McClure, Phillips & Co.
PRINCIPAL CHARACTERS IN THE STORY
Steering, of New York
Old Bernique, of French St. Louis
Piney, of the Woods
Crittenton Madeira, of Canaan
Sally, of Missouri
There are also some kind-hearted people: Farmers, Housewives, Store-keepers, Miners, etc.
Chapter One
STEERING OF NEW YORK
"Hoo-ee-ow-ohme!"
It was half a sob, half a laugh, and, half sobbing, half laughing, the young man stopped his horse on the crest of the Tigmore Hills, in the Ozark Uplift, raised in his stirrups, and looked the country through and through, as though he must see into its very heart. In the brilliant mid-afternoon light the Southwest unrolled below him and around him in a ragged bigness and an unconquered loneliness. As far as eye could reach tumbled the knobs, the flats, the waste weedy places, the gullies, the rock-pitted sweeps of table-land and the timbered hills of the Uplift. The buffalo grass trembled across the lowlands in long, shaking billows that had all the effect of scared flight. From the base of the Tigmores a line of river bottom stretched westward, and beyond the bottom curved a pale, quiet river. In the distance wraiths of blue smoke falteringly bespoke the presence of people and cabins; on a cleared hill an object that might be horse or dog or man was silhouetted, small and vague; and in the farthest west the hoister of a deserted zinc mine cut up against the sky a little lonely way. The near and dominant things were constantly those tremulous, fleeing billows of grass, the straight strong trees, the sullen rocks, the silent, shivering water.
"Hoo-ee-ow!"
It was too vast, too urgent. Waiting, ready, it lay there aggressively, like a challenge. As the young man faced it, it claimed him, forcing back his past life, his old habits, his old haunts, into the realm of myth and moonshine. His old habits! His old haunts! They hung aloof in his consciousness, shadow pictures, colourless and remote. … That zestful young life at New Haven, the swift years of it, the fine last day of it, Yale honours upon him, his enthusiasms cutting away into the future, his big shoulders squared, his face set toward great things, the righting of wrongs, grand reforms, the careers of nations. … A bachelor hotel; a club whose windows looked out on the avenue; an office where Carington and he had pretended to work down on Nassau Street; drawing-rooms where Carington and he had pretended to be in love, on various streets; the whole gay, meaningless panorama of his life as a homeless, unplaced New York sojourner, who had considered that he had too much money to be anything seriously and too little money to do anything effectively. … Then another picture, jerking, mazy, a study in kinematics—"Crazy Monday" on the Street, Carington and he swept along in that day's whirlwind of speculation. … A blank in the panorama while he got used to things and thought things out. … Then a wintry twilight at the club, Carington and he by the window, talking it over, looking out upon the drifted light of the city, loving the city, in the way of New Yorkers. Then Carington's voice saying, "Bruce? Bruce, m' son? Why don't you try Missouri?" Saying it with that in his voice to indicate that there was nothing else left to try. Then the long thoughtful talk, Carington and he still by the window, while he showed Carington how little chance he had even in Missouri; then Carington's strong-hearted insistence that, in view of the agitation over the ore discoveries at Joplin, he go on "out there" and prospect; and then Carington's foolishly irrelevant heel-piece, "Miss Gossamer sails for Europe Saturday!" and the sudden appeal of the notion to go "out there," its sharp striking-in. … Carington and he taking counsel with some of the other fellows in his rooms later on, all the deep voices roaring at once, all the boys insulting him at once, belittling his cigars, saying sharp things about his pictures, that being their way of showing him that they were badly broken up over his leaving them; all their eyes shining interest in him and hope for him and even envy of him, as the young man who was "going out West," while the great soft fluff of smoke in the room made the past a dream and the present an illusion and the future a phantasm. … Then the long journey overland, the little impetus toward the new life flickering drearily, while he gripped up his heart for any fate, growing quieter and quieter, but more and more determined to take Missouri as she came. … Then Missouri herself, the stop at St. Louis, the dip into the State southwestward, toward the lead and zinc country and his own debatable land; good-bye to the railroad; by team, in company with other prospectors, through the sang hills, up and down stony ridges, along vast cattle ranges. … And now here, quite alone, twenty miles from the railroad, Missouri on all sides of him, close-timbered, rock-ribbed, gulch-broken, mortally lonely, billowing around him, over him, possessing him.
That sense of being possessed by Missouri, committed to her, had grown upon him intolerably all day. All day he had been fighting it and resenting it. At various points along the rocky ridge road he had come upon hill cabins and hill people, and, facing them, his fight and his resentment had been momentarily vicious.
"Gudday, stranger!" the people had called from the porches of the hill cabins, "Hikin' over the Ridge?"
"Yes, friend," Steering had called back, and had then projected his unfailing, anxious question: "Can you tell me how far it is to Poetical?"
At that the people from the porches had got up and come across the baked weeds of the cabin yard. Assembled at the stile-block in front of him, the people invariably lined up as a long, gaunt farmer, a thin, flat-chested woman, a troop of dusty children, and a yellow dog.
"Yass, I cand tell you. It's six sights and a right smart chanst f'm here to Poetical, stranger," the long, gaunt farmer had invariably drawled, with more accommodation than information.
"Six sights—six sights and a right what what?"
"W'y," the Missourian had explained forbearingly, blinking toward the sun, and waving his loosely jointed arms westward, "it's this-a-way—you'll git sight of Poetical f'm six hills, an' whend you git to the bottom of the sixt' hill they's a right smart chanst you won't be to Poetical evum yit awhile. You cand see far in this air. It's some mild f'm here to Poetical, an' sharp ridin' at that."
Each time that Steering had heard that, little varied in phraseology, save for the number of "sights," according to his progress, he had felt so dismal and looked so dismal that, each time, the native before him had added quickly, "Better git off an' spin' the night with us. Aint got much, but what we got's yourn."
Each time the house beyond the stile-block had looked miserably uninviting—a
