The Life and Times of Samuel Taylor Coleridge: Complete Autobiographical Works. Samuel Taylor Coleridge

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for those first affections,

      Those shadowy recollections,

      Which, be they what they may,

      Are yet the fountain light of all our day,

      Are yet a master light of all our seeing;

      Uphold us — cherish — and have power to make

      Our noisy years seem moments in the being

      Of the eternal Silence; truths that wake

      To perish never;

      Which neither listlessness, nor mad endeavour,

      Nor Man nor Boy,

      Nor all that is at enmity with joy,

      Can utterly abolish or destroy!

      Hence, in a season of calm weather,

      Though inland far we be,

      Our Souls have sight of that immortal sea

      Which brought us hither;

      Can in a moment travel thither, —

      And see the children sport upon the shore,

      And hear the mighty waters rolling evermore.”

      And since it would be unfair to conclude with an extract, which, though highly characteristic, must yet, from the nature of the thoughts and the subject, be interesting or perhaps intelligible, to but a limited number of readers; I will add, from the poet’s last published work, a passage equally Wordsworthian; of the beauty of which, and of the imaginative power displayed therein, there can be but one opinion, and one feeling. See White Doe, page 5.

      “Fast the churchyard fills; — anon

      Look again and they all are gone;

      The cluster round the porch, and the folk

      Who sate in the shade of the Prior’s Oak!

      And scarcely have they disappeared

      Ere the prelusive hymn is heard; —

      With one consent the people rejoice,

      Filling the church with a lofty voice!

      They sing a service which they feel:

      For ‘tis the sunrise now of zeal;

      And faith and hope are in their prime

      In great Eliza’s golden time.”

      “A moment ends the fervent din,

      And all is hushed, without and within;

      For though the priest, more tranquilly,

      Recites the holy liturgy,

      The only voice which you can hear

      Is the river murmuring near.

      — When soft! — the dusky trees between,

      And down the path through the open green,

      Where is no living thing to be seen;

      And through yon gateway, where is found,

      Beneath the arch with ivy bound,

      Free entrance to the churchyard ground —

      And right across the verdant sod,

      Towards the very house of God;

      Comes gliding in with lovely gleam,

      Comes gliding in serene and slow,

      Soft and silent as a dream.

      A solitary Doe!

      White she is as lily of June,

      And beauteous as the silver moon

      When out of sight the clouds are driven

      And she is left alone in heaven!

      Or like a ship some gentle day

      In sunshine sailing far away

      A glittering ship that hath the plain

      Of ocean for her own domain.”

      “What harmonious pensive changes

      Wait upon her as she ranges

      Round and through this Pile of state

      Overthrown and desolate!

      Now a step or two her way

      Is through space of open day,

      Where the enamoured sunny light

      Brightens her that was so bright;

      Now doth a delicate shadow fall,

      Falls upon her like a breath,

      From some lofty arch or wall,

      As she passes underneath.”

      The following analogy will, I am apprehensive, appear dim and fantastic, but in reading Bartram’s Travels I could not help transcribing the following lines as a sort of allegory, or connected simile and metaphor of Wordsworth’s intellect and genius.—”The soil is a deep, rich, dark mould, on a deep stratum of tenacious clay; and that on a foundation of rocks, which often break through both strata, lifting their backs above the surface. The trees which chiefly grow here are the gigantic, black oak; magnolia grandi-flora; fraximus excelsior; platane; and a few stately tulip trees.” What Mr. Wordsworth will produce, it is not for me to prophesy but I could pronounce with the liveliest convictions what he is capable of producing. It is the FIRST GENUINE PHILOSOPHIC POEM.

      The preceding criticism will not, I am aware, avail to overcome the prejudices of those, who have made it a business to attack and ridicule Mr. Wordsworth’s compositions.

      Truth and prudence might be imaged as concentric circles. The poet may perhaps have passed beyond the latter, but he has confined himself far within the bounds of the former, in designating these critics, as “too petulant to be passive to a genuine poet, and too feeble to grapple with him; —— men of palsied imaginations, in whose minds all healthy action is languid; —— who, therefore, feed as the many direct them, or with the many are greedy after vicious provocatives.”

      So much for the detractors from Wordsworth’s merits. On the other hand, much as I might wish for their fuller sympathy, I dare not flatter myself, that

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