cried, "you are just like so many cocks. The Lord have mercy on me! Here they are, the chicken-cocks! Bad children, every one of you, bad, bad children!"

      And the lamentations of the youngsters arose and mingled with the noises of the summer evening.

       Table of Contents

      The next morning Giovanna was the first to awaken. Through a pane of glass set in the door came a faint, roseate, sunrise glow; and the early morning silence was broken only by the chattering of the swallows. Not yet fully aroused, her first sensations were agreeable; then, all at once it was as though a terrific clap of thunder had sounded in her ear. She remembered!

      This was the day that was to decide her husband's fate. She knew for a certainty that he would be condemned, and yet she persisted in hoping still. It mattered very little to her whether or no he were guilty; probably she had not at any time troubled herself much with that aspect of the case, and what wholly concerned her now were the consequences. The thought of being parted, perhaps forever, from this man, young, strong, and active as a greyhound, with his caressing hands and ardent lips, was agony; and as the full consciousness of her misery came over her, she jumped out of bed, and began drawing on her clothes, saying breathlessly: "It is late, late, late."

      Aunt Bachissia opened her little firefly eyes, and then she also got up; but she realised too clearly what that day, and the next, and the year following, and the next two, and five, and ten years would probably be like, to be in any haste to begin them. She dressed deliberately, plunged her hands into water, passed them across her face, and dried it, then carefully arranged the folds of her scarf about her head.

      "It is late," repeated Giovanna. "Dear Lord, how late it is!" But her mother's calm demeanour presently quieted her. Aunt Bachissia went down to the kitchen and Giovanna followed. Aunt Bachissia prepared the café-au-lait and bread for Costantino (the two women were allowed to take food to the prisoner), placed them in a basket, and started for the jail, Giovanna still following.

      The streets were deserted; the sun, just appearing above the granite peaks of Orthobene, filled the atmosphere with fine, rose-gold dust. The sky was so blue, the little birds so gay, and the air so still and fragrant, that it was like the early morning of some festal day, before the human bustle and the ringing of the church bells have disturbed the stillness and charm.

      Giovanna, crossing the street that leads from the station—near which the Porrus lived—to the prison, gazed upon her own violet-coloured mountains in the distance, hemming in the wild valleys below like a setting of amethysts; she inhaled the delicious air filled with the perfume of growing things; she thought of her little slate-rock house, of her child, of her lost happiness, and it seemed as though her heart would burst.

      The mother walked briskly on in front, poising the basket on her head. Presently they reached the great, round, white, desolate pile in which are the prisons. A sentry stood, mute and immovable, looking in the morning light like a statue carved out of stone. A single green shrub growing against the blank expanse of wall seemed the rather to accentuate the dreariness of the spot. A huge, green door, which from time to time opened and shut like the mouth of a dragon, now opened and swallowed up the two women. Every one in that dismal abode had come to know them; from the florid, important-looking head-keeper, who might have been a general at the very least, down to the junior custodian, with his pale face, his straight blond moustache, and his pretensions to elegance.

      The visitors were not allowed to penetrate beyond the gloomy passageway, whose fetid atmosphere, however, gave some idea of the horrors that lay beyond. The pale and elegant guard, coming forward, took their basket, and Giovanna asked in a low voice if Costantino had slept.

      Yes, he had slept, but he kept dreaming all the time. He did nothing but repeat over and over again the words—"The mortal sin!"

      "Ah! may he go to the devil with his mortal sin!" exclaimed Aunt Bachissia angrily; "he ought to stop it!"

      "Mamma, dear, why need you swear at him? Has not fate cursed him enough as it is?" murmured Giovanna.

      The women now left the building and stood outside, waiting for the prisoner to be brought forth. When Giovanna's eyes fell upon the group of carbineers who were to escort him to court, she fell to trembling violently, although on all the preceding days she had seen precisely the same thing; and her big, black eyes, stretched to their widest extent, fastened upon the great doorway with the unseeing stare of a crazy woman. Slowly the minutes lagged by, then the dragon mouth opened, and once more, surrounded by stony-faced guards with fierce black moustaches, the figure of Costantino appeared.

      He was tall and as lithe as a young poplar tree; a long lock of lustrous black hair hung down on either side of a face, beardless, pallid from prison confinement, and almost feminine in its beauty. The eyes were large, and chestnut-brown in colour; the mouth small, and as innocent as a child's, and there was a little cleft in the middle of the chin. He looked like a young Apollo.

      The moment his eyes fell upon Giovanna, although he too had been waiting for that moment, he grew whiter than ever, and stopped short, resisting the guards. Giovanna rushed forward, sobbing, and seized hold of his manacled hands.

      "Forward!" said one of the carbineers; then, gently, to her: "You know, my girl, it is not allowed."

      Aunt Bachissia now stepped forward as well, darting rapid glances out of her little green eyes. The escort halted for an instant, and Costantino, smiling bravely, said in a voice that was almost cheerful: "Courage! Courage!"

      "The lawyer is waiting for you," said Aunt Bachissia, and then the guards pushed the women gently aside.

      "Stand back, good people! Out of the way!" said one, and they led the prisoner off, still smiling back at Giovanna, his gleaming white teeth showing between lips that were still round and full, albeit colourless. Thus he disappeared from view between his stony-faced conductors.

      Aunt Bachissia now, in her turn, dragged off Giovanna, who wanted to follow her husband, and insisted that she should return first to the Porrus' for breakfast.

      They found the courtyard bathed in sunlight. It played upon the shining leaves of the grape-vines, from which hung bunches of unripe grapes like pale-green marble; the swallows disporting in it were moved to pour forth floods of song; and it tricked out Uncle Efes Maria, preparing to set out for the country on his chestnut horse. How full of light and cheerfulness seemed that little, enclosed spot, with its low stone-wall, beyond which could be seen a broad expanse of open country, stretching away to the distant horizon! The children sat on the threshold of the kitchen door, devouring their breakfast of bread soaked in café-au-lait; Grazia had taken hers to a retired corner, possibly in order not to be seen engaged upon anything so prosaic by the student-uncle. He, meanwhile, stood in his shirt-sleeves in the middle of the enclosure, gulping down the contents of a great bowl.

      "How large is St. Peter's?" asked Aunt Porredda, who was polishing the doctor's shoes, and marvelling the while to hear of the wonderful things he had seen.

      "How large? Why, as large as a tanca.[3] You can't even pray there; no one could say his prayers in a tanca. The angels are as large as that gateway—the littlest ones—those that hold the holy-water basins."

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