If Winter Comes. A. S. M. Hutchinson

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If Winter Comes - A. S. M. Hutchinson

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was childish; and Mabel said it was childish when her attention was drawn to the diversion. On the day the great distance record was created he came rather animatedly into the kitchen where she happened to be. "I say, what's happened to that small wood axe? Is it in here?"

      Mabel followed the direction of the convulsive start made by Low Jinks and produced the small wood axe from under the dresser, also directing at Low Jinks a glance which told Low Jinks what she perfectly well knew: namely that under the dresser was not the place for the small wood axe. "Whatever do you want it for all of a sudden?" Mabel asked.

      He felt the edge with his thumb. "Low"—Mabel's face twitched. He had persisted in the idiotic and indecorous names, and her face always twitched when he used them—"Low, do you keep my axe for chopping coal or what?" And he addressed Mabel. "I'm getting fat, I think. I don't want the axe to cut lumps off myself, though. I'm going to chop a marking peg. I've done a heavyweight world's record on that run in on my bike—"

      "Oh, that!" said Mabel.

      And when he had gone out into the wood yard, Low Jinks staring after him with the uplifted eyebrows with which both sisters, the glum and the grim, commonly received the master's "ways", Mabel said in the gently pained way which was her admirable method of administering rebukes in the kitchen: "The woodshed is the place for the small wood axe, Rebecca."

      Rebecca promptly unsmirked her smirk. "Yes, m'm."

      A little later the sound of loud hammering took Mabel to the gate. Across the road, at the edge of the Green, Sabre was energetically driving in the peg with the back of the axe. He was squatting and he looked up highly pleased with himself and, his words implied, with her. "Come to see it? Good! How's that for an effort, eh? Look here now. Yesterday I only got as far as here," and he walked some paces towards Mr. Fargus's gate and struck his heel in the ground and looked at her, smiling. "Absolutely the same conditions, mind you. No wind. And I always start from the top practically at rest; and yet always finish up different. Jolly funny, eh?"

      She opened the gate for him. "What you can see in it!" she murmured.

      He said, "Oh, well!"

      III

      But on the following day he was surprised and intensely pleased to see his champion peg gleaming white in the sunshine. Mabel was in the morning room, sewing.

      "Hullo, sewing? I say, did you paint my peg? How jolly nice of you!"

      She looked up. "Your peg? Whatever do you mean?"

      "That record distance peg of mine. Painted it white, haven't you?"

      "No, I didn't paint it!"

      "Who the dickens—? Well, I'll just wash my hands. Not had tea, have you? Good."

      When Low Jinks came to his room with hot water—a detail of the perfect appointment of the house under Mabel's management was her rule that Rebecca always came to the door for the master's bicycle, handed him the brush for his shoes and trousers, and then took hot water to his room—he asked her, "I say, Low Jinks, did you paint that peg of mine?"

      Low Jinks coloured and spoke apologetically: "Well, I thought it would show up better, sir. There was a drop of whitewash in—"

      "By Jove, it does. It looks like a regular winning-post. Jolly nice of you, Low."

      Two months afterwards the bicycle did the worst on record. This was a surprising affair; the runs had recently been excitingly good; and when Low Jinks came out to take the bicycle he greeted her: "I say, Low Jinks, I only got just up to Mr. Fargus's gate just now. Worst I've ever done."

      Low Jinks was enormously concerned. "Well! I never did!" exclaimed Low Jinks. "If those bicycles aren't just things! You'll want a peg for that, sir. Like you had one for the best."

      "That's an idea, Low. What about painting it?"

      "Oh, I will, sir!"

      But he did not mention the new record to Mabel.

       Table of Contents

      I

      The other end of the daily bicycle ride, the Tidborough end, provided no feats of cycling interest. The extremely narrow, cobbled thoroughfare in which the offices of Fortune, East and Sabre were situated usually caused Sabre's approach to them to be made on foot, wheeling his machine.

      Fortune, East and Sabre, Ecclesiastical and Scholastic Furnishers and Designers, had in Tidborough what is called, in business and professional circles, a good address. A good address for a metropolitan money lender is the West End in the neighbourhood of Bond Street; a good address for a solicitor is Bloomsbury in the neighbourhood of Bedford Square: for an architect Westminster in the neighbourhood of Victoria Street, for commerce the City in the neighbourhood of the Bank. The idea is that, though clothes do not make the man, a good address makes, or rather bestows the reputation, and conveys the impression that the owner of the good address, being in that neighbourhood, is not within many thousands of miles (or pounds) of the neighbourhood of Bankruptcy.

      The address of Fortune, East and Sabre was emphatically a good address because its business was with the Church and for the Church; with colleges, universities and schools and for colleges, universities and schools; with bishops, priests and clergy, churchwardens, headmasters, headmistresses, governors and bursars, and for bishops, priests and clergy, churchwardens, headmasters, headmistresses, governors and bursars.

      Its address was The Precincts—Fortune, East and Sabre, The Precincts, Tidborough.

      The Precincts has a discreet and beautiful sound, a discreet and beautiful suggestiveness. High Street, Tidborough, or Cheapside, Tidborough, or Commercial Street, Tidborough, have only to be compared with The Precincts, Tidborough, to establish the discretion and beauty of the situation of the firm. And the names of the firm were equally euphonious and equally suggestive of high decorum and cultured efficiency. Fortune, East and Sabre had a discreet and beautiful sound. Finally Tidborough, the last line of the poem, though not in itself either discreet or beautiful, being intensely busy, suggested to all the cultured persons from bishops to bursars, with whom business was done, the discreet and beautiful lines of Tidborough Cathedral and of Tidborough School, together with all that these venerable and famous institutions connoted. Not Winchester itself conveys to the cultured mind thoughts more discreet and beautiful than are conveyed by Tidborough. The care of the cathedral, for many years in a highly delicate state of health, and the care of the school, yearly ravaged by successive generations of the sons of those who could afford to educate their sons there were, it may be mentioned, established sources of income to the firm.

      Thus the whole style and title of the firm had a discreet and beautiful sound, in admirable keeping with its business. Fortune, East and Sabre, The Precincts, Tidborough. Was any one so utterly removed from affairs as not to know them as ecclesiastical furnishers? "They're at Tidborough. They do Tidborough" (meaning the world-famous cathedral). Or as scholastic providers? "They're at Tidborough. They do Tidborough" (meaning the empire-famous school).

      The frontage of Fortune, East and Sabre on The Precincts consisted of a range of three double-fronted shops. The central shop gave one window to a superb lectern in

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