Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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Wegg then goes on to enlarge upon what throughout has been uppermost in his crafty mind:—the qualifications of Mr Venus for such a search. He expatiates on Mr Venus’s patient habits and delicate manipulation; on his skill in piecing little things together; on his knowledge of various tissues and textures; on the likelihood of small indications leading him on to the discovery of great concealments. ‘While as to myself,’ says Wegg, ‘I am not good at it. Whether I gave myself up to prodding, or whether I gave myself up to scooping, I couldn’t do it with that delicate touch so as not to show that I was disturbing the mounds. Quite different with you, going to work (as you would) in the light of a fellow-man, holily pledged in a friendly move to his brother man.’ Mr Wegg next modestly remarks on the want of adaptation in a wooden leg to ladders and such like airy perches, and also hints at an inherent tendency in that timber fiction, when called into action for the purposes of a promenade on an ashey slope, to stick itself into the yielding foothold, and peg its owner to one spot. Then, leaving this part of the subject, he remarks on the special phenomenon that before his installation in the Bower, it was from Mr Venus that he first heard of the legend of hidden wealth in the Mounds: ‘which’, he observes with a vaguely pious air, ‘was surely never meant for nothing.’ Lastly, he returns to the cause of the right, gloomily foreshadowing the possibility of something being unearthed to criminate Mr Boffin (of whom he once more candidly admits it cannot be denied that he profits by a murder), and anticipating his denunciation by the friendly movers to avenging justice. And this, Mr Wegg expressly points out, not at all for the sake of the reward—though it would be a want of principle not to take it.

      To all this, Mr Venus, with his shock of dusty hair cocked after the manner of a terrier’s ears, attends profoundly. When Mr Wegg, having finished, opens his arms wide, as if to show Mr Venus how bare his breast is, and then folds them pending a reply, Mr Venus winks at him with both eyes some little time before speaking.

      ‘I see you have tried it by yourself, Mr Wegg,’ he says when he does speak. ‘You have found out the difficulties by experience.’

      ‘No, it can hardly be said that I have tried it,’ replies Wegg, a little dashed by the hint. ‘I have just skimmed it. Skimmed it.’

      ‘And found nothing besides the difficulties?’

      Wegg shakes his head.

      ‘I scarcely know what to say to this, Mr Wegg,’ observes Venus, after ruminating for a while.

      ‘Say yes,’ Wegg naturally urges.

      ‘If I wasn’t soured, my answer would be no. But being soured, Mr Wegg, and driven to reckless madness and desperation, I suppose it’s Yes.’

      Wegg joyfully reproduces the two glasses, repeats the ceremony of clinking their rims, and inwardly drinks with great heartiness to the health and success in life of the young lady who has reduced Mr Venus to his present convenient state of mind.

      The articles of the friendly move are then severally recited and agreed upon. They are but secrecy, fidelity, and perseverance. The Bower to be always free of access to Mr Venus for his researches, and every precaution to be taken against their attracting observation in the neighbourhood.

      ‘There’s a footstep!’ exclaims Venus.

      ‘Where?’ cries Wegg, starting.

      ‘Outside. St!’

      They are in the act of ratifying the treaty of friendly move, by shaking hands upon it. They softly break off, light their pipes which have gone out, and lean back in their chairs. No doubt, a footstep. It approaches the window, and a hand taps at the glass. ‘Come in!’ calls Wegg; meaning come round by the door. But the heavy old-fashioned sash is slowly raised, and a head slowly looks in out of the dark background of night.

      ‘Pray is Mr Silas Wegg here? Oh! I see him!’

      The friendly movers might not have been quite at their ease, even though the visitor had entered in the usual manner. But, leaning on the breast-high window, and staring in out of the darkness, they find the visitor extremely embarrassing. Especially Mr Venus: who removes his pipe, draws back his head, and stares at the starer, as if it were his own Hindoo baby come to fetch him home.

      ‘Good evening, Mr Wegg. The yard gate-lock should be looked to, if you please; it don’t catch.’

      ‘Is it Mr Rokesmith?’ falters Wegg.

      ‘It is Mr Rokesmith. Don’t let me disturb you. I am not coming in. I have only a message for you, which I undertook to deliver on my way home to my lodgings. I was in two minds about coming beyond the gate without ringing: not knowing but you might have a dog about.’

      ‘I wish I had,’ mutters Wegg, with his back turned as he rose from his chair. St! Hush! The talking-over stranger, Mr Venus.’

      ‘Is that any one I know?’ inquires the staring Secretary.

      ‘No, Mr Rokesmith. Friend of mine. Passing the evening with me.’

      ‘Oh! I beg his pardon. Mr Boffin wishes you to know that he does not expect you to stay at home any evening, on the chance of his coming. It has occurred to him that he may, without intending it, have been a tie upon you. In future, if he should come without notice, he will take his chance of finding you, and it will be all the same to him if he does not. I undertook to tell you on my way. That’s all.’

      With that, and ‘Good night,’ the Secretary lowers the window, and disappears. They listen, and hear his footsteps go back to the gate, and hear the gate close after him.

      ‘And for that individual, Mr Venus,’ remarks Wegg, when he is fully gone, ‘I have been passed over! Let me ask you what you think of him?’

      Apparently, Mr Venus does not know what to think of him, for he makes sundry efforts to reply, without delivering himself of any other articulate utterance than that he has ‘a singular look’.

      ‘A double look, you mean, sir,’ rejoins Wegg, playing bitterly upon the word. ‘That’s his look. Any amount of singular look for me, but not a double look! That’s an under-handed mind, sir.’

      ‘Do you say there’s something against him?’ Venus asks.

      ‘Something against him?’ repeats Wegg. ‘Something? What would the relief be to my feelings—as a fellow-man—if I wasn’t the slave of truth, and didn’t feel myself compelled to answer, Everything!’

      See into what wonderful maudlin refuges, featherless ostriches plunge their heads! It is such unspeakable moral compensation to Wegg, to be overcome by the consideration that Mr Rokesmith has an underhanded mind!

      ‘On this starlight night, Mr Venus,’ he remarks, when he is showing that friendly mover out across the yard, and both are something the worse for mixing again and again: ‘on this starlight night to think that talking-over strangers, and underhanded minds, can go walking home under the sky, as if they was all square!’

      ‘The spectacle of those orbs,’ says Mr Venus, gazing upward with his hat tumbling off; ‘brings heavy on me her crushing words that she did not wish to regard herself nor yet to be regarded in that—’

      ‘I know! I know! You needn’t repeat ‘em,’ says Wegg, pressing his hand. ‘But think how those stars steady

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