Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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      ‘Have you identified?’

      ‘No. It’s a horrible sight. O! a horrible, horrible sight!’

      ‘Who did you think it might have been?’ asked Mr Inspector. ‘Give us a description, sir. Perhaps we can help you.’

      ‘No, no,’ said the stranger; ‘it would be quite useless. Good-night.’

      Mr Inspector had not moved, and had given no order; but, the satellite slipped his back against the wicket, and laid his left arm along the top of it, and with his right hand turned the bull’s-eye he had taken from his chief—in quite a casual manner—towards the stranger.

      ‘You missed a friend, you know; or you missed a foe, you know; or you wouldn’t have come here, you know. Well, then; ain’t it reasonable to ask, who was it?’ Thus, Mr Inspector.

      ‘You must excuse my telling you. No class of man can understand better than you, that families may not choose to publish their disagreements and misfortunes, except on the last necessity. I do not dispute that you discharge your duty in asking me the question; you will not dispute my right to withhold the answer. Good-night.’

      Again he turned towards the wicket, where the satellite, with his eye upon his chief, remained a dumb statue.

      ‘At least,’ said Mr Inspector, ‘you will not object to leave me your card, sir?’

      ‘I should not object, if I had one; but I have not.’ He reddened and was much confused as he gave the answer.

      ‘At least,’ said Mr Inspector, with no change of voice or manner, ‘you will not object to write down your name and address?’

      ‘Not at all.’

      Mr Inspector dipped a pen in his inkstand, and deftly laid it on a piece of paper close beside him; then resumed his former attitude. The stranger stepped up to the desk, and wrote in a rather tremulous hand—Mr Inspector taking sidelong note of every hair of his head when it was bent down for the purpose—‘Mr Julius Handford, Exchequer Coffee House, Palace Yard, Westminster.’

      ‘Staying there, I presume, sir?’

      ‘Staying there.’

      ‘Consequently, from the country?’

      ‘Eh? Yes—from the country.’

      ‘Good-night, sir.’

      The satellite removed his arm and opened the wicket, and Mr Julius Handford went out.

      ‘Reserve!’ said Mr Inspector. ‘Take care of this piece of paper, keep him in view without giving offence, ascertain that he is staying there, and find out anything you can about him.’

      The satellite was gone; and Mr Inspector, becoming once again the quiet Abbot of that Monastery, dipped his pen in his ink and resumed his books. The two friends who had watched him, more amused by the professional manner than suspicious of Mr Julius Handford, inquired before taking their departure too whether he believed there was anything that really looked bad here?

      The Abbot replied with reticence, couldn’t say. If a murder, anybody might have done it. Burglary or pocket-picking wanted ‘prenticeship. Not so, murder. We were all of us up to that. Had seen scores of people come to identify, and never saw one person struck in that particular way. Might, however, have been Stomach and not Mind. If so, rum stomach. But to be sure there were rum everythings. Pity there was not a word of truth in that superstition about bodies bleeding when touched by the hand of the right person; you never got a sign out of bodies. You got row enough out of such as her—she was good for all night now (referring here to the banging demands for the liver), ‘but you got nothing out of bodies if it was ever so.’

      There being nothing more to be done until the Inquest was held next day, the friends went away together, and Gaffer Hexam and his son went their separate way. But, arriving at the last corner, Gaffer bade his boy go home while he turned into a red-curtained tavern, that stood dropsically bulging over the causeway, ‘for a half-a-pint.’

      The boy lifted the latch he had lifted before, and found his sister again seated before the fire at her work. Who raised her head upon his coming in and asking:

      ‘Where did you go, Liz?’

      ‘I went out in the dark.’

      ‘There was no necessity for that. It was all right enough.’

      ‘One of the gentlemen, the one who didn’t speak while I was there, looked hard at me. And I was afraid he might know what my face meant. But there! Don’t mind me, Charley! I was all in a tremble of another sort when you owned to father you could write a little.’

      ‘Ah! But I made believe I wrote so badly, as that it was odds if any one could read it. And when I wrote slowest and smeared but with my finger most, father was best pleased, as he stood looking over me.’

      The girl put aside her work, and drawing her seat close to his seat by the fire, laid her arm gently on his shoulder.

      ‘You’ll make the most of your time, Charley; won’t you?’

      ‘Won’t I? Come! I like that. Don’t I?’

      ‘Yes, Charley, yes. You work hard at your learning, I know. And I work a little, Charley, and plan and contrive a little (wake out of my sleep contriving sometimes), how to get together a shilling now, and a shilling then, that shall make father believe you are beginning to earn a stray living along shore.’

      ‘You are father’s favourite, and can make him believe anything.’

      ‘I wish I could, Charley! For if I could make him believe that learning was a good thing, and that we might lead better lives, I should be a’most content to die.’

      ‘Don’t talk stuff about dying, Liz.’

      She placed her hands in one another on his shoulder, and laying her rich brown cheek against them as she looked down at the fire, went on thoughtfully:

      ‘Of an evening, Charley, when you are at the school, and father’s—’

      ‘At the Six Jolly Fellowship Porters,’ the boy struck in, with a backward nod of his head towards the public-house.

      ‘Yes. Then as I sit a-looking at the fire, I seem to see in the burning coal—like where that glow is now—’

      ‘That’s gas, that is,’ said the boy, ‘coming out of a bit of a forest that’s been under the mud that was under the water in the days of Noah’s Ark. Look here! When I take the poker—so—and give it a dig—’

      ‘Don’t disturb it, Charley, or it’ll be all in a blaze. It’s that dull glow near it, coming and going, that I mean. When I look at it of an evening, it comes like pictures to me, Charley.’

      ‘Show us a picture,’ said the boy. ‘Tell us where to look.’

      ‘Ah! It wants my eyes, Charley.’

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