in the sky from which the wind comes, and you feel as if you were dead.’
The little creature looked above her, holding up her slight transparent hand.
‘How do you feel when you are dead?’ asked Fledgeby, much perplexed.
‘Oh, so tranquil!’ cried the little creature, smiling. ‘Oh, so peaceful and so thankful! And you hear the people who are alive, crying, and working, and calling to one another down in the close dark streets, and you seem to pity them so! And such a chain has fallen from you, and such a strange good sorrowful happiness comes upon you!’
Her eyes fell on the old man, who, with his hands folded, quietly looked on.
‘Why it was only just now,’ said the little creature, pointing at him, ‘that I fancied I saw him come out of his grave! He toiled out at that low door so bent and worn, and then he took his breath and stood upright, and looked all round him at the sky, and the wind blew upon him, and his life down in the dark was over!—Till he was called back to life,’ she added, looking round at Fledgeby with that lower look of sharpness. ‘Why did you call him back?’
‘He was long enough coming, anyhow,’ grumbled Fledgeby.
‘But you are not dead, you know,’ said Jenny Wren. ‘Get down to life!’
Mr Fledgeby seemed to think it rather a good suggestion, and with a nod turned round. As Riah followed to attend him down the stairs, the little creature called out to the Jew in a silvery tone, ‘Don’t be long gone. Come back, and be dead!’ And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, ‘Come back and be dead, Come back and be dead!’
When they got down into the entry, Fledgeby, pausing under the shadow of the broad old hat, and mechanically poising the staff, said to the old man:
‘That’s a handsome girl, that one in her senses.’
‘And as good as handsome,’ answered Riah.
‘At all events,’ observed Fledgeby, with a dry whistle, ‘I hope she ain’t bad enough to put any chap up to the fastenings, and get the premises broken open. You look out. Keep your weather eye awake and don’t make any more acquaintances, however handsome. Of course you always keep my name to yourself?’
‘Sir, assuredly I do.’
‘If they ask it, say it’s Pubsey, or say it’s Co, or say it’s anything you like, but what it is.’
His grateful servant—in whose race gratitude is deep, strong, and enduring—bowed his head, and actually did now put the hem of his coat to his lips: though so lightly that the wearer knew nothing of it.
Thus, Fascination Fledgeby went his way, exulting in the artful cleverness with which he had turned his thumb down on a Jew, and the old man went his different way up-stairs. As he mounted, the call or song began to sound in his ears again, and, looking above, he saw the face of the little creature looking down out of a Glory of her long bright radiant hair, and musically repeating to him, like a vision:
‘Come up and be dead! Come up and be dead!’
Chapter 6.
A Riddle Without an Answer
Again Mr Mortimer Lightwood and Mr Eugene Wrayburn sat together in the Temple. This evening, however, they were not together in the place of business of the eminent solicitor, but in another dismal set of chambers facing it on the same second-floor; on whose dungeon-like black outer-door appeared the legend:
PRIVATE MR EUGENE WRAYBURN MR MORTIMER LIGHTWOOD
(Mr Lightwood’s Offices opposite.)
Appearances indicated that this establishment was a very recent institution. The white letters of the inscription were extremely white and extremely strong to the sense of smell, the complexion of the tables and chairs was (like Lady Tippins’s) a little too blooming to be believed in, and the carpets and floorcloth seemed to rush at the beholder’s face in the unusual prominency of their patterns. But the Temple, accustomed to tone down both the still life and the human life that has much to do with it, would soon get the better of all that.
‘Well!’ said Eugene, on one side of the fire, ‘I feel tolerably comfortable. I hope the upholsterer may do the same.’
‘Why shouldn’t he?’ asked Lightwood, from the other side of the fire.
‘To be sure,’ pursued Eugene, reflecting, ‘he is not in the secret of our pecuniary affairs, so perhaps he may be in an easy frame of mind.’
‘We shall pay him,’ said Mortimer.
‘Shall we, really?’ returned Eugene, indolently surprised. ‘You don’t say so!’
‘I mean to pay him, Eugene, for my part,’ said Mortimer, in a slightly injured tone.
‘Ah! I mean to pay him too,’ retorted Eugene. ‘But then I mean so much that I—that I don’t mean.’
‘Don’t mean?’
‘So much that I only mean and shall always only mean and nothing more, my dear Mortimer. It’s the same thing.’
His friend, lying back in his easy chair, watched him lying back in his easy chair, as he stretched out his legs on the hearth-rug, and said, with the amused look that Eugene Wrayburn could always awaken in him without seeming to try or care:
‘Anyhow, your vagaries have increased the bill.’
‘Calls the domestic virtues vagaries!’ exclaimed Eugene, raising his eyes to the ceiling.
‘This very complete little kitchen of ours,’ said Mortimer, ‘in which nothing will ever be cooked—’
‘My dear, dear Mortimer,’ returned his friend, lazily lifting his head a little to look at him, ‘how often have I pointed out to you that its moral influence is the important thing?’
‘Its moral influence on this fellow!’ exclaimed Lightwood, laughing.
‘Do me the favour,’ said Eugene, getting out of his chair with much gravity, ‘to come and inspect that feature of our establishment which you rashly disparage.’ With that, taking up a candle, he conducted his chum into the fourth room of the set of chambers—a little narrow room—which was very completely and neatly fitted as a kitchen. ‘See!’ said Eugene, ‘miniature flour-barrel, rolling-pin, spice-box, shelf of brown jars, chopping-board, coffee-mill, dresser elegantly furnished with crockery, saucepans and pans, roasting jack, a charming kettle, an armoury of dish-covers. The moral influence of these objects, in forming the domestic virtues, may have an immense influence upon me; not upon you, for you are a hopeless case, but upon me. In fact, I have an idea that I feel the domestic virtues already forming. Do me the favour to step into my bedroom. Secretaire, you see, and abstruse set of solid mahogany pigeon-holes, one for every letter of the alphabet.
