The Collected Works of Ralph Waldo Emerson. Ralph Waldo Emerson
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Solitude takes off the pressure of present importunities that more catholic and humane relations may appear. The saint and poet seek privacy to ends the most public and universal: and it is the secret of culture, to interest the man more in his public, than in his private quality. Here is a new poem, which elicits a good many comments in the journals, and in conversation. From these it is easy, at last, to eliminate the verdict which readers passed upon it; and that is, in the main, unfavorable. The poet, as a craftsman, is only interested in the praise accorded to him, and not in the censure, though it be just. And the poor little poet hearkens only to that, and rejects the censure, as proving incapacity in the critic. But the poet cultivated becomes a stockholder in both companies, — say Mr. Curfew, — in the Curfew stock, and in the humanity stock; and, in the last, exults as much in the demonstration of the unsoundness of Curfew, as his interest in the former gives him pleasure in the currency of Curfew. For, the depreciation of his Curfew stock only shows the immense values of the humanity stock. As soon as he sides with his critic against himself, with joy, he is a cultivated man.
We must have an intellectual quality in all property and in all action, or they are nought. I must have children, I must have events, I must have a social state and history, or my thinking and speaking want body or basis. But to give these accessories any value, I must know them as contingent and rather showy possessions, which pass for more to the people than to me. We see this abstraction in scholars, as a matter of course: but what a charm it adds when observed in practical men. Bonaparte, like Caesar, was intellectual, and could look at every object for itself, without affection. Though an egotist a l’outrance, he could criticize a play, a building, a character, on universal grounds, and give a just opinion. A man known to us only as a celebrity in politics or in trade, gains largely in our esteem if we discover that he has some intellectual taste or skill; as when we learn of Lord Fairfax, the Long Parliament’s general, his passion for antiquarian studies; or of the French regicide Carnot, his sublime genius in mathematics; or of a living banker, his success in poetry; or of a partisan journalist, his devotion to ornithology. So, if in travelling in the dreary wildernesses of Arkansas or Texas, we should observe on the next seat a man reading Horace, or Martial, or Calderon, we should wish to hug him. In callings that require roughest energy, soldiers, sea-captains, and civil engineers sometimes betray a fine insight, if only through a certain gentleness when off duty; a good-natured admission that there are illusions, and who shall say that he is not their sport? We only vary the phrase, not the doctrine, when we say, that culture opens the sense of beauty. A man is a beggar who only lives to the useful, and, however he may serve as a pin or rivet in the social machine, cannot be said to have arrived at self-possession. I suffer, every day, from the want of perception of beauty in people. They do not know the charm with which all moments and objects can be embellished, the charm of manners, of self-command, of benevolence. Repose and cheerfulness are the badge of the gentleman, — repose in energy. The Greek battle-pieces are calm; the heroes, in whatever violent actions engaged, retain a serene aspect; as we say of Niagara, that it falls without speed. A cheerful, intelligent face is the end of culture, and success enough. For it indicates the purpose of Nature and wisdom attained.
When our higher faculties are in activity, we are domesticated, and awkwardness and discomfort give place to natural and agreeable movements. It is noticed, that the consideration of the great periods and spaces of astronomy induces a dignity of mind, and an indifference to death. The influence of fine scenery, the presence of mountains, appeases our irritations and elevates our friendships. Even a high dome, and the expansive interior of a cathedral, have a sensible effect on manners. I have heard that stiff people lose something of their awkwardness under high ceilings, and in spacious halls. I think, sculpture and painting have an effect to teach us manners, and abolish hurry.
But, over all, culture must reinforce from higher influx the empirical skills of eloquence, or of politics, or of trade, and the useful arts. There is a certain loftiness of thought and power to marshal and adjust particulars, which can only come from an insight of their whole connection. The orator who has once seen things in their divine order, will never quite lose sight of this, and will come to affairs as from a higher ground, and, though he will say nothing of philosophy, he will have a certain mastery in dealing with them, and an incapableness of being dazzled or frighted, which will distinguish his handling from that of attorneys and factors. A man who stands on a good footing with the heads of parties at Washington, reads the rumors of the newspapers, and the guesses of provincial politicians, with a key to the right and wrong in each statement, and sees well enough where all this will end. Archimedes will look through your Connecticut machine, at a glance, and judge of its fitness. And much more, a wise man who knows not only what Plato, but what Saint John can show him, can easily raise the affair he deals with, to a certain majesty. Plato says, Pericles owed this elevation to the lessons of Anaxagoras. Burke descended from a higher sphere when he would influence human affairs. Franklin, Adams, Jefferson, Washington, stood on a fine humanity, before which the brawls of modern senates are but pot-house politics.
But there are higher secrets of culture, which are not for the apprentices, but for proficients. These are lessons only for the brave. We must know our friends under ugly masks. The calamities are our friends. Ben Jonson specifies in his address to the Muse:—
“Get him the time’s long grudge, the court’s ill-will,
And, reconciled, keep him suspected still,
Make him lose all his friends, and, what is worse,
Almost all ways to any better course;
With me thou leav’st a better Muse than thee,
And which thou brought’st me, blessed Poverty.”
We wish to learn philosophy by rote, and play at heroism. But the wiser God says, Take the shame, the poverty, and the penal solitude, that belong to truth-speaking. Try the rough water as well as the smooth. Rough water can teach lessons worth knowing. When the state is unquiet, personal qualities are more than ever decisive. Fear not a revolution which will constrain you to live five years in one. Don’t be so tender at making an enemy now and then. Be willing to go to Coventry sometimes, and let the populace bestow on you their coldest contempts. The finished man of the world must eat of every apple once. He must hold his hatreds also at arm’s length, and not remember spite. He has neither friends nor enemies, but values men only as channels of power.
He who aims high, must dread an easy home and popular manners. Heaven sometimes hedges a rare character about with ungainliness and odium, as the burr that protects the fruit. If there is any great and good thing in store for you, it will not come at the first or the second call, nor in the shape of fashion, ease, and city drawing-rooms. Popularity is for dolls. “Steep and craggy,” said Porphyry, “is the path of the gods.” Open your Marcus Antoninus. In the opinion of the ancients, he was the great man who scorned to shine, and who contested the frowns of fortune. They preferred the noble vessel too late for the tide, contending with winds and waves, dismantled and unrigged, to her companion borne into harbor with colors flying and guns firing. There is none of the social goods that may not be purchased too dear, and mere amiableness must not take rank with high aims and self-subsistency.
Bettine