turned round.
"Come, Georgie, let's have it out," she said. "I'm perfectly powerless to do anything, because she detests me, and you've got to help her and help me, and drop your selfishness. Before I came here, she used to run you all, and give you treats like going to her tableaux and listening to her stupid old 'Moonlight Sonata', and talking seven words of Italian. And then I came along with no earthly intention except to enjoy my holidays, and she got it into her head that I was trying to run the place instead of her. Isn't that so? Just say 'yes.' "
"Yes," said Georgie.
"Well, that puts me in an odious position and a helpless position. I did my best to be nice to her; I went to her house until she ceased to ask me, and asked her here for everything that I thought would amuse her, until she ceased to come. I took no notice of her rudeness, which was remarkable, or of her absurd patronising airs, which didn't hurt me in the smallest degree. But Georgie, she would continue to make such a dreadful ass of herself, and think it was my fault. Was it my fault that she didn't know the Spanish Quartet when she heard it, or that she didn't know a word of Italian, when she pretended she did, or that the other day (it was the last time I saw her, when you played your Debussy to us at Aunt Jane's) she talked to me about inverted fifths?"
Olga suddenly burst out laughing, and Georgie assumed the Riseholme face of intense curiosity.
"You must tell me all about that," he said, "and I'll tell you the rest which you don't know."
Olga succumbed too, and began to talk in Aunt Jane's voice, for she had adopted her as an aunt.
"Well, it was last Monday week" she said "or was it Sunday? No it couldn't have been Sunday because I don't have anybody to tea that day, as Elizabeth goes over to Jacob's and spends the afternoon with Atkinson, or the other way about, which doesn't signify, as the point is that Elizabeth should be free. So it was Monday, and Aunt Jane — it's me talking again — had the tea-party at which you played 'Poisson d'Or'. And when it was finished, Mrs Lucas gave a great sigh, and said 'Poor Georgino! Wasting his time over that rubbish,' though she knew quite well that I had given it to you. And so I said, 'Would you call it rubbish, do you think?' and she said 'Quite. Every rule of music is violated. Don't those inverted fifths make you wince, Miss Bracely?' "
Olga laughed again, and spoke in her own voice.
"Oh, Georgie, she is an ass," she said. "What she meant I suppose was consecutive fifths; you can't invert a fifth. So I said (I really meant it as a joke), 'Of course there is that, but you must forgive Debussy that for the sake of that wonderful passage of submerged tenths!' And she took it quite gravely and shook her head, and said she was afraid she was a purist. What happened next? That's all I know."
"Directly afterwards," said Georgie, "she brought the music to me, and asked me to show her where the passage of tenths came. I didn't know, but I found some tenths, and she brightened up and said 'Yes, it is true; those submerged tenths are very impressive.' Then I suggested that the submerged tenth was not a musical expression, but referred to a section of the population. On which she said no more, but when she went away she asked me to send her some book on harmony. I dare say she is looking for the submerged tenth still."
Olga lit a cigarette and became grave again.
"Well, it can't go on," she said. "We can't have the poor thing feeling angry and out of it. Then there was Mrs Quantock absolutely refusing to let her see the Princess."
"That was her own fault," said Georgie. "It was because she was so greedy about the guru."
"That makes it all the bitterer. And I can't do anything, because she blames me for it all. I would ask her and her Peppino here every night, and listen to her dreary tunes every evening, and let her have it all her own way, if it would do any good. But things have gone too far; she wouldn't come. It has all happened without my noticing it. I never added it all up as it went along, and I hate it."
Georgie thought of the spiritualistic truths.
"If you're an incarnation," he said in a sudden glow of admiration, "you're the incarnation of an angel. How you can forgive her odious manners to you —"
"My dear, shut up," said Olga. "We've got to do something. Now how would it be if you gave a nice party on Christmas night, and asked her at once? Ask her to help you in getting it up; make it clear she's going to run it."
"All right. You'll come, won't you?"
"Certainly I will not. Perhaps I will come in after dinner with Goosie or someone of that sort. Don't you see it would spoil it all if I were at dinner? You must rather pointedly leave me out. Give her a nice expensive refined Christmas present too. You might give her that picture you're doing of me — No, I suppose she wouldn't like that. But just comfort her and make her feel you can't get on without her. You've been her right hand all these years. Make her give her tableaux again. And then I think you must ask me in afterwards. I long to see her and Peppino as Brünnhilde and Siegfried. Just attend to her, Georgie, and buck her up. Promise me you will. And do it as if your heart was in it, otherwise it's no good."
Georgie began packing up his paintbox. This was not the plan he had hoped for on Christmas Day, but if Olga wished this, it had got to be done.
"Well, I'll do my best," he said.
"Thanks ever so much. You're a darling. And how is your planchette getting on? I've been lazy about my crystal, but I get so tired of my own nose."
"Planchette would write nothing but a few names," said Georgie, omitting the fact that Olga's was the most frequent. "I think I shall drop it."
This was but reasonable, for since Riseholme had some new and absorbing excitement every few weeks, to say nothing of the current excitement of daily life, it followed that even the most thrilling pursuits could not hold the stage for very long. Still, the interest in spiritualism had died down with the rapidity of the seed on stony ground.
"Even Mrs Quantock seems to have cooled," said Olga. "She and her husband were here last night, and they looked rather bored when I suggested table-turning. I wonder if anything has happened to put her off it?"
"What do you think could have?" asked Georgie with Riseholme alacrity.
"Georgie, do you really believe in the Princess and Pocky?" she asked.
Georgie looked round to see that there was no one within hearing.
"I did at the time," he said, "at least I think I did. But it seems less likely now. Who was the Princess anyway? Why didn't we ever hear of her before? I believe Mrs Quantock met her in the train or something."
"So do I," said Olga. "But not a word. It makes Aunt Jane and Uncle Jacob completely happy to believe in it all. Their lines of life are enormous, and they won't die till they're over a hundred. Now go and see Mrs Lucas, and if she doesn't ask you to lunch you can come back here."
Georgie put down his picture and painting-apparatus at his house, and went on to Lucia's, definitely conscious that though he did not want to have her to dinner on Christmas Day, or go back to his duets and his A.D.C. duties, there was a spice and savour in so doing that came entirely from the fact that Olga wished him to, that by this service he was pleasing her. In itself it was distasteful, in itself it tended to cut him off from her, if he had to devote his time to Lucia, but he still delighted in doing it.
"I believe I am falling in love with her this time," said Georgie to himself . . . "She's wonderful; she's big; she's —"
At
