Charlotte repeated, with an unrelenting tone in the comforting words. “I'll go right home with Aunt Sylvia. Come,” she said, imperatively to her aunt, “I am not going to stand here any longer,” and she went out into the road, and hastened down it, as Barnabas had done.
“I'll take her right home with me,” Sylvia called to her sister in a trembling voice (nobody knew how afraid she was of Cephas); and she followed Charlotte.
Sylvia lived on an old road that led from the main one a short distance beyond the new house, so the way led past it. Charlotte went on at such a pace that Sylvia could scarcely keep up with her. She slid along in her wake, panting softly, and lifting her skirts out of the evening dew. She was trembling with sympathy for Charlotte, and she had also a worry of her own. When they reached the new house she fairly sobbed outright, but Charlotte went past in her stately haste without a murmur.
“Oh, Charlotte, don't feel so bad,” mourned her aunt. “I know it will all come right.” But Charlotte made no reply. Her dusky skirts swept around the bushes at the corner of the road, and Sylvia hurried tremulously after her.
Neither of them dreamed that Barnabas watched them, standing in one of the front rooms of his new house. He had gone in there when he fled from Cephas Barnard's, and had not yet been home. He recognized Charlotte's motions as quickly as her face, and knew Sylvia's voice, although he could not distinguish what she said. He watched them turn the corner of the other road, and thought that Charlotte was going to spend the night with her aunt—he did not dream why. He had resolved to stay where he was in his desolate new house, and not go home himself.
A great grief and resentment against the whole world and life itself swelled high within him. It was as if he lost sight of individual antagonists, and burned to dash life itself in the face because he existed. The state of happiness so exalted that it became almost holiness, in which he had been that very night, flung him to lower depths when it was retroverted. He had gone back to first causes in the one and he did the same in the other; his joy had reached out into eternity, and so did his misery. His natural religious bent, inherited from generations of Puritans, and kept in its channel by his training from infancy, made it impossible for him to conceive of sympathy or antagonism in its fullest sense apart from God.
Sitting on a pile of shavings in a corner of the north room, he fairly hugged himself with fierce partisanship. “What have I done to be treated in this way?” he demanded, setting his face ahead in the darkness; and he did not see Cephas Barnard's threatening countenance, but another, gigantic with its vague outlines, which his fancy could not limit, confronting him with terrible negative power like a stone image. He struck out against it, and the blows fell back on his own heart.
“What have I done?” he demanded over and over of this great immovable and silent consciousness which he realized before him. “Have I not kept all thy commandments from childhood? Have I ever failed to praise thee as the giver of my happiness, and ask thy blessing upon it? What have I done that it should be taken away? It was given to me only to be taken away. Why was it given to me, then?—that I might be mocked? Oh, I am mocked, I am mocked!” he cried out, in a great rage, and he struck out in the darkness, and his heart leaped with futile pain. The possibility that his misery might not be final never occurred to him. It never occurred to him that he could enter Cephas Barnard's house again, ask his pardon, and marry Charlotte. It seemed to him settled and inevitable; he could not grasp any choice in the matter.
Barnabas finally threw himself back on the pile of shavings, and lay there sullenly. Great gusts of cold wind came in at the windows at intervals, a loose board somewhere in the house rattled, the trees outside murmured heavily.
“There won't be a frost,” Barnabas thought, his mind going apace on its old routine in spite of its turmoil. Then he thought with the force of an oath that he did not care if there was a frost. All the trees this spring had blossomed only for him and Charlotte; now there was no longer any use in that; let the blossoms blast and fall!
Chapter II
Sylvia Crane's house was the one in which her grandmother had been born, and was the oldest house in the village. It was known as the “old Crane place.” It had never been painted, it was shedding its flapping gray shingles like gray scales, the roof sagged in a mossy hollow before the chimney, the windows and doors were awry, and the whole house was full of undulations and wavering lines, which gave it a curiously unreal look in broad daylight. In the moonlight it was the shadowy edifice built of a dream.
As Sylvia and Charlotte came to the front door it seemed as if they might fairly walk through it as through a gray shadow; but Sylvia stooped, and her shoulders strained with seemingly incongruous force, as if she were spending it to roll away a shadow. On the flat doorstep lay a large round stone, pushed close against the door. There were no locks and keys in the old Crane place; only bolts. Sylvia could not fasten the doors on the inside when she went away, so she adopted this expedient, which had been regarded with favor by her mother and grandmother before her, and illustrated natures full of gentle fallacies which went far to make existence comfortable.
Always on leaving the house alone the Crane women had bolted the side door, which was the one in common use, gone out the front one, and laboriously rolled this same round stone before it. Sylvia reasoned as her mother and grandmother before her, with the same simplicity: “When the stone's in front of the door, folks must know there ain't anybody to home, because they couldn't put it there if they was.”
And when some neighbor had argued that the evil-disposed might roll away the stone and enter at will, Sylvia had replied, with the innocent conservatism with which she settled an argument, “Nobody ever did.”
To-night she rolled away the stone to the corner of the door-step, where it had lain through three generations when the Crane women were at home, and sighed with regret that she had defended the door with it. “I wish I hadn't put the stone up,” she thought. “If I hadn't, mebbe he'd gone in an' waited.” She opened the door, and the gloom of the house, deeper than the gloom of the night, appeared. “You wait here a minute,” she said to Charlotte, “an' I'll go in an' light a candle.”
Charlotte waited, leaning against the door-post. There was a flicker of fire within. Then Sylvia held the flaring candle towards her. “Come in,” she said; “the candle's lit.”
There was a bed of coals on the hearth in the best room; Sylvia had made a fire there before going over to her sister's, but it had burned low. The glow of the coals and the smoky flare of the candle lighted the room uncertainly, scattering and not dispelling the shadows. There was a primly festive air in the room. The flag-bottomed chairs stood by twos, finely canted towards each other, against the wall; the one great hair-cloth rocker stood ostentatiously in advance of them, facing the hearth fire; the long level of the hair-cloth sofa gleamed out under stiff sweeps of the white fringed curtains at the window behind it. The books on the glossy card-table were set canting towards each other like the chairs, and with their gilt edges towards the light. And Sylvia had set also on the table a burnished pitcher of a rosy copper-color full of apple blossoms.
She looked at it when she had set the candle on the shelf. It seemed to her that all the light in the room centred on it, and it shone in her eyes like a copper lamp.
Charlotte also glanced at it. “Why, Richard must have come while you were over to our house,” she said.
“It don't make any odds if he did,” returned Sylvia, with a faint blush and a bridle. Sylvia was much younger than her sister. Standing there in the dim light she did not look so much older than her niece. Her figure had the slim angularity and primness which are sometimes seen in elderly women who are not matrons, and she had donned a little white lace cap at thirty, but her face had still a delicate
