was Pocky. He was a dear naughty boy, so Mrs Quantock's neighbour explained to her, so full of fun, and when on earth had been a Hungarian violinist. Still invisible, Pocky wished them all much laughter and joy, and then suddenly said " 'Ullo, 'ullo, 'ere's a new friend. I like her," and Mrs Quantock's neighbour, with a touch of envy in her voice, told her that Pocky clearly meant her. Then Pocky said that they had been having heavenly music on the other side that day, and that if the new friend would say "Please" he would play them some of it.
So Mrs Quantock, trembling with emotion, said "Please, Pocky," and instantly he began to play on the violin the spirit tune which he had just been playing on the other side. After that, the violin clattered back onto the middle of the table again, and Pocky, blowing showers of kisses to them all, went away amid peals of happy laughter.
Silence fell, and then a deep bass voice said, "I am coming, Amadeo!" and out of the middle of the table appeared a faint luminousness. It grew upwards and began to take form. Swathes of white muslin shaped themselves in the darkness, and there appeared a white face, in among the topmost folds of the muslin, with a Roman nose and a melancholy expression. He was not gay like Pocky, but he was intensely impressive, and spoke some lines in Italian, when asked to repeat a piece of Dante. Mrs Quantock knew they were Italian, because she recognised "notte" and "uno" and "caro," familiar words on Lucia's lips.
The séance came to an end, and Mrs Quantock having placed a guinea with the utmost alacrity in a sort of offertory plate which the Princess's secretary negligently but prominently put down on a table in one of the other rooms, waited to arrange for another séance. But most unfortunately the Princess was leaving town next day on a much needed holiday, for she had been giving three séances a day for the last two months and required rest.
"Yes, we're off tomorrow, the Princess and I," said he, "for a week at the Royal Hotel at Brinton. Pleasant bracing air, always sets her up. But after that she'll be back in town. Do you know that part of the country?"
Daisy could hardly believe her ears.
"Brinton?" she said. "I live close to Brinton."
Her whole scheme flashed completely upon her, even as Athene sprang full-grown from the brain of Zeus.
"Do you think that she might be induced to spend a few days with me at Riseholme?" she said. "My husband and I are so much interested in psychical things. You would be our guest, too, I hope. If she rested for a few days at Brinton first? If she came on to me afterwards? And then if she was thoroughly rested, perhaps she would give us a séance or two. I don't know —"
Mrs Quantock felt a great diffidence in speaking of guineas in the same sentence with Princesses, and had to make another start.
"If she were thoroughly rested," she said, "and if a little circle perhaps of four, at the usual price, would be worth her while. Just after dinner, you know, and nothing else to do all day but rest. There are pretty drives and beautiful air. All very quiet, and I think I may say more comfortable than the hotel. It would be such a pleasure."
Mrs Quantock heard the clinking of bracelets from the room where the Princess was still reposing, and there she stood in the door, looking unspeakably majestic, but very gracious. So Mrs Quantock put her proposition before her, the secretary coming to the rescue on the subject of the usual fees, and when two days afterwards Mrs Quantock returned to Riseholme, it was to get ready the spare room and Robert's room next to it for these thrilling visitors, whose first séance Georgie and Piggy had attended, on the evening of the Italian débâcle . . .
* * *
The Quantocks had taken a high and magnificent line about the "usual fees" for the séances, an expensive line, but then Roumanian oils had been extremely prosperous lately. No mention whatever of these fees was made to their guests, no offertory-plate was put in a prominent position in the hall, there was no fumbling for change or the discreet pressure of coins into the secretary's hand; the entire cost was borne by Roumanian oils. The Princess and Mrs Quantock, apparently, were old friends; they spoke to each other at dinner as "dear friend," and the Princess declared in the most gratifying way that they had been most intimate in a previous incarnation, without any allusion to the fact that in this incarnation they had met for the first time last week at a vegetarian restaurant. She was kind enough, it was left to be understood, to give a little séance after dinner at the house of her "dear friend," and so, publicly, the question of money never came up.
Now the Princess was to stay three nights, and therefore, as soon as Mrs Quantock had made sure of that, she proceeded to fill up each of the séances without asking Lucia to any of them. It was not that she had not fully forgiven her for her odious grabbing of the guru, for she had done that on the night of the Spanish Quartet; it was rather that she meant to make sure that there would by no possibility be anything to forgive concerning her conduct with regard to the Princess. Lucia could not grab her and so call Daisy's powers of forgiveness into play again, if she never came near her, and Daisy meant to take proper precautions that she should not come near her. Accordingly Georgie and Piggy were asked to the first séance (if it did not go very well, it would not particularly matter with them), Olga and Mr Shuttleworth were bidden to the second, and Lady Ambermere with Georgie again to the third. This — quite apart from the immense interest of psychic phenomena — was deadly work, for it would be bitter indeed to Lucia to know, as she most undoubtedly would, that Lady Ambermere, who had cut her so firmly, was dining twice and coming to a séance. Daisy, it must again be repeated, had quite forgiven Lucia about the guru, but Lucia must take the consequences of what she had done.
It was after the first séance that the frenzy for spiritualism seized Riseholme. The Princess with great good nature, gave some further exhibitions of her psychical power in addition to the séances, and even as Georgie the next afternoon was receiving Lucia's cruel verdict about Debussy, the Sybil was looking at the hands of Colonel Boucher and Mrs Weston, and unerringly probing into their past, and lifting the corner of the veil, giving them both glimpses into the future. She knew that the two were engaged, for that she had learned from Mrs Quantock in her morning's drive, and did not attempt to conceal the fact, but how could it be accounted for that, looking impressively from the one to the other, she said that a woman no longer young but tall, and with fair hair, had crossed their lives and had been connected with one, of them for years past? It was impossible to describe Elizabeth more accurately than that, and Mrs Weston in high excitement confessed that her maid who had been with her for fifteen years entirely corresponded with what the Princess had seen in her hand. After that it took only a moment's further scrutiny for the Princess to discover that Elizabeth was going to be happy too. Then she found that there was a man connected with Elizabeth, and Colonel Boucher's hand, to which she transferred her gaze, trembled with delightful anticipation. She seemed to see a man there; she was not quite sure, but was there a man who perhaps had been known to him for a long time? There was. And then by degrees the affairs of Elizabeth and Atkinson were unerringly unravelled. It was little wonder that the Colonel pushed Mrs Weston's bath-chair with record speed to Ye Signe of Ye Daffodil, and by the greatest good luck obtained a copy of The Palmist's Manual.
At another of these informal séances attended by Goosie and Mrs Antrobus, even stranger things had happened, for the Princess's hands, as they held a little preliminary conversation, began to tremble and twitch even more strongly than Colonel Boucher's, and Mrs Quantock hastily supplied her with a pencil and a quantity of sheets of foolscap paper, for this trembling and twitching implied that Reschia, an ancient Egyptian priestess, was longing to use the Princess's hand for automatic writing. After a few wild scrawls and plunges with the pencil, the Princess, though she still continued to talk to them, covered sheet after sheet in large flowing handwriting. This, when it was finished and the Princess sunk back in her chair, proved to be the most wonderful spiritual discourse, describing the happiness and harmony which pervaded the whole universe, and was only temporarily obscured by the mists of materiality. These mists were wholly withdrawn from the vision of those who had passed over. They lived in the
