The Greatest Works of Edith Wharton - 31 Books in One Edition. Edith Wharton

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for liberty, unity, the franchise; but under our breath we prayed only to smite the white-coats. Remove the beam from our eye, we cried, and we shall see our salvation clearly enough! We priests in the north were all liberals and worked with the nobles and the men of letters. Gioberti was our breviary and his Holiness the new Pope was soon to be the Tancred of our crusade. But meanwhile, mind you, all this went on in silence, underground as it were, while on the surface Lombardy still danced, feasted, married, and took office under the Austrian. In the iron-mines up our valley there used to be certain miners who stayed below ground for months at a time; and, like one of these, Roberto remained buried in his purpose, while life went its way overhead. Though I was not in his confidence I knew well enough where his thoughts were, for he went among us with the eye of a lover, the visionary look of one who hears a Voice. We all heard that Voice, to be sure, mingling faintly with the other noises of life; but to Roberto it was already as the roar of mighty waters, drowning every other sound with its thunder.

      On the surface, as I have said, things looked smooth enough. An Austrian cardinal throned in Milan and an Austrian-hearted Pope ruled in Rome. In Lombardy, Austria couched like a beast of prey, ready to spring at our throats if we stirred or struggled. The Moderates, to whose party Count Roberto belonged, talked of prudence, compromise, the education of the masses; but if their words were a velvet sheath their thought was a dagger. For many years, as you know, the Milanese had maintained an outward show of friendliness with their rulers. The nobles had accepted office under the vice-roy, and in the past there had been frequent intermarriage between the two aristocracies. But now, one by one, the great houses had closed their doors against official society. Though some of the younger and more careless, those who must dance and dine at any cost, still went to the palace and sat beside the enemy at the opera, fashion was gradually taking sides against them, and those who had once been laughed at as old fogeys were now applauded as patriots. Among these, of course, was Count Roberto, who for several years had refused to associate with the Austrians, and had silently resented his easygoing brother’s disregard of political distinctions. Andrea and Gemma belonged to the moth tribe, who flock to the brightest light; and Gemma’s Istrian possessions, and her family’s connection with the Austrian nobility, gave them a pretext for fluttering about the viceregal candle. Roberto let them go their way, but his own course was a tacit protest against their conduct. They were always welcome at the palazzo Siviano; but he and Donna Marianna withdrew from society in order to have an excuse for not showing themselves at the Countess Gemma’s entertainments. If Andrea and Gemma were aware of his disapproval they were clever enough to ignore it; for the rich elder brother who paid their debts and never meant to marry was too important a person to be quarrelled with on political grounds. They seemed to think that if he married it would be only to spite them; and they were persuaded that their future depended on their giving him no cause to take such reprisals. I shall never be more than a plain peasant at heart and I have little natural skill in discerning hidden motives; but the experience of the confessional gives every priest a certain insight into the secret springs of action, and I often wondered that the worldly wisdom of Andrea and Gemma did not help them to a clearer reading of their brother’s character. For my part I knew that, in Roberto’s heart, no great passion could spring from a mean motive; and I had always thought that if he ever loved any woman as he loved Italy, it must be from his country’s hand that he received his bride. And so it came about.

      Have you ever noticed, on one of those still autumn days before a storm, how here and there a yellow leaf will suddenly detach itself from the bough and whirl through the air as though some warning of the gale had reached it? So it was then in Lombardy. All round was the silence of decay; but now and then a word, a look, a trivial incident, fluttered ominously through the stillness. It was in ‘45. Only a year earlier the glorious death of the Bandiera brothers had sent a long shudder through Italy. In the Romagna, Renzi and his comrades had tried to uphold by action the protest set forth in the “Manifesto of Rimini”; and their failure had sowed the seed which d’Azeglio and Cavour were to harvest. Everywhere the forces were silently gathering; and nowhere was the hush more profound, the least reverberation more audible, than in the streets of Milan.

