Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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      ‘In addition to which, my dear,’ her husband urged, ‘if you have no place to put two young persons into—’

      ‘Pardon me,’ Mrs Wilfer again interposed; ‘they were not young persons. Two young ladies of the highest respectability. Tell your father, Bella, whether the milkman said so.’

      ‘My dear, it is the same thing.’

      ‘No it is not,’ said Mrs Wilfer, with the same impressive monotony. ‘Pardon me!’

      ‘I mean, my dear, it is the same thing as to space. As to space. If you have no space in which to put two youthful fellow-creatures, however eminently respectable, which I do not doubt, where are those youthful fellow-creatures to be accommodated? I carry it no further than that. And solely looking at it,’ said her husband, making the stipulation at once in a conciliatory, complimentary, and argumentative tone—‘as I am sure you will agree, my love—from a fellow-creature point of view, my dear.’

      ‘I have nothing more to say,’ returned Mrs Wilfer, with a meek renunciatory action of her gloves. ‘It is as you think, R. W.; not as I do.’

      Here, the huffing of Miss Bella and the loss of three of her men at a swoop, aggravated by the coronation of an opponent, led to that young lady’s jerking the draught-board and pieces off the table: which her sister went down on her knees to pick up.

      ‘Poor Bella!’ said Mrs Wilfer.

      ‘And poor Lavinia, perhaps, my dear?’ suggested R. W.

      ‘Pardon me,’ said Mrs Wilfer, ‘no!’

      It was one of the worthy woman’s specialities that she had an amazing power of gratifying her splenetic or worldly-minded humours by extolling her own family: which she thus proceeded, in the present case, to do.

      ‘No, R. W. Lavinia has not known the trial that Bella has known. The trial that your daughter Bella has undergone, is, perhaps, without a parallel, and has been borne, I will say, Nobly. When you see your daughter Bella in her black dress, which she alone of all the family wears, and when you remember the circumstances which have led to her wearing it, and when you know how those circumstances have been sustained, then, R. W., lay your head upon your pillow and say, “Poor Lavinia!”’

      Here, Miss Lavinia, from her kneeling situation under the table, put in that she didn’t want to be ‘poored by pa’, or anybody else.

      ‘I am sure you do not, my dear,’ returned her mother, ‘for you have a fine brave spirit. And your sister Cecilia has a fine brave spirit of another kind, a spirit of pure devotion, a beau-ti-ful spirit! The self-sacrifice of Cecilia reveals a pure and womanly character, very seldom equalled, never surpassed. I have now in my pocket a letter from your sister Cecilia, received this morning—received three months after her marriage, poor child!—in which she tells me that her husband must unexpectedly shelter under their roof his reduced aunt. “But I will be true to him, mamma,” she touchingly writes, “I will not leave him, I must not forget that he is my husband. Let his aunt come!” If this is not pathetic, if this is not woman’s devotion—!’ The good lady waved her gloves in a sense of the impossibility of saying more, and tied the pocket-handkerchief over her head in a tighter knot under her chin.

      Bella, who was now seated on the rug to warm herself, with her brown eyes on the fire and a handful of her brown curls in her mouth, laughed at this, and then pouted and half cried.

      ‘I am sure,’ said she, ‘though you have no feeling for me, pa, I am one of the most unfortunate girls that ever lived. You know how poor we are’ (it is probable he did, having some reason to know it!), ‘and what a glimpse of wealth I had, and how it melted away, and how I am here in this ridiculous mourning—which I hate!—a kind of a widow who never was married. And yet you don’t feel for me.—Yes you do, yes you do.’

      This abrupt change was occasioned by her father’s face. She stopped to pull him down from his chair in an attitude highly favourable to strangulation, and to give him a kiss and a pat or two on the cheek.

      ‘But you ought to feel for me, you know, pa.’

      ‘My dear, I do.’

      ‘Yes, and I say you ought to. If they had only left me alone and told me nothing about it, it would have mattered much less. But that nasty Mr Lightwood feels it his duty, as he says, to write and tell me what is in reserve for me, and then I am obliged to get rid of George Sampson.’

      Here, Lavinia, rising to the surface with the last draughtman rescued, interposed, ‘You never cared for George Sampson, Bella.’

      ‘And did I say I did, miss?’ Then, pouting again, with the curls in her mouth; ‘George Sampson was very fond of me, and admired me very much, and put up with everything I did to him.’

      ‘You were rude enough to him,’ Lavinia again interposed.

      ‘And did I say I wasn’t, miss? I am not setting up to be sentimental about George Sampson. I only say George Sampson was better than nothing.’

      ‘You didn’t show him that you thought even that,’ Lavinia again interposed.

      ‘You are a chit and a little idiot,’ returned Bella, ‘or you wouldn’t make such a dolly speech. What did you expect me to do? Wait till you are a woman, and don’t talk about what you don’t understand. You only show your ignorance!’ Then, whimpering again, and at intervals biting the curls, and stopping to look how much was bitten off, ‘It’s a shame! There never was such a hard case! I shouldn’t care so much if it wasn’t so ridiculous. It was ridiculous enough to have a stranger coming over to marry me, whether he liked it or not. It was ridiculous enough to know what an embarrassing meeting it would be, and how we never could pretend to have an inclination of our own, either of us. It was ridiculous enough to know I shouldn’t like him—how could I like him, left to him in a will, like a dozen of spoons, with everything cut and dried beforehand, like orange chips. Talk of orange flowers indeed! I declare again it’s a shame! Those ridiculous points would have been smoothed away by the money, for I love money, and want money—want it dreadfully. I hate to be poor, and we are degradingly poor, offensively poor, miserably poor, beastly poor. But here I am, left with all the ridiculous parts of the situation remaining, and, added to them all, this ridiculous dress! And if the truth was known, when the Harmon murder was all over the town, and people were speculating on its being suicide, I dare say those impudent wretches at the clubs and places made jokes about the miserable creature’s having preferred a watery grave to me. It’s likely enough they took such liberties; I shouldn’t wonder! I declare it’s a very hard case indeed, and I am a most unfortunate girl. The idea of being a kind of a widow, and never having been married! And the idea of being as poor as ever after all, and going into black, besides, for a man I never saw, and should have hated—as far as he was concerned—if I had seen!’

      The young lady’s lamentations were checked at this point by a knuckle, knocking at the half-open door of the room. The knuckle had knocked two or three times already, but had not been heard.

      ‘Who is it?’ said Mrs Wilfer, in her Act-of-Parliament manner. ‘Enter!’

      A gentleman coming in, Miss Bella, with a short and sharp exclamation, scrambled off the hearth-rug and massed the bitten curls together in their right place on her neck.

      ‘The servant girl had her key in the door as I came up, and directed me to this room, telling me I was expected. I am afraid I should have asked her to announce

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