Charles Dickens' Most Influential Works (Illustrated). Charles Dickens
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‘Now, is it all thought out? All to this time? Nothing omitted? No, nothing. But beyond this time? To think it out through the future, is a harder though a much shorter task than to think it out through the past. John Harmon is dead. Should John Harmon come to life?
‘If yes, why? If no, why?’
‘Take yes, first. To enlighten human Justice concerning the offence of one far beyond it who may have a living mother. To enlighten it with the lights of a stone passage, a flight of stairs, a brown window-curtain, and a black man. To come into possession of my father’s money, and with it sordidly to buy a beautiful creature whom I love—I cannot help it; reason has nothing to do with it; I love her against reason—but who would as soon love me for my own sake, as she would love the beggar at the corner. What a use for the money, and how worthy of its old misuses!
‘Now, take no. The reasons why John Harmon should not come to life. Because he has passively allowed these dear old faithful friends to pass into possession of the property. Because he sees them happy with it, making a good use of it, effacing the old rust and tarnish on the money. Because they have virtually adopted Bella, and will provide for her. Because there is affection enough in her nature, and warmth enough in her heart, to develop into something enduringly good, under favourable conditions. Because her faults have been intensified by her place in my father’s will, and she is already growing better. Because her marriage with John Harmon, after what I have heard from her own lips, would be a shocking mockery, of which both she and I must always be conscious, and which would degrade her in her mind, and me in mine, and each of us in the other’s. Because if John Harmon comes to life and does not marry her, the property falls into the very hands that hold it now.
‘What would I have? Dead, I have found the true friends of my lifetime still as true as tender and as faithful as when I was alive, and making my memory an incentive to good actions done in my name. Dead, I have found them when they might have slighted my name, and passed greedily over my grave to ease and wealth, lingering by the way, like single-hearted children, to recall their love for me when I was a poor frightened child. Dead, I have heard from the woman who would have been my wife if I had lived, the revolting truth that I should have purchased her, caring nothing for me, as a Sultan buys a slave.
‘What would I have? If the dead could know, or do know, how the living use them, who among the hosts of dead has found a more disinterested fidelity on earth than I? Is not that enough for me? If I had come back, these noble creatures would have welcomed me, wept over me, given up everything to me with joy. I did not come back, and they have passed unspoiled into my place. Let them rest in it, and let Bella rest in hers.
‘What course for me then? This. To live the same quiet Secretary life, carefully avoiding chances of recognition, until they shall have become more accustomed to their altered state, and until the great swarm of swindlers under many names shall have found newer prey. By that time, the method I am establishing through all the affairs, and with which I will every day take new pains to make them both familiar, will be, I may hope, a machine in such working order as that they can keep it going. I know I need but ask of their generosity, to have. When the right time comes, I will ask no more than will replace me in my former path of life, and John Rokesmith shall tread it as contentedly as he may. But John Harmon shall come back no more.
‘That I may never, in the days to come afar off, have any weak misgiving that Bella might, in any contingency, have taken me for my own sake if I had plainly asked her, I will plainly ask her: proving beyond all question what I already know too well. And now it is all thought out, from the beginning to the end, and my mind is easier.’
So deeply engaged had the living-dead man been, in thus communing with himself, that he had regarded neither the wind nor the way, and had resisted the former instinctively as he had pursued the latter. But being now come into the City, where there was a coach-stand, he stood irresolute whether to go to his lodgings, or to go first to Mr Boffin’s house. He decided to go round by the house, arguing, as he carried his overcoat upon his arm, that it was less likely to attract notice if left there, than if taken to Holloway: both Mrs Wilfer and Miss Lavinia being ravenously curious touching every article of which the lodger stood possessed.
Arriving at the house, he found that Mr and Mrs Boffin were out, but that Miss Wilfer was in the drawing-room. Miss Wilfer had remained at home, in consequence of not feeling very well, and had inquired in the evening if Mr Rokesmith were in his room.
‘Make my compliments to Miss Wilfer, and say I am here now.’
Miss Wilfer’s compliments came down in return, and, if it were not too much trouble, would Mr Rokesmith be so kind as to come up before he went?
It was not too much trouble, and Mr Rokesmith came up.
Oh she looked very pretty, she looked very, very pretty! If the father of the late John Harmon had but left his money unconditionally to his son, and if his son had but lighted on this loveable girl for himself, and had the happiness to make her loving as well as loveable!
‘Dear me! Are you not well, Mr Rokesmith?’
‘Yes, quite well. I was sorry to hear, when I came in, that you were not.’
‘A mere nothing. I had a headache—gone now—and was not quite fit for a hot theatre, so I stayed at home. I asked you if you were not well, because you look so white.’
‘Do I? I have had a busy evening.’
She was on a low ottoman before the fire, with a little shining jewel of a table, and her book and her work, beside her. Ah! what a different life the late John Harmon’s, if it had been his happy privilege to take his place upon that ottoman, and draw his arm about that waist, and say, ‘I hope the time has been long without me? What a Home Goddess you look, my darling!’
But, the present John Rokesmith, far removed from the late John Harmon, remained standing at a distance. A little distance in respect of space, but a great distance in respect of separation.
‘Mr Rokesmith,’ said Bella, taking up her work, and inspecting it all round the corners, ‘I wanted to say something to you when I could have the opportunity, as an explanation why I was rude to you the other day. You have no right to think ill of me, sir.’
The sharp little way in which she darted a look at him, half sensitively injured, and half pettishly, would have been very much admired by the late John Harmon.
‘You don’t know how well I think of you, Miss Wilfer.’
‘Truly, you must have a very high opinion of me, Mr Rokesmith, when you believe that in prosperity I neglect and forget my old home.’
‘Do I believe so?’
‘You did, sir, at any rate,’ returned Bella.
‘I took the liberty of reminding you of a little omission into which you had fallen—insensibly and naturally fallen. It was no more than that.’
‘And I beg leave to ask you, Mr Rokesmith,’ said Bella, ‘why you took that liberty?—I hope there is no offence in the phrase; it is your own, remember.’
‘Because I am truly, deeply, profoundly interested in you, Miss Wilfer. Because I wish to see you always at your best. Because I—shall I go on?’
‘No, sir,’ returned Bella, with a burning face, ‘you have said more than enough. I