Theodoric the Goth: Barbarian Champion of Civilisation. Thomas Hodgkin
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The barbarian tide was at length arrested by the strong walls of Orleans, whose stubborn defence saved all that part of Gaul which lies within the protecting curve of the Loire from the horrors of their invasion. At midsummer Attila and his host were retiring from the untaken city, and beginning their retreat towards the Rhine, a retreat which they were not to accomplish unhindered. The extremity of the danger from these utterly savage foes had welded together the old Empire and the new Gothic kingdom, the civilised and the half-civilised power, in one great confederacy, for the defence of all that was worth saving in human society. The tidings of the approach of the Gothic king had hastened the departure of Attila from the environs of Orleans, and, perhaps about a fortnight later, the allied armies of Romans and Goths came up with the retreating Huns in "the Catalaunian plains" not far from the city of Troyes. The general of the Imperial army was Aëtius; the general and king of the Visigoths was Theodoric, a namesake of our hero. Both were capable and valiant soldiers. On the other side, conspicuous among the subject kings who formed the staff of Attila, were the three Ostrogothic brethren, and Ardaric, king of the Gepidæ. The loyalty of Walamir, the firm grasp with which he kept his master's secrets, and Ardaric's resourcefulness in counsel were especially prized by Attila. And truly he had need of all their help, for, though it is difficult to ascertain with any degree of accuracy the numbers actually engaged (162,000 are said to have fallen on both sides), it is clear that this was a collision of nations rather than of armies, and that it required greater skill than any that the rude Hunnish leader possessed, to win the victory for his enormous host. After "a battle ruthless, manifold, gigantic, obstinate, such as antiquity never described when she told of warlike deeds, such as no man who missed the sight of that marvel might ever hope to have another chance of beholding", 10 night fell upon the virtually defeated Huns. The Gothic king had lost his life, but Attila had lost the victory. All night long the Huns kept up a barbarous dissonance to prevent the enemy from attacking them, but their king's thoughts were of suicide. He had prepared a huge funeral pyre, on which, if the enemy next day successfully attacked his camp, he was determined to slay himself amid the kindled flames, in order that neither living nor dead the mighty Attila might fall into the hands of his enemies. These desperate expedients, however, were not required. The death of Theodoric, the caution of Aëtius, some jealousy perhaps between the Roman and the Goth, some anxiety on the part of the eldest Gothic prince as to the succession to his father's throne,--all these causes combined to procure for Attila a safe but closely watched return into his own land.
Footnote 10:(return) These are the words of the Gothic historian, Jordanes.
The battle of the Catalaunian plains (usually but not quite correctly called the battle of Châlons) was a memorable event in the history of the Gothic race, of Europe, and of the world. It was a sad necessity which on this one occasion arrayed the two great branches of the Gothic people, the Visigoths under Theodoric, and the Ostrogoths under Walamir, in fratricidal strife against each other. For Europe the alliance between Roman and Goth, between the grandson of Theodosius, Emperor of Rome, and the successor of Alaric, the besieger of Rome, was of priceless value and showed that the great and statesmanlike thought of Ataulfus was ripening in the minds of those who came after him. For the world, yes even for us in the nineteenth century, and for the great undiscovered continents beyond the sea, the repulse of the squalid and unprogressive Turanian from the seats of the old historic civilisation, was essential to the preservation of whatever makes human life worth living. Had Attila conquered on the Catalaunian plains, an endless succession of Jenghiz Khans and Tamerlanes would probably have swept over the desolated plains of Europe; Paris and Florence would have been even as Khiva and Bokhara, and the island of Britain would not have yet attained to the degree of civilisation reached by the peninsula of Corea.
In the year after the fruitless invasion of Gaul, Attila crossed the Julian Alps and entered Italy, intending (452) doubtless to rival the fame of Alaric by his capture of Rome, an operation which would have been attended with infinitely greater ruin to
"the seven-hilled city's pride",
than any which she had sustained at the hands of the Visigothic leader. But the Huns, unskilful in siege work, were long detained before the walls of Aquileia, that great and flourishing frontier city, hitherto deemed impregnable, which gathered in the wealth of the Venetian province, and guarded the north-eastern approaches to Italy. At length by a sudden assault they made themselves masters of the city, which they destroyed with utter destruction, putting all the inhabitants to the sword, and then wrapping in fire and smoke the stately palaces, the wharves, the mint, the forum, the theatres of the fourth city of Italy. The terror of this brutal destruction took from the other cities of Venetia all heart for resistance to the terrible invader. From Concordia, Altino, Padua, crowds of trembling fugitives walked, waded, or sailed with their hastily gathered and most precious possessions to the islands, surrounded by shallow lagoons, which fringed the Adriatic coast, near the mouths of the Brenta and Adige. There at Torcello, Burano, Rialto, Malamocco, and their sister islets, they laid the humble foundations of that which was one day to be the gorgeous and wide-ruling Republic of Venice.
Attila meanwhile marched on through the valley of the Po ravaging and plundering, but a little slackening in the work of mere destruction, as the remembrance of the stubborn defence of Aquileia faded from his memory. Entering Milan as a conqueror, and seeing there a picture representing the Emperors of the Romans sitting on golden thrones, and the Scythian barbarians crouching at their feet, he sought out a Milanese painter, and bade the trembling artist represent him, Attila, sitting on the throne, and the two Roman Emperors staggering under sacks full of gold coin, which they bore upon their shoulders, and pouring out their precious contents at his feet.
This little incident helps us to understand the next strange act in the drama of Attila's invasion. To enjoy the luxury of humbling the great Empire, and of trampling on the pride of her statesmen, seems to have been the sweetest pleasure of his life. This mere gratification of his pride, the pride of an upstart barbarian, at the expense of the inheritors of a mighty name and the representatives of venerable traditions, was the object which took him into Italy, rather than any carefully prepared scheme of worldwide conquest. Accordingly when that august body, the Senate of Rome, sent a consul, a prefect, and more than all a pope, the majestic and fitly-named Leo, to plead humbly in the name of the Roman people for peace, and to promise acquiescence at some future day in the most unreasonable of his demands, Attila granted the ambassadors an interview by the banks of the Mincio, listened with haughty tranquillity to their petition, allowed