Thorley Weir. E. F. Benson

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Thorley Weir - E. F. Benson

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These were Philip Wroughton's daughter and Philip Wroughton's Reynolds: briefly, he hoped to possess himself of both.

      It was impossible to decide between the rival excellencies of these. The Reynolds picture was exquisite: it represented his host's great-grandmother. But Joyce Wroughton his host's daughter might have sat in person for it, and the artist would have congratulated himself on having so supremely caught the frank charm and vigour of her beauty. More than most of the master's portraits it set forth a breezy and glorious vitality; it was as if Diana and an Amazon had been ancestresses to the sitter, in so swift and active a poise the slim white-clad figure paused with head turned and beckoning hand and smile before it passed up the glade of dark-foliaged trees behind it. How often had Craddock seen Joyce Wroughton in just such a momentary attitude as she swung across the lawn from her punting on the river, and turned to call her collies lest they should enter the tent where her father sat and disturb him at his employment of doing nothing at all. Craddock, sluggish of blood and corpulent of limb, found a charm of wonderful potency in the girl's lithe and athletic youth, and his own subtle intricate-weaving mind admired hardly less the serenity and simplicity of hers, which seemed as untroubled and unmorbid as that which he would conjecture for some white Hellenic marble. It cannot be truthfully stated that in the common acceptance of the word he was in love with her, but he immensely admired her, and, being of the age when a man says to himself that if he intends to marry he must without delay put out from the harbour of his bachelorhood, he had decided to set his sails. She, only just twenty years of age, was more than a quarter of a century his junior, but this seemed to him a perfectly satisfactory chronology, since for full twenty years more her beauty would but ripen and develop.

      His desire to possess himself of the Reynolds portrait was in a sense more altruistic, since he did not propose to keep it himself. He was prepared to offer to the present owner of it what would certainly appear to one not conversant with salesrooms a very generous price, and he was also prepared to take a far more generous price for it himself from an American friend who was victim to a trans-Atlantic ambition to possess a dozen portraits by this master. He scarcely knew a picture from a statue, but he wanted pictures, and Craddock in previous transactions with him had learned not to be shy of asking enormous sums for them, since Mr. William P. Ward's comment was invariable, laconic and satisfactory. "I'm sure I'm very much indebted to you," was all he said, and proceeded to discharge his indebtedness.

      Craddock's precautions with regard to the sun that beat on the carriage windows were quite successful, and he felt cool and presentable when he was shown into this riverside house and out again onto the lawn that bordered the Thames where tea was laid under the big plane tree that shaded a drowsy area of cool green. Joyce, inimitable save for the foreshadowing Sir Joshua, rose to receive him, forgetting to turn off the water from the urn which was ministering to the teapot. Upon which a thin hand came out of an encompassing chair, and a rather fretful voice said:

      "The tea will be drowned, Joyce. Oh, is that Mr. Craddock? Charmed."

      Having saved the tea from drowning, Philip Wroughton gave Craddock a sufficiently cordial welcome. He did not rise from his basket chair, but extended a welcoming hand. He had a footstool to keep his feet from any risk of damp from the scorched and arid grass, and a thin plaid shawl was laid across his knees, as a preventative of miasmic humours reaching those joints. In person he was a wizen bird-eyed little man, fleshless and hollow-cheeked, and grey-haired, and by the side of his daughter he looked like a dried Normandy pippin compared to a fresh apple, sun-tinted and vivid-skinned. Beside him, chiefly concealed from view by the scarlet sunshade which cast a red glow on to her face, sat his mother, old Lady Crowborough, who was by far the most juvenile of any company in which she found herself. Not being on speaking terms with her elder son (though she spoke about him a good deal) she stayed with Philip whenever she found it convenient, and gave him a great deal of good advice, which he seldom acted upon. She delighted in her age, which she habitually exaggerated, and had now for several years said that she was ninety, though as a matter of fact she would not attain that agreeable age for several years yet. She was remarkable for her shrewdness, her memory and her health, and wore a rather girlish and simple costume with a flapping linen sun-bonnet. Time, that inexorable accountant, seemed to have passed over her page, and her face was still marvellously soft and unwrinkled, and her sight and hearing were yet acute and undimmed. Arthur Craddock had not expected to find her here, and he was not sure that the discovery pleased him, for she always produced in him a sensation of being detected.

      Philip Wroughton continued his low-voiced and languid phrases of welcome.

      "Charmed to see you," he said. "You know my mother, do you not? It is good of you to come down and see us in our retreat. I, with my wretched health, as you know, cannot leave home, and Joyce really prefers the river and her dogs and perhaps the society of her poor old father to the distractions of town. Eh, Joyce?"

      Joyce might or might not have endorsed the filial sentiments thus attributed to her, but her opportunity of doing so was snatched from her by her grandmother who endorsed none of these things.

      "It's all stuff and nonsense about your health, Philip," she said. "You would be as strong as me if you only would put your medicine bottles into the grate, and eat good nourishing food, instead of the slops you stuff yourself with. And as for Joyce preferring to spend her time with you, instead of dancing and flirting with all the agreeable young fellows in London, you know quite well that it's you who keep her mewed up here to carry your cushions and pour out your medicines and put up your umbrella."

      Joyce interrupted this recital of menial duties with a laugh.

      "Granny, darling," she said, "how many lumps of sugar?"

      "Three if they're decent big ones," said Lady Crowborough with decision. "Tell us what's going on in town, Mr. Craddock."

      Arthur Craddock habitually made himself agreeable when it was worth while, and here he had three persons whom he desired to stand well with—Philip Wroughton for the sake of the Reynolds, Joyce for her own sake, and Lady Crowborough for reasons of self-protection.

      "A burning fiery furnace is going on in town, my dear lady," he said. "The heat has been a torture, and I only hope I have been expiating some crime. The worst of it is that I have searched my memory without any success for something I have done to deserve these flames. But I seem to have been almost priggishly virtuous. What do you think I can have done, Miss Joyce?"

      Joyce put the three decent lumps into her grandmother's tea, and laughed again. She always felt a certain slight physical repulsion for this stout white man, though she recognised his agreeable qualities.

      "Ah, how can I tell?" she said. "You have not made me your confessor."

      Mr. Craddock remembered that he would probably not get very much dinner, and took a large soft bun with sugar on the top of it.

      "I instantly offer you the post," he said, "though I can still think of nothing to confess. You will have a sinecure. And yet after all it was one's own choice to stop in town, and certainly there have been pleasant things going on. I suppose, too, that at this moment the keenness of my pleasure in sitting on this delicious lawn in the shade and coolness of your beautiful plane tree is enhanced by the contrast with the furnace I have escaped from. And will you take me out again in your punt after tea, as you did when I was here last? All the way down I have had a prospective vision of you looking like a Victory off some Greek frieze with your punt-pole, and of myself reclining on the cushions like—like a middle-aged but unintoxicated Silenus."

      This speech, since not addressed to Lady Crowborough, was too lengthy for her taste.

      "Nasty uncomfortable things are punts," she observed, "going crawling along with one person poking and fuddling away among the mud and eels at the bottom of the river, and dribbling the water from the pole over the

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