glasses of champagne; but Mrs Podsnap, arching her mane and rocking her grandest, has a far more deferential audience than Mrs Veneering; and Podsnap all but does the honours.
Another dismal circumstance is, that Veneering, having the captivating Tippins on one side of him and the bride’s aunt on the other, finds it immensely difficult to keep the peace. For, Medusa, besides unmistakingly glaring petrifaction at the fascinating Tippins, follows every lively remark made by that dear creature, with an audible snort: which may be referable to a chronic cold in the head, but may also be referable to indignation and contempt. And this snort being regular in its reproduction, at length comes to be expected by the company, who make embarrassing pauses when it is falling due, and by waiting for it, render it more emphatic when it comes. The stoney aunt has likewise an injurious way of rejecting all dishes whereof Lady Tippins partakes: saying aloud when they are proffered to her, ‘No, no, no, not for me. Take it away!’ As with a set purpose of implying a misgiving that if nourished upon similar meats, she might come to be like that charmer, which would be a fatal consummation. Aware of her enemy, Lady Tippins tries a youthful sally or two, and tries the eye-glass; but, from the impenetrable cap and snorting armour of the stoney aunt all weapons rebound powerless.
Another objectionable circumstance is, that the pokey unknowns support each other in being unimpressible. They persist in not being frightened by the gold and silver camels, and they are banded together to defy the elaborately chased ice-pails. They even seem to unite in some vague utterance of the sentiment that the landlord and landlady will make a pretty good profit out of this, and they almost carry themselves like customers. Nor is there compensating influence in the adorable bridesmaids; for, having very little interest in the bride, and none at all in one another, those lovely beings become, each one of her own account, depreciatingly contemplative of the millinery present; while the bridegroom’s man, exhausted, in the back of his chair, appears to be improving the occasion by penitentially contemplating all the wrong he has ever done; the difference between him and his friend Eugene, being, that the latter, in the back of his chair, appears to be contemplating all the wrong he would like to do—particularly to the present company.
In which state of affairs, the usual ceremonies rather droop and flag, and the splendid cake when cut by the fair hand of the bride has but an indigestible appearance. However, all the things indispensable to be said are said, and all the things indispensable to be done are done (including Lady Tippins’s yawning, falling asleep, and waking insensible), and there is hurried preparation for the nuptial journey to the Isle of Wight, and the outer air teems with brass bands and spectators. In full sight of whom, the malignant star of the Analytical has pre-ordained that pain and ridicule shall befall him. For he, standing on the doorsteps to grace the departure, is suddenly caught a most prodigious thump on the side of his head with a heavy shoe, which a Buffer in the hall, champagne-flushed and wild of aim, has borrowed on the spur of the moment from the pastrycook’s porter, to cast after the departing pair as an auspicious omen.
So they all go up again into the gorgeous drawing-rooms—all of them flushed with breakfast, as having taken scarlatina sociably—and there the combined unknowns do malignant things with their legs to ottomans, and take as much as possible out of the splendid furniture. And so, Lady Tippins, quite undetermined whether today is the day before yesterday, or the day after to-morrow, or the week after next, fades away; and Mortimer Lightwood and Eugene fade away, and Twemlow fades away, and the stoney aunt goes away—she declines to fade, proving rock to the last—and even the unknowns are slowly strained off, and it is all over.
All over, that is to say, for the time being. But, there is another time to come, and it comes in about a fortnight, and it comes to Mr and Mrs Lammle on the sands at Shanklin, in the Isle of Wight.
Mr and Mrs Lammle have walked for some time on the Shanklin sands, and one may see by their footprints that they have not walked arm in arm, and that they have not walked in a straight track, and that they have walked in a moody humour; for, the lady has prodded little spirting holes in the damp sand before her with her parasol, and the gentleman has trailed his stick after him. As if he were of the Mephistopheles family indeed, and had walked with a drooping tail.
‘Do you mean to tell me, then, Sophronia—’
Thus he begins after a long silence, when Sophronia flashes fiercely, and turns upon him.
‘Don’t put it upon me, sir. I ask you, do you mean to tell me?’
Mr Lammle falls silent again, and they walk as before. Mrs Lammle opens her nostrils and bites her under-lip; Mr Lammle takes his gingerous whiskers in his left hand, and, bringing them together, frowns furtively at his beloved, out of a thick gingerous bush.
‘Do I mean to say!’ Mrs Lammle after a time repeats, with indignation. ‘Putting it on me! The unmanly disingenuousness!’
Mr Lammle stops, releases his whiskers, and looks at her. ‘The what?’
Mrs Lammle haughtily replies, without stopping, and without looking back. ‘The meanness.’
He is at her side again in a pace or two, and he retorts, ‘That is not what you said. You said disingenuousness.’
‘What if I did?’
‘There is no “if” in the case. You did.’
‘I did, then. And what of it?’
‘What of it?’ says Mr Lammle. ‘Have you the face to utter the word to me?’
‘The face, too!’ replied Mrs Lammle, staring at him with cold scorn. ‘Pray, how dare you, sir, utter the word to me?’
‘I never did.’
As this happens to be true, Mrs Lammle is thrown on the feminine resource of saying, ‘I don’t care what you uttered or did not utter.’
After a little more walking and a little more silence, Mr Lammle breaks the latter.
‘You shall proceed in your own way. You claim a right to ask me do I mean to tell you. Do I mean to tell you what?’
‘That you are a man of property?’
‘No.’
‘Then you married me on false pretences?’
‘So be it. Next comes what you mean to say. Do you mean to say you are a woman of property?’
‘No.’
‘Then you married me on false pretences.’
‘If you were so dull a fortune-hunter that you deceived yourself, or if you were so greedy and grasping that you were over-willing to be deceived by appearances, is it my fault, you adventurer?’ the lady demands, with great asperity.
‘I asked Veneering, and he told me you were rich.’
‘Veneering!’ with great contempt.’ And what does Veneering know about me!’
‘Was he not your trustee?’
‘No. I have no trustee, but the one you saw on the day when you fraudulently married me. And his trust is not a very difficult one, for it is only an annuity of a hundred and fifteen pounds. I think there are some odd shillings or pence, if you are very particular.’
Mr Lammle bestows a by no means loving look upon the partner of his joys and sorrows, and he mutters something; but checks himself.
‘Question
