The Challoners. E. F. Benson

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The Challoners - E. F. Benson

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happen, even if it has not happened already. He will get to think of you as a man who is always finding fault, always correcting—a thing fatal to friendship.”

      “Is it irremediable if it has already happened?” asked Sidney, with a rather pathetic humility.

      “Of course it is not, just because boys are so extraordinarily generous, so eager to like one. Martin is a delightful boy: he is upright, honest, clean. Be thankful for that, and let him develop on his own lines. He will do so, by the way, whether you like it or not; so it is just as well to like it. Besides, you must not interfere with other people’s individualities. I feel that rather strongly.”

      Lord Flintshire got up and began walking softly up and down the room. In face he was very like his brother, but, though older, he looked younger, for there was a softness about his features extraordinarily youthful.

      “As one gets old, my dear Sidney,” he said, “one stands in danger of getting old-fashioned. That seems to me to be a very terrible thing. One’s own convictions may become hard, fixed in outline, incapable of growth or adaptation, and one may become incapable of imagining that one can be wrong. You may draw your convictions from the highest source; you may be able to say quite honestly, ‘I believe with my whole heart that the will of God is so.’ But, as Oliver Cromwell once remarked, ‘It is just possible that one may be mistaken.’”

      He paused a moment.

      “I seldom talk so much,” he said, “but I have not quite done even now. The younger generation, take them all round, ride life, as I said, on the snaffle. Now, if you choose, you may call that slackness, and as slackness condemn it. But all your condemnation of it will do no good. Martin will continue to be what you call slack; mean time you are in danger of becoming what he would call tiresome. He will also, on occasion, continue to call his sister ‘devilish.’ Nor is there the slightest reason why he should not. If you or I had called our sisters devilish when we were boys, it would have been undesirable. What you forget is that ‘devilish’ does not mean now what it meant thirty years ago, nor does Martin mean by it what you mean by it.”

      Mr. Challoner got up too, his mouth drawn rather tight.

      “I am much obliged to you for your advice, Rupert,” he said, “but I find I disagree with you in principle so absolutely and fundamentally that there is no use in my discussing with you. I too claim my individual liberty, a very large part of which is concerned with my sense of responsibility for my children.”

      “My dear fellow, you make a great mistake,” said Lord Flintshire.

      “I cannot alter my convictions.”

      “And you will make a great mess of it,” said the other.

       Table of Contents

      Lady Sunningdale had few habits, and was thus very adaptable, but one was to make a punctual first appearance half an hour before luncheon. Her appearance, though long-delayed, was brilliant when it came, and it was as if a fresh and many-coloured sun had arisen to take the shine out of the splendour of the noon-day. Years were the only things in which she was no longer young, but the youthfulness of her mind, tastes, character was perfectly spontaneous and natural, and she still retained to the full all the eager curiosity of youth, all youth’s insatiable appetite for pleasure. In person she was very tall and largely made, but she moved with exquisite briskness and vigour, and, though stout, still clung to her waist. Her hat generally contained a perfect aviary of birds perched about on it, and her dresses to match her tastes were rather youthful in cut and colour. She wore also white satin shoes with extremely high heels, which had been known, when she walked in wet or clayey places, to be drawn with a cloop, like the drawing of a cork, completely off her feet, the heel being driven into the ground by her weight in the manner of a nail. But, as a rule, she avoided clayey places; indeed, she seldom walked at all, except at this stated time, half an hour before luncheon. But she made up for her lack of walking by talking; this she did on all occasions to as many people as possible, and was extremely entertaining.

      She was staying now (she spent the greater part of her life in staying) for a rather extensive weekend, that is to say from Friday till Monday, with Lord Flintshire, and the morning after her arrival came radiantly downstairs at a quarter-past one. Two irrepressible dachshunds barked excitedly round her, and as she stepped on to the terrace where her host was sitting, she was trying, without the least success, to put up a pale-blue sunshade with a handle of Saxe-china.

      “Dear Flints,” she cried, “how sweet of you to wait for me! Where is everybody? Yes. Isn’t it a divine morning? Everything looks as if it had been washed during the night. Why is one such a fool as ever to leave the country and go to London? If one had a single spark of originality one would never go near it. Yes. Please put up my sunshade for me. I know I look hideous this morning; but it doesn’t matter how one looks in the country, which is another of its charms. But I didn’t sleep a wink—I never close my eyes in the country; really, London is the place to live in. I have contradicted myself, have I not? Who cares? I’m sure I don’t. Where are the dogs? Please whistle on your fingers, if you can. So piercing, is it not? There they are! Ah, how naughty! Yes, who cares whether one contradicts one’s self? It shews, in fact, that one’s powers of sympathy and of seeing other points of view are defective, unless one sees both sides of every question, and upholds both vehemently. Yes, do let us walk down the terrace. I adore walking. Oh, Suez Canal, running over the flower-beds like that! How naughty!”

      “Suez Canal?” interpolated Lord Flintshire, who, walking by her side, looked like a small rowing-boat towed by a brig in full sail.

      “Yes, don’t you see how dreadfully long he is? Now tell me all about your brother who dined here last night. I thought him too fascinating, and we had a great talk about somebody called Kennet, I think he said. Mr. Chancellor is very high-church, is he not? His mouth looked to me high-church. There is something perfectly beautiful about high-church mouths. Look at Lady Otterbourne’s: her mouth is exactly like your brother’s. So is the Bishop of Tavistock’s, whom I adore. He plays the flute divinely, looking funnier than anything I ever saw—so funny that I never want to laugh. Somehow a bishop playing on a flute—or do I mean low-church? I think I must mean low-church. And so your brother is Martin’s father. I sent a message by him last night to tell Martin to come and see me this afternoon. I completely lost my heart to Martin last winter. It is terrible to lose one’s heart when one is fifty, because one has already lost one’s looks, so that it leaves one really denuded. Besides it seems so careless. That is a chestnut, I think. But everything worth saying has been said years before even I was born. Where is Suez? Naughty!”

      Lady Sunningdale’s conversation flowed in the manner of a river in flood; it flowed over everything, it foamed and spouted, and there was always the sense—never left unjustified—that there was plenty more to come. It flowed, in fact, over so many different subjects that her interlocutor had a practically limitless range of topics from which to select the matter of his reply; on the other hand, he could fly off on any tangent of his own without initiating incongruity, or, again, he could be silent, completely confident that Lady Sunningdale would go on. But the last topic suited Lord Flintshire very well.

      “Do tell me what you think of Martin,” he said.

      “But too fascinating and a genius. That combination is so rare; geniuses are usually quite unpresentable. He was staying with us at Easter, and I used to borrow him, as one borrows a book and tries to forget to return it. Where is Sahara? Will you whistle again, please. And his playing—well, merely sublime. He can even play Wagner on the piano. Orchestral

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