spare me the sight of my executioner," he said.
"I don't know where you get all these fine feelings from," remarked his mother. "Not from my side of the family. I'll see Mr. Ward for you, and see if I can't get him to buy some garnets of mine that I never wear. I shall like a month or two in Egypt with you, Philip."
"Too long a journey for you, mother, I am afraid," said Philip hastily.
"There! I knew you'd say something mean," said she, rising. "Well, I've finished my dinner, and I shall get to my Patience."
The night had fallen hot and starry and still, and though it was not to be expected that Mr. Wroughton should risk himself in the air after dinner, Craddock and Joyce at his suggestion strolled down to the river's edge in the gathering dusk. The even-song of birds was over, and bats wheeled in the darkening air, and moths hovered over the drowsy fragrance of the flower-beds. From somewhere not far away sounded the tinkle of a guitar accompanying some boyish tenor, and Joyce without thought, found herself wondering whether this was the voice of Charles of the unknown surname, or the anonymous fashioner of the omelette. The tune was tawdry enough, a number from some musical comedy, and though the performer had no particular skill either of finger or throat, the effect was young and fresh, and not in discord with the midsummer stillness. Something of the same impression was made on Arthur Craddock also, who listened with an indulgent smile on his big face that gleamed whitely in the faded day and dimness of stars.
"He does not know how to play or sing very much," he said, "but it is somehow agreeable though a little heart-rending to my middle-age. He is clearly quite young, his voice is unformed yet, and I should guess he is thinking of Her. Enviable young wretch! For though, Miss Joyce, we miserable ones go a thinking of one or another Her all our lives, they cease to think of us, just when we need them most."
There was considerable adroitness in this speech as a prelude to greater directness, and he looked at her out of his little grey eyes with some intentness. She seemed more Diana-like than ever in this grey glimmer of starlight: it really seemed possible that she would spring up from the earth to meet the tawny moon-disc that was even now just rising in the East, and charioteer it over the star-scattered fields of heaven. She seemed dressed for her part as Mistress of the Moon, all in white with a riband of silver in her bright hair.
"But what of us?" she said lightly. "Do not you men cease to think of us even before we are middle-aged?"
Suddenly it struck Craddock that no more heaven-sent opportunity for carrying out the second of the purposes that had brought him down here, could possibly be desired. He was in luck to-day, too: the business of the portrait had been carried through so smoothly, so easily. But immediately he became aware that he was not, in vulgar parlance, quite up to it. He needed support, he needed her father's consent, but above all he needed the imperative call, the hunger of the soul. Clearly, too, her words did not refer, however remotely, to herself and him, he felt that they were spoken quite impersonally. And immediately she changed the subject.
"I have to thank you," she said, "for trying to dissuade my father from selling the portrait. He told me you had suggested that he should not. That was kind of you."
He caressed the side of his face with the usual gratifying result.
"I found his mind was made up," he said, "though in accordance with your request I suggested he should not sell it. Always command me, Miss Joyce, and I will always fly on your quests. I am aware that I do not look particularly like a knight-errant, but there are motor-cars and railway-trains nowadays which transport us more swiftly and less hazardously than mettlesome chargers, especially if we can't ride."
He had again made himself an opening, but again he found when he came close that it was barricaded to him. But this time some hint of his intentions, though he could not manage to carry them into effect, was communicated to her, and conscious of them, and uncomfortable at them, she again changed the subject.
"Oh, I am not going to ask you to take the train to-night," she said. "The most I shall ask of you is that you play bézique with my father by and by. I play so badly that it is no fun for him. Hark, the singing is coming closer."
They had come to the landing-stage at the far end of the lawn, and looking up the tranquil lane of the river Joyce saw that the sound came from a Canadian canoe which was drifting downstream towards them. The boat itself was barely visible in the shadow of the trees: it was conjectured rather than seen by the outline of shirt-sleeves that outlined it, and it was on the further side of the stream. By this time the moon had swung clear to the horizon, and though the boat was still shadowed, Joyce and Craddock standing on the lawn were in the full white light. At the moment the musical comedy song came to an end, and the voice of some imprudent person from the canoe, forgetting the distinctness with which sound traverses water, spoke in a voice that was perfectly audible to Joyce, though not to Craddock.
"Charles, there's the girl of the punt and her fat white man," it observed.
Charles was more circumspect. His answer was a murmur quite inaudible, and instantly he thrummed his guitar again. The melody was new to Joyce, and though he might not have great skill in singing, he had a crisp enunciation, and the delicious old words were clearly audible:
"See the chariot at hand here of Love
Wherein my Lady rideth."
Louder and more distinct every moment, as the canoe drifted closer came the beautiful lyric. The singer was not using more than half his voice, but as the distance between canoe and audience diminished, the light boyish tenor was sufficiently resonant to set the windless air a-quiver. Just as the canoe emerged into the blaze of moonlight opposite came the final stave, and the white-shirted singer sang from a full and open throat:
"Or have smelt o' the bud o' the briar?
Or the nard in the fire?
Or have tasted the bag of the bee?
O, so white, O, so soft, O, so sweet is she!"
The silence of the night shut down like the lid of a jewel-box. Then after a little while came the drip of a paddle, and the canoe grew small and dim in the distance down-stream.
"Those jolly boys again," said Joyce.
Arthur Craddock heaved a long sigh, horribly conscious of his years and riches, and Joyce heard the creak of his shirt-front.
"That young man has diplomatic gifts," he said. "It is clear that he intended to serenade you, and he chose the far side of the river, so as to make it seem that he had no intention of any kind. It is a reasonable supposition that if serenading was his object, and it certainly was, he might be supposed not to see you standing here. So he serenaded with the open throat. If I tried to do the same, which sorely tempts me, I should only convince you that I had not an open throat but a sore one. Nobody has ever heard me sing, not even when I was as young as that white shirted youth in the canoe. He will paddle back to his tent before long, unless you stay here visible in the moonlight, and dream steadily about you till morning."
Joyce laughed.
"Oh, what nonsense, Mr. Craddock," she said, knowing in the very secret place of her girl's heart that it was not nonsense at all. "Boats with guitars and singers go by every night, and often half the night. They can't all be serenading me."
"I cannot imagine why not. A Mormonism of serenading young men is not illegal. I would join them myself, Miss Joyce, if I could sing, and if I did not think that any Canadian canoe in which I embarked would