      It was Count Roberto’s habit to attend early mass in the Cathedral; and one morning, as he was standing in the aisle, a young girl passed him with her father. Roberto knew the father, a beggarly Milanese of the noble family of Intelvi, who had cut himself off from his class by accepting an appointment in one of the government offices. As the two went by he saw a group of Austrian officers looking after the girl, and heard one of them say: “Such a choice morsel as that is too good for slaves;” and another answer with a laugh: “Yes, it’s a dish for the master’s table!”

      The girl heard too. She was as white as a wind-flower and he saw the words come out on her cheek like the red mark from a blow. She whispered to her father, but he shook his head and drew her away without so much as a glance at the Austrians. Roberto heard mass and then hastened out and placed himself in the porch of the Cathedral. A moment later the officers appeared, and they too stationed themselves near the doorway. Presently the girl came out on her father’s arm. Her admirers stepped forward to greet Intelvi; and the cringing wretch stood there exchanging compliments with them, while their insolent stare devoured his daughter’s beauty. She, poor thing, shook like a leaf, and her eyes, in avoiding theirs, suddenly encountered Roberto’s. Her look was a wounded bird that flew to him for shelter. He carried it away in his breast and its live warmth beat against his heart. He thought that Italy had looked at him through those eyes; for love is the wiliest of masqueraders and has a thousand disguises at his command.

      Within a month Faustina Intelvi was his wife. Donna Marianna and I rejoiced; for we knew he had chosen her because he loved her, and she seemed to us almost worthy of such a choice. As for Count Andrea and his wife, I leave you to guess what ingredients were mingled in the kiss with which they welcomed the bride. They were all smiles at Roberto’s marriage, and had only words of praise for his wife. Donna Marianna, who had sometimes taxed me with suspecting their motives, rejoiced in this fresh proof of their magnanimity; but for my part I could have wished to see them a little less kind. All such twilight fears, however, vanished in the flush of my friend’s happiness. Over some natures love steals gradually, as the morning light widens across a valley; but it had flashed on Roberto like the leap of dawn to a snowpeak. He walked the world with the wondering step of a blind man suddenly restored to sight; and once he said to me with a laugh: “Love makes a Columbus of every one of us!”

      And the Countess—? The Countess, my son, was eighteen, and her husband was forty. Count Roberto had the heart of a poet, but he walked with a limp and his skin was sallow. Youth plucks the fruit for its color rather than its flavor; and first love does not serenade its mistress on a church-organ. In Italy girls are married as land is sold; if two estates adjoin two lives are united. As for the portionless girl, she is a knick-knack that goes to the highest bidder. Faustina was handed over to her purchaser as if she had been a picture for his gallery; and the transaction doubtless seemed as natural to her as to her parents. She walked to the altar like an Iphigenia; but pallor becomes a bride, and it looks well for a daughter to weep on leaving her mother. Perhaps it would have been different if she had guessed that the threshold of her new home was carpeted with love and its four corners hung with tender thoughts of her; but her husband was a silent man, who never called attention to his treasures.

      The great palace in Milan was a gloomy house for a girl to enter. Roberto and his sister lived in it as if it had been a monastery, going nowhere and receiving only those who labored for the Cause. To Faustina, accustomed to the easy Austrian society, the Sunday evening receptions at the palazzo Siviano must have seemed as dreary as a scientific congress. It pleased Roberto to regard her as a victim of barbarian insolence, an embodiment of his country desecrated by the desire of the enemy; but though, like any handsome penniless girl, Faustina had now and then been exposed to a free look or a familiar word, I doubt if she connected such incidents with the political condition of Italy. She knew, of course, that in marrying Siviano she was entering a house closed against the Austrian. One of Siviano’s first cares had been to pension his father-in-law, with the stipulation that Intelvi should resign his appointment and give up all relations with the government; and the old hypocrite, only too

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