Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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says he has something to say.’

      ‘Surely it must be to you, Mortimer.’

      ‘So I thought, but he says no. He says it is to you.’

      ‘Yes, I do say so,’ interposed the boy. ‘And I mean to say what I want to say, too, Mr Eugene Wrayburn!’

      Passing him with his eyes as if there were nothing where he stood, Eugene looked on to Bradley Headstone. With consummate indolence, he turned to Mortimer, inquiring: ‘And who may this other person be?’

      ‘I am Charles Hexam’s friend,’ said Bradley; ‘I am Charles Hexam’s schoolmaster.’

      ‘My good sir, you should teach your pupils better manners,’ returned Eugene.

      Composedly smoking, he leaned an elbow on the chimneypiece, at the side of the fire, and looked at the schoolmaster. It was a cruel look, in its cold disdain of him, as a creature of no worth. The schoolmaster looked at him, and that, too, was a cruel look, though of the different kind, that it had a raging jealousy and fiery wrath in it.

      Very remarkably, neither Eugene Wrayburn nor Bradley Headstone looked at all at the boy. Through the ensuing dialogue, those two, no matter who spoke, or whom was addressed, looked at each other. There was some secret, sure perception between them, which set them against one another in all ways.

      ‘In some high respects, Mr Eugene Wrayburn,’ said Bradley, answering him with pale and quivering lips, ‘the natural feelings of my pupils are stronger than my teaching.’

      ‘In most respects, I dare say,’ replied Eugene, enjoying his cigar, ‘though whether high or low is of no importance. You have my name very correctly. Pray what is yours?’

      ‘It cannot concern you much to know, but—’

      ‘True,’ interposed Eugene, striking sharply and cutting him short at his mistake, ‘it does not concern me at all to know. I can say Schoolmaster, which is a most respectable title. You are right, Schoolmaster.’

      It was not the dullest part of this goad in its galling of Bradley Headstone, that he had made it himself in a moment of incautious anger. He tried to set his lips so as to prevent their quivering, but they quivered fast.

      ‘Mr Eugene Wrayburn,’ said the boy, ‘I want a word with you. I have wanted it so much, that we have looked out your address in the book, and we have been to your office, and we have come from your office here.’

      ‘You have given yourself much trouble, Schoolmaster,’ observed Eugene, blowing the feathery ash from his cigar. ‘I hope it may prove remunerative.’

      ‘And I am glad to speak,’ pursued the boy, ‘in presence of Mr Lightwood, because it was through Mr Lightwood that you ever saw my sister.’

      For a mere moment, Wrayburn turned his eyes aside from the schoolmaster to note the effect of the last word on Mortimer, who, standing on the opposite side of the fire, as soon as the word was spoken, turned his face towards the fire and looked down into it.

      ‘Similarly, it was through Mr Lightwood that you ever saw her again, for you were with him on the night when my father was found, and so I found you with her on the next day. Since then, you have seen my sister often. You have seen my sister oftener and oftener. And I want to know why?’

      ‘Was this worth while, Schoolmaster?’ murmured Eugene, with the air of a disinterested adviser. ‘So much trouble for nothing? You should know best, but I think not.’

      ‘I don’t know, Mr Wrayburn,’ answered Bradley, with his passion rising, ‘why you address me—’

      ‘Don’t you? said Eugene. ‘Then I won’t.’

      He said it so tauntingly in his perfect placidity, that the respectable right-hand clutching the respectable hair-guard of the respectable watch could have wound it round his throat and strangled him with it. Not another word did Eugene deem it worth while to utter, but stood leaning his head upon his hand, smoking, and looking imperturbably at the chafing Bradley Headstone with his clutching right-hand, until Bradley was wellnigh mad.

      ‘Mr Wrayburn,’ proceeded the boy, ‘we not only know this that I have charged upon you, but we know more. It has not yet come to my sister’s knowledge that we have found it out, but we have. We had a plan, Mr Headstone and I, for my sister’s education, and for its being advised and overlooked by Mr Headstone, who is a much more competent authority, whatever you may pretend to think, as you smoke, than you could produce, if you tried. Then, what do we find? What do we find, Mr Lightwood? Why, we find that my sister is already being taught, without our knowing it. We find that while my sister gives an unwilling and cold ear to our schemes for her advantage—I, her brother, and Mr Headstone, the most competent authority, as his certificates would easily prove, that could be produced—she is wilfully and willingly profiting by other schemes. Ay, and taking pains, too, for I know what such pains are. And so does Mr Headstone! Well! Somebody pays for this, is a thought that naturally occurs to us; who pays? We apply ourselves to find out, Mr Lightwood, and we find that your friend, this Mr Eugene Wrayburn, here, pays. Then I ask him what right has he to do it, and what does he mean by it, and how comes he to be taking such a liberty without my consent, when I am raising myself in the scale of society by my own exertions and Mr Headstone’s aid, and have no right to have any darkness cast upon my prospects, or any imputation upon my respectability, through my sister?’

      The boyish weakness of this speech, combined with its great selfishness, made it a poor one indeed. And yet Bradley Headstone, used to the little audience of a school, and unused to the larger ways of men, showed a kind of exultation in it.

      ‘Now I tell Mr Eugene Wrayburn,’ pursued the boy, forced into the use of the third person by the hopelessness of addressing him in the first, ‘that I object to his having any acquaintance at all with my sister, and that I request him to drop it altogether. He is not to take it into his head that I am afraid of my sister’s caring for him—’

      (As the boy sneered, the Master sneered, and Eugene blew off the feathery ash again.)

      —‘But I object to it, and that’s enough. I am more important to my sister than he thinks. As I raise myself, I intend to raise her; she knows that, and she has to look to me for her prospects. Now I understand all this very well, and so does Mr Headstone. My sister is an excellent girl, but she has some romantic notions; not about such things as your Mr Eugene Wrayburns, but about the death of my father and other matters of that sort. Mr Wrayburn encourages those notions to make himself of importance, and so she thinks she ought to be grateful to him, and perhaps even likes to be. Now I don’t choose her to be grateful to him, or to be grateful to anybody but me, except Mr Headstone. And I tell Mr Wrayburn that if he don’t take heed of what I say, it will be worse for her. Let him turn that over in his memory, and make sure of it. Worse for her!’

      A pause ensued, in which the schoolmaster looked very awkward.

      ‘May I suggest, Schoolmaster,’ said Eugene, removing his fast-waning cigar from his lips to glance at it, ‘that you can now take your pupil away.’

      ‘And Mr Lightwood,’ added the boy, with a burning face, under the flaming aggravation of getting no sort of answer or attention, ‘I hope you’ll take notice of what I have said to your friend, and of what your friend has heard me say, word by word, whatever he pretends

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