Red as a Rose is She. Broughton Rhoda

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Red as a Rose is She - Broughton Rhoda

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pound, shilling, and pence aspect of the matter).

      "On love, to be sure. On—what is it?—6s. 6d. a day; and perhaps I may take in soldiers' washing," Esther says, bursting out into a violent fit of laughing.

      "Uncommonly funny, no doubt!" Jack says, laughing too, but sorely against his will. "And do you mean to tell me that you like Brandon all of a sudden enough to be such an abject pauper with him for the rest of your days? Why it was only yesterday that you were laughing at him, saying he danced like a pair of tongs."

      Esther has slidden down to the floor, and sits there tailor-fashion.

      "I don't mean to tell you anything of the kind," she answers, gravely. "Poor dear fellow!—it is very odious of me—but between you and me I think I should survive it if I were to know that I should never see him again; only, please don't tell him I said so."

      "Love, who to none beloved to love again remits——"

      she repeats softly, musing to herself; "that is a very lovely line, but it is horribly untrue."

      "What do you mean to do then, if it is not an impertinent question?" asks Jack, throwing back his young head, and looking in an inquisitorial manner at the penitent at his feet from under his eyelids. "Marry a man that you don't like, and who has not a farthing to keep you on, merely because he is the first person that asked you?"

      "Nothing is farther from my intentions," says Esther, getting rather red. "And how unkind of you to twit me with my dearth of admirers. I mean you to interpose your parental authority and forbid the banns; I intend to shift the odium of the transaction on to your shoulders," she says, relapsing into levity—"poor, dear shoulders!" (patting them very fondly) "they are not very wide, but they are broader than mine, at all events; to them I transfer my difficulties."

      "That you shan't!" cries Jack, with animation, shaking off her hand, and looking very indignant and honest. "You are to do shabby things, and I am to have the credit of them! Thanks, very much, but I don't admire that division of labour. I don't think I ever heard a meaner proposition."

      Esther's little head, rich in a soft plenitude of dusky love-locks, sinks low down towards her lap; she is very easily snubbed, especially by Jack.

      "A nice name you'll make for yourself, Miss Essie," pursues the young Solomon, severely, still brandishing the metaphorical birch-rod over his sister. "I expect you'll make the country too hot to hold us in a short time."

      Esther lifts up two sudden, tearful eyes, that look like great jewels seen through running water, and says, piteously, "But, Jack, you know, as you said just now, it was the first time; one never does things well the first time one tries; one is always clumsy at them; I shall know better next time."

      "I don't see what 'next time' you are likely to have," says Jack, inexorable in his young severity. "It will be rather late in the day for people to propose to you when you are Bob Brandon's half-starved or whole-starved wife."

      "But I'm not, Jack," cries Esther, very eagerly.

      She looks grave enough now; rather alarmed at the little gay sketch her brother has drawn of her future destiny.

      "I'm not going to marry him or any one else, ever. Do you think I'd leave you to marry the Angel Gabriel, if he came down from heaven on purpose to ask me?"

      "Why did you tell Brandon that you would then?" asks the young fellow, not a bit disarmed by her sweet flattery.

      "I did not tell him so; I said I would try; but even if I do try, I need not succeed; and even if I do manage to get up a sort of liking for him, I need not marry him. You are in such a hurry to jump at conclusions; there's the beauty of his being so poor, don't you see? He cannot expect me to marry him, when he has no bread and butter to put into my mouth."

      "Then why be engaged to him at all, my good girl?" asks honest Jack, rather bewildered by these new lights—these subtleties on the subject of betrothal.

      "Why do people give babies gin?—it is not good for them, but it keeps them quiet; that is precisely my principle. Being engaged to me may not be good for Robert, but it is gin to him; it keeps him quiet," answers Esther, on the battle-field of whose small face smiles and tears are fighting.

      Her brother does not seem to see the beauty of this ingenious mode of reasoning in a very strong light.

      "I won't have you playing fast and loose with him," he says, very decisively, shaking a stern young head—stern, despite its curliness and its total dearth of those care-lines that are supposed to be Wisdom's harsh footprints. "He is much too good a fellow to be played tricks with; mind that, Miss Esther!"

      "I have not the slightest desire in life to play tricks with him; if I ever do play tricks, I hope it will be with some one more amusing," answers Essie, very pettishly, looking excessively mutine and ill-humoured. "I don't care if I never hear his ugly name again; he has spoilt the dinner and made you as cross as two sticks; and—and—I wish he was dead, that I do!" concludes happy Mr. Brandon's fiancée weeping.

      CHAPTER IV.

      Morning is come again. The sun cannot bear to be long away from his young sweetheart, the earth, so he has come back hasting, with royal pomp, with his crown of gay gold beams on his head, with his flame-cloak about his strong shoulders, and with a great troop of light, flaky clouds—each with a reflex of his red smile on its courtier face—at his back. He has come back to see himself in the laughing blue eyes of her seas and streams, and to rest at noontide, like a sleepy giant, on her warm green lap.

      The daily miracle—the miracle that none can contest, to which all are witness, has been worked—the resurrection of the world. And this resurrection is not partial, not limited to humanity, as that final one is towards which the eyes of the Christian church have been looking steadfastly for eighteen centuries and a half; but every beast and bird and flower has shaken off Death's sweet semblance, his gentle counterfeit, and is feeling, in bounding vein and rushing sap, the ecstatic bliss of the mystery of life. If we never slept, we should not know the joy of waking; if we never woke, we should not know the joy of sleep. How, I marvel, shall we feel the happiness of heaven, if we never lose, and consequently regain it?

      The thrushes and blackbirds are already in the midst of their glees and madrigals and part songs. They sing the same songs every day, so that they are quite perfect in them; and they are all very joyful ones. In their sweet flute-language there are no words expressive of sorrow or pain; they know of no minor key. There were twenty roses born last night, and the flowers are all rejoicing greatly. They are smiling and whispering and gossiping together; the sweet peas, like pink and purple butterflies,

      ". … .on tiptoe for a flight,

       With wings of delicate flush o'er virgin white,"

      each half-inclined to hover away with the young west wind that is sighing such a little gentle story all about himself into their ears. The lambs, grown so big and woolly that one might almost mistake them for their mothers, are leaping and racing and plunging about in the field below the house, in the giddiness of youth, unprescient of the butcher. Hated of Miss Craven's soul as much as ever were the blind and lame of King David's are those too, too agile sheep. Grievously prone are they to ignore the low stone wall of partition, and work havoc and devastation among the aster tops and cabbage shoots of her garden.

      "The king was in his counting-house,

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