The Tracer of Lost Persons. Robert W. Chambers
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"I don't want to be pleasant: I want to jar you. Don't I care enough about you to breakfast with you? Then I've a right to be pleasantly unpleasant. I can't bear to watch your mental and spiritual dissolution—a man like you, with all your latent ability and capacity for being nobody in particular—which is the sort of man this nation needs. Do you want to turn into a club-window gazer like Van Bronk? Do you want to become another Courtlandt Allerton and go rocking down the avenue—a grimacing, tailor-made sepulcher?—the pompous obsequies of a dead intellect?—a funeral on two wavering legs, carrying the corpse of all that should be deathless in a man? Why, Jack, I'd rather see you in bankruptcy—I'd rather see you trying to lead a double life in a single flat on seven dollars and a half a week—I'd almost rather see you every day at breakfast than have it come to that!
"Wake up and get jocund with life! Why, you could have all good citizens stung to death if you chose. It isn't that I want you to make money; but I want you to worry over somebody besides yourself—not in Wall Street—a pool and its money are soon parted. But in your own home, where a beautiful wife and seven angel children have you dippy and close to the ropes; where the housekeeper gets a rake off, and the cook is red-headed and comes from Sligo, and the butler's cousin will bear watching, and the chauffeur is a Frenchman, and the coachman's uncle is a Harlem vet, and every scullion in the establishment lies, drinks, steals, and supports twenty satiated relatives at your expense. That would mean the making of you; for, after all, Jack, you are no genius—you're a plain, non-partisan, uninspired, clean-built, wholesome citizen, thank God!—the sort whose unimaginative mission is to pitch in with eighty-odd millions of us and, like the busy coral creatures, multiply with all your might, and make this little old Republic the greatest, biggest, finest article that an overworked world has ever yet put up! … Now you can call for help if you choose."
Gatewood's breath returned slowly. In an intimacy of many years he had never suspected that sort of thing from Kerns. That is why, no doubt, the opinions expressed by Kerns stirred him to an astonishment too innocent to harbor anger or chagrin.
And when Kerns stood up with an unembarrassed laugh, saying, "I'm going to the office; see you this evening?" Gatewood replied rather vacantly: "Oh, yes; I'm dining here. Good-by, Tommy."
Kerns glanced at his watch, lingering. "Was there anything you wished to ask me, Jack?" he inquired guilelessly.
"Ask you? No, I don't think so."
"Oh; I had an idea you might care to know where Keen & Co. were to be found."
"That," said Gatewood firmly, "is foolish."
"I'll write the address for you, anyway," rejoined Kerns, scribbling it and handing the card to his friend.
Then he went down the stairs, several at a time, eased in conscience, satisfied that he had done his duty by a friend he cared enough for to breakfast with.
"Of course," he ruminated as he crawled into a hansom and lay back buried in meditation—"of course there may be nothing in this Keen & Co. business. But it will stir him up and set him thinking; and the longer Keen & Co. take to hunt up an imaginary lady that doesn't exist, the more anxious and impatient poor old Jack Gatewood will become, until he'll catch the fever and go cantering about with that one fixed idea in his head. And," added Kerns softly, "no New Yorker in his right mind can go galloping through these five boroughs very long before he's roped, tied, and marked by the 'only girl in the world'—the only girl—if you don't care to turn around and look at another million girls precisely like her. O Lord!—precisely like her!"
Here was a nice exhorter to incite others to matrimony.
CHAPTER II
Meanwhile, Gatewood was walking along Fifth Avenue, more or less soothed by the May sunshine. First, he went to his hatters, looked at straw hats, didn't like them, protested, and bought one, wishing he had strength of mind enough to wear it home. But he hadn't. Then he entered the huge white marble palace of his jeweler, left his watch to be regulated, caught a glimpse of a girl whose hair and neck resembled the hair and neck of his ideal, sidled around until he discovered that she was chewing gum, and backed off, with a bitter smile, into the avenue once more.
Every day for years he had had glimpses of girls whose hair, hands, figures, eyes, hats, carriage, resembled the features required by his ideal; there always was something wrong somewhere. And, as he strolled moodily, a curious feeling of despair seized him—something that, even in his most sentimental moments, even amid the most unexpected disappointment, he had never before experienced.
"I do want to love somebody!" he found himself saying half aloud; "I want to marry; I—" He turned to look after three pretty children with their maids—"I want several like those—several!—seven—ten—I don't care how many! I want a house to worry me, just as Tommy described it; I want to see the same girl across the breakfast table—or she can sip her cocoa in bed if she desires—" A slow, modest blush stole over his features; it was one of the nicest things he ever did. Glancing up, he beheld across the way a white sign, ornamented with strenuous crimson lettering:
KEEN & CO.
TRACERS OF LOST PERSONS
The moment he discovered it, he realized he had been covertly hunting for it; he also realized that he was going to climb the stairs. He hadn't quite decided what he meant to do after that; nor was his mind clear on the matter when he found himself opening a door of opaque glass on which was printed in red:
KEEN & CO.
He was neither embarrassed nor nervous when he found himself in a big carpeted anteroom where a negro attendant bowed him to a seat and took his card; and he looked calmly around to see what was to be seen.
Several people occupied easy chairs in various parts of the room—an old woman very neatly dressed, clutching in her withered hand a photograph which she studied and studied with tear-dimmed eyes; a young man wearing last year's most fashionable styles in everything except his features: and soap could have aided him there; two policemen, helmets resting on their knees; and, last of all, a rather thin child of twelve, staring open-mouthed at everybody, a bundle of soiled clothing under one arm. Through an open door he saw a dozen young women garbed in black, with white cuffs and collars, all rattling away steadily at typewriters. Every now and then, from some hidden office, a bell rang decisively, and one of the girls would rise from her machine and pass noiselessly out of sight to obey the summons. From time to time, too, the darky servant with marvelous manners would usher somebody through the room where the typewriters were rattling, into the unseen office. First the old woman went—shakily, clutching her photograph; then the thin child with the bundle, staring at everything; then the two fat policemen, in portentous single file, helmets in their white-gloved hands, oiled hair glistening.
Gatewood's turn was approaching; he waited without any definite emotion, watching newcomers enter to take the places of those who had been summoned. He hadn't the slightest idea of what he was to say; nor did it worry him. A curious sense of impending good fortune left him pleasantly tranquil; he picked up, from the silver tray on the table at his elbow, one of the firm's business cards, and scanned it with interest:
KEEN & CO.
TRACERS OF LOST PERSONS
Keen & Co. are prepared to locate the whereabouts of anybody on earth. No charges will be