The Greatest Works of Edith Wharton - 31 Books in One Edition. Edith Wharton
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I was glad enough when we got back to the base at last, and the grim load we carried was lifted out and taken into the hospital. Réchamp waited in the courtyard beside his car, lighting a cigarette in the cold early sunlight; but I followed the bearers and the surgeon into the whitewashed room where the dead man was laid out to be undressed. I had a burning spot at the pit of my stomach while his clothes were ripped off him and the bandages undone: I couldn’t take my eyes from the surgeon’s face. But the surgeon, with a big batch of wounded on his hands, was probably thinking more of the living than the dead; and besides, we were near the front, and the body before him was an enemy’s.
He finished his examination and scribbled something in a notebook. “Death must have taken place nearly five hours ago,” he merely remarked: it was the conclusion I had already come to myself.
“And how about the papers?” the surgeon continued. “You have them, I suppose? This way, please.”
We left the half-stripped body on the blood-stained oilcloth, and he led me into an office where a functionary sat behind a littered desk.
“The papers? Thank you. You haven’t examined them? Let us see, then.”
I handed over the leather note-case I had thrust into my pocket the evening before, and saw for the first time its silver-edged corners and the coronet in one of them. The official took out the papers and spread them on the desk between us. I watched him absently while he did so.
Suddenly he uttered an exclamation. “Ah—that’s a haul!” he said, and pushed a bit of paper toward me. On it was engraved the name: Oberst Graf Benno von Scharlach….
“A good riddance,” said the surgeon over my shoulder.
I went back to the courtyard and saw Réchamp still smoking his cigarette in the cold sunlight. I don’t suppose I’d been in the hospital ten minutes; but I felt as old as Methuselah.
My friend greeted me with a smile. “Ready for breakfast?” he said, and a little chill ran down my spine…. But I said: “Oh, all right—come along….”
For, after all, I knew there wasn’t a paper of any sort on that man when he was lifted into my ambulance the night before: the French officials attend to their business too carefully for me not to have been sure of that. And there wasn’t the least shred of evidence to prove that he hadn’t died of his wounds during the unlucky delay in the forest; or that Réchamp had known his tank was leaking when we started out from the lines.
“I could do with a café complet, couldn’t you?” Réchamp suggested, looking straight at me with his good blue eyes; and arm in arm we started off to hunt for the inn….
Crucial Instances
THE DUCHESS AT PRAYER
Have you ever questioned the long shuttered front of an old Italian house, that motionless mask, smooth, mute, equivocal as the face of a priest behind which buzz the secrets of the confessional? Other houses declare the activities they shelter; they are the clear expressive cuticle of a life flowing close to the surface; but the old palace in its narrow street, the villa on its cypress-hooded hill, are as impenetrable as death. The tall windows are like blind eyes, the great door is a shut mouth. Inside there may be sunshine, the scent of myrtles, and a pulse of life through all the arteries of the huge frame; or a mortal solitude, where bats lodge in the disjointed stones and the keys rust in unused doors….
II
From the loggia, with its vanishing frescoes, I looked down an avenue barred by a ladder of cypress-shadows to the ducal escutcheon and mutilated vases of the gate. Flat noon lay on the gardens, on fountains, porticoes and grottoes. Below the terrace, where a chrome-colored lichen had sheeted the balustrade as with fine laminae of gold, vineyards stooped to the rich valley clasped in hills. The lower slopes were strewn with white villages like stars spangling a summer dusk; and beyond these, fold on fold of blue mountain, clear as gauze against the sky. The August air was lifeless, but it seemed light and vivifying after the atmosphere of the shrouded rooms through which I had been led. Their chill was on me and I hugged the sunshine.
“The Duchess’s apartments are beyond,” said the old man.
He was the oldest man I had ever seen; so sucked back into the past that he seemed more like a memory than a living being. The one trait linking him with the actual was the fixity with which his small saurian eye held the pocket that, as I entered, had yielded a lira to the gatekeeper’s child. He went on, without removing his eye:
“For two hundred years nothing has been changed in the apartments of the Duchess.”
“And no one lives here now?”
“No one, sir. The Duke, goes to Como for the summer season.”
I had moved to the other end of the loggia. Below me, through hanging groves, white roofs and domes flashed like a smile.
“And that’s Vicenza?”
“Proprio!” The old man extended fingers as lean as the hands fading from the walls behind us. “You see the palace roof over there, just to the left of the Basilica? The one with the row of statues like birds taking flight? That’s the Duke’s town palace, built by Palladio.”
“And does the Duke come there?”
“Never. In winter he goes to Rome.”
“And the palace and the villa are always closed?”
“As you see—always.”
“How long has this been?”
“Since I can remember.”
I looked into his eyes: they were like tarnished metal mirrors reflecting nothing. “That must be a long time,” I said involuntarily.
“A long time,” he assented.
I looked down on the gardens. An opulence of dahlias overran the box-borders, between cypresses that cut the sunshine like basalt shafts. Bees hung above the lavender; lizards sunned themselves on the benches and slipped through the cracks of the dry basins. Everywhere were vanishing traces of that fantastic horticulture of which our dull age has lost the art. Down the alleys maimed statues stretched their arms like rows of whining beggars; faun-eared terms grinned in the thickets, and above the laurustinus walls rose the mock ruin of a temple, falling into real ruin in the bright disintegrating air. The glare was blinding.
“Let us go in,” I said.
The old man pushed open a heavy door, behind which the cold lurked like a knife.
“The Duchess’s apartments,” he said.
Overhead and around us the same evanescent frescoes, under foot the same scagliola volutes, unrolled themselves interminably. Ebony cabinets, with inlay of precious marbles in cunning perspective, alternated down the room with the tarnished efflorescence of gilt consoles supporting Chinese monsters; and from the chimney-panel a