Raphael; Or, Pages of the Book of Life at Twenty. Alphonse de Lamartine

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Raphael; Or, Pages of the Book of Life at Twenty - Alphonse de Lamartine

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Her complexion was pale, her features motionless, and her countenance so expressive of profound and silent meditation, that she resembled a statue of Death; but of that Death which bears away the soul beyond the reach of human woes to the regions of eternal light and love. The sound of my footsteps on the dry leaves made her look up. Her large half-closed eyes were of that peculiar tint resembling the color of lapis lazuli, streaked with brown, and the drooping lid had that natural fringe of long dark lashes, which Eastern women strive by art to imitate, in order to impart a voluptuous wildness to their look and energy even to their languor. The light of those eyes seemed to come from a distance which I have never measured in any other mortal eye. It was as the rays of the stars, which seem to seek us out, and to approach us as we gaze, and yet have travelled millions of miles through the heavens. The high and narrow forehead seemed as if compressed by intense thought, and joined the nose by an almost straight and Grecian line. The lips were thin and slightly depressed at the corners with an habitual expression of sadness; the teeth of pearl, rather than of ivory, as is the case with the daughters of the sea or islands. The face was oval, slightly emaciated in the lower part and at the temples, and, on the whole she seemed rather an embodying of thought than a human being. Besides this general expression of revery there was a languid look of suffering and passion, which made it impossible to gaze once on that face without bearing its ineffaceable image stamped forever in the memory. In a word, hers was a contagious sickness of the soul, veiled in a shape of beauty the most majestic and attractive that the dreams of mortal man ever embodied.

      I passed rapidly before her, bowing respectfully, and my deferential air and downcast eyes seemed to ask forgiveness for having disturbed her. A slight blush tinged her pale cheeks at my approach. I returned to my room trembling and wondering that the evening air should thus have chilled me. A few minutes later I saw her re-enter the house, and cast one indifferent look at my window. I saw her again on the following days, at the same hour, both in the garden and in the court, but never dared to think of accosting her. I even met her sometimes near the châlets, with the little girls who drove her donkey or picked strawberries for her, at other times, in her boat on the lake; but I never showed any sign of recognition or interest, beyond a grave and respectful bow; she would return it with an air of melancholy abstraction, and we each went our separate ways, on the hills or on the waters.

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      And yet when I had not met her in the course of the day, I felt sad and disturbed; when evening came, I would go down to the garden, I knew not why, and stay there, with my eyes riveted on her windows, spite of the cold night air. I could not make up my mind to return to the house until I had caught a glimpse of her shadow on the curtains, or heard a note of her piano, or one of the strange tones of her voice.

      The apartment she occupied was contiguous to my room, from which it was separated by a strong oaken door with two bolts. I could hear confusedly the sound of her footsteps, the rustling of her gown, or the crumpling of the leaves of her book as she turned over the pages. I sometimes fancied I heard her breathe. Instinctively I placed my writing-table on which my lamp stood near the door, for I felt less lonely when I heard these sounds of life around me. It seemed to me that this unknown neighbor, who insensibly occupied all my time, shared my life. In a word, before I had the slightest idea that I loved, I had already all the thoughts, the fancies, and the refinements of passion. Love did not consist for me in one particular symptom, look, or confession, in any one external circumstance against which I could have fortified myself. It was an invisible miasma diffused in the surrounding atmosphere; it was in the air and light, in the expiring season, in my lonely life, in the mysterious proximity of another equally isolated existence; it was in the long excursions which took me from her and made me feel the more forcibly the unconscious attraction which recalled me; in her white dress, seen at a distance through the mountain firs; in her dark hair loosened by the wind on the lake; in the light at her window, in the slight creaking of the wooden floor under her tread, in the rustling of her pen on the paper when she wrote, in the very silence of those long autumnal evenings which she spent in reading, writing, or in thought within a few paces of me; and lastly, it was in the fascination of her fantastic beauty, too much seen though scarcely beheld, and which, when I closed my eyes, I still saw through the wall, as though it had been transparent.

      With this feeling, however, there mingled no desire or eager curiosity, on my part, to find out the secret reason of her solitude, or to break down the fragile barrier of our almost voluntary separation. What to me was this woman whom I had met by chance among the mountains of a foreign land, ill in health and sick at heart though she might be? I had shaken the dust from my feet, or at least I thought I had, and felt no wish to hold to the world once more by any link of the mind, or of the senses, still less by any weakness of the heart. I felt supreme contempt for love, for under its name I had met only with affectation, coquetry, fickleness, and levity; if I except the love of Antonina, which had been but a childish ecstasy, a flower fallen from the stem before its hour of perfume.

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