The Miller Of Old Church. Ellen Anderson Gholson Glasgow

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Jo is the oldest and she's only six."

      "Is your home near here?"

      "I live at the mill. It's a mile farther on, but there is a short cut."

      "Then you are related to the miller, Mr. Revercomb—that fine looking chap I met at the ordinary?"

      "He is my uncle. I am Blossom Revercomb," she answered.

      "Blossom? It's a pretty name."

      Her gaze dwelt on him calmly for and instant, with the faintest quiver of her full white lids, which appeared to weigh heavily on her rather prominent eyes of a pale periwinkle blue.

      "My real name is Keren-happuch," she said at last, after a struggle with herself, "grandma bein' a great Scripture reader, chose it when I was born—but they call me Blossom, for short."

      "And am I permitted, Miss Keren-happuch, to call you Blossom?"

      Again she hesitated, pondering gravely.

      "Mary Jo, if you unwrap your hair your mother will whip you," she said suddenly, and went on without a perceptible change of tone, "Keren-happuch is an ugly name, and I don't like it—though grandma says we oughtn't to think any of the Bible names ugly, not even Gog. She is quite an authority on Scripture, is grandma, and she can repeat the first chapter in Chronicles backward, which the minister couldn't do when he tried."

      "I'd like to hear the name that would sound ugly on your lips, Miss

       Keren-happuch."

      If the sons of farmers had sought to enchant her ears with similar strains, there was no hint of it in the smiling eyes she lifted to his. The serenity of her look added, he thought, to her resemblance to some pagan goddess—not to Artemis nor to Aphrodite, but to some creature compounded equally of earth and sky. Io perhaps, or Europa? By Jove he had it at last—the Europa of Veronese!

      "There'll have to be a big frost before the persimmons get sweet," she observed in a voice that was remarkably deep and full for a woman. With the faint light on her classic head and her milky skin, he found a delicious piquancy in the remark. Had she gossiped, had she even laughed, the effect would have been disastrous. Europa, he was vaguely aware, would hardly have condescended to coquetry. Her speech, like her glance, would be brief, simple, direct.

      "Tell me about the people here," he asked after a pause, in which he plucked idly at the red-topped orchard grass through which they were passing. Behind them the six little negroes walked primly in single file, Mary Jo in the lead and a chocolate-coloured atom of two toddling at the tail of the procession. From time to time shrill squeaks went up from the rear when a startled partridge whirred over the pasture or a bare brown foot came down on a toad or a grasshopper.

      As she made no reply, he added in a more intimate tone, "I am Jonathan

       Gay, of Jordan's Journey, as I suppose you know."

      "The old gentleman's nephew?" she said, while she drew slightly away from him. "Mary Jo, did you tell Tobias's mammy that he was coming along?"

      "Nawm, I ain done tole nobody caze dar ain nobody done ax me."

      "But I said that you were not to bring him without letting Mahaly know.

       You remember what a whipping she gave him the last time he came!"

      At this a dismal howl burst from Tobias. "I ain't-a-gwine-ter-git-a-whuppin'!"

      "Lawd, Miss Blossom, hit cyarn' hut Tobias ez hit ud hut de res'er us," replied Mary Jo, with fine philosophy, "case dar ain but two years er 'im ter whup."

      "I ain't-a-gwine-ter-git-a-whuppin'!" sang Tobias in a passionate refrain.

      "Now that's just it," said Gay, feeling as though he should like to throttle the procession of piccaninnies. "What I can't understand is why the people about here—those I met at Bottom's Ordinary, for instance, seem to have disliked me even before I came."

      Without surprise or embarrassment, she changed the basket from her right to her left arm, and this simple movement had the effect of placing him at a distance, though apparently by accident.

      "That's because of the old gentleman, I reckon," she answered, "my folks all hated him, I don't know why."

      "But can you guess? You see I really want to understand. I've been away since I was eight years old and I have only the haziest memories."

      The question brought them into a sudden intimacy, as if his impulsive appeal to her had established a relation which had not existed the minute before. He liked the look of her strong shoulders, of her deep bosom rising in creamy white to her throat; and the quiver of her red lower lip when she talked, aroused in him a swift and facile emotion. The melancholy of the landscape, reacting on the dangerous softness of his mood, bent his nature toward her like a flame driven by the wind. Around them the red-topped orchard grass faded to pale rose in the twilight, and beyond the crumbling rail fence miles of feathery broomsedge swept to the pines that stood straight and black against the western horizon. Impressions of the hour and the scene, of colour and sound, were blended in the allurement which Nature proffered him, for her own ends, through the woman beside him. Not Blossom Revercomb, but the great Mother beguiled him. The forces that moved in the wind, in the waving broomsedge, and in the call of the whip-poor-will, stirred in his pulses as they stirred in the objects around him. That fugitive attraction of the body, which Nature has shielded at the cost of finer attributes, leaped upon him like a presence that had waited in earth and sky. Loftier aspirations vanished before it. Not his philosophy but the accident of a woman's face worked for destiny.

      "I never knew just how it was," she answered slowly as if weighing her words, "but your uncle wasn't one of our folks, you know. He bought the place the year before the war broke out, and there was always some mystery about him and about the life he led—never speaking to anybody if he could help it, always keeping himself shut up when he could. He hadn't a good name in these parts, and the house hasn't a good name either, for the darkies say it is ha'nted and that old Mrs. Jordan—'ole Miss' they called her—still comes back out of her grave to rebuke the ha'nt of Mr. Jonathan. There is a path leading from the back porch to the poplar spring where none of them will go for water after nightfall. Uncle Abednego swears that he met his old master there one night when he went down to fill a bucket and that a woman was with him. It all comes, I reckon, of Mr. Jonathan having been found dead at the spring, and you know how the darkies catch onto any silly fancy about the dead walking. I don't believe much in ha'nts myself, though great-grandma has seen many a one in her day, and all the servants at Jordan's Journey will never rest quiet. I've always wondered if your mother and Miss Kesiah were ever frightened by the stories the darkies tell?" For a moment she paused, and then added softly, "It was all so different, they say, when the Jordans were living."

      Again the phrase which had begun to irritate him! Who were these dead and gone Jordans whose beneficent memory still inhabited the house they had built?

      "I don't think my mother would care for such stories," he replied after a minute. "She has never mentioned them in her letters."

      "Of course nobody really puts faith in them, but I never pass the spring, if I can help it, after the sun has gone down. It makes me feel so dreadfully creepy."

      "The root of this gossip, I suppose, lies in the general dislike of my uncle?"

      "Perhaps—I'm not sure," she responded, and he felt that her

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