of state, with Sylvia on the sofa on his right. Many a time she had dreamed that he came over there and sat down beside her, and that night it had come to pass.
Just before ten o'clock he had arisen hesitatingly; she thought it was to take leave, but she sat waiting and trembling. They had sat in the twilight and young moonlight all the evening. Richard had checked her when she attempted to light a candle. That had somehow made the evening seem strange, and freighted with consequences; and besides the white light of the moon, full of mystic influence, there was something subtler and more magnetic, which could sway more than the tides, even the passions of the human heart, present, and they both felt it.
Neither had said much, and they had been sitting there nearly two hours, when Richard had arisen, and moved curiously, rather as if he was drawn than walked of his own volition, over to the sofa. He sank down upon it with a little cough. Sylvia moved away a little with an involuntary motion, which was pure maidenliness.
“It's getting late,” remarked Richard, trying to make his voice careless, but it fell in spite of him into deep cadences.
“It ain't very late, I guess,” Sylvia had returned, tremblingly.
“I ought to be going home.”
Then there was silence for a while. Sylvia glanced sidewise, timidly and adoringly, at Richard's smoothly shaven face, pale as marble in the moonlight, and waited, her heart throbbing.
“I've been coming here a good many years,” Richard observed finally, and his own voice had a solemn tremor.
Sylvia made an almost inarticulate assent.
“I've been thinking lately,” said Richard; then he paused. They could hear the great clock out in the kitchen tick. Sylvia waited, her very soul straining, although shrinking at the same time, to hear.
“I've been thinking lately,” said Richard again, “that—maybe—it would be wise for—us both to—make some different arrangement.”
Sylvia bent her head low. Richard paused for the second time. “I have always meant—” he began again, but just then the clock in the kitchen struck the first stroke of ten. Richard caught his breath and arose quickly. Never in his long courtship had he remained as late as that at Sylvia Crane's. It was as if a life-long habit struck as well as the clock, and decided his times for him.
“I must be going,” said he, speaking against the bell notes. Sylvia arose without a word of dissent, but Richard spoke as if she had remonstrated.
“I'll come again next Sunday night,” said he, apologetically.
Sylvia followed him to the door. They bade each other good-night decorously, with never a parting kiss, as they had done for years. Richard went out of sight down the white gleaming road, and she went in and to bed, with her heart in a great tumult of expectation and joyful fear.
She had tried to wait calmly for Sunday night. She had done her neat household tasks as usual, her face and outward demeanor were sweetly unruffled, but her thoughts seemed shivering with rainbows that constantly dazzled her with sweet shocks when her eyes met them. Her feet seemed constantly flying before her into the future, and she could scarcely tell where she might really be, in the present or in her dreams, which had suddenly grown so real.
On Sunday morning she had curled her soft fair hair, and arranged with trepidation one long light curl outside her bonnet on each side of her face. Her bonnet was tied under her chin with a green ribbon, and she had a little feathery green wreath around her face inside the rim. Her wide silk skirt was shot with green and blue, and rustled as she walked up the aisle to her pew. People stared after her without knowing why. There was no tangible change in her appearance. She had worn that same green shot silk many Sabbaths; her bonnet was three summers old; the curls drooping on her cheeks were an innovation, but the people did not recognize the change as due to them. Sylvia herself had looked with pleased wonder at her face in the glass; it was as if all her youthful beauty had suddenly come up, like a withered rose which is dipped in a vase.
“I sha'n't look so terrible old side of him when I go out bride,” she reflected, happily, smiling fondly at herself. All the way to meeting that Sunday morning she saw her face as she had seen it in the glass, and it was as if she walked with something finer than herself.
Richard Alger sat with the choir in a pew beside the pulpit, at right angles with the others. He had a fine tenor voice, and had sung in the choir ever since he was a boy. When Sylvia sat down in her place, which was in full range of his eyes, he glanced at her without turning his head; he meant to look away again directly, so as not to be observed, but her face held him. A color slowly flamed out on his pale brown cheeks; his eyes became intense and abstracted. A soprano singer nudged the girl at her side; they both glanced at him and tittered, but he did not notice it.
Sylvia knew that he was looking at her, but she never looked at him. She sat soberly waving a little brown fan before her face; the light curls stirred softly. She wondered what he thought of them; if he considered them too young for her, and silly; but he did not see them at all. He had no eye for details. And neither did she even hear his fine tenor, still sweet and powerful, leading all the other male voices when the choir stood up to sing. She thought only of Richard himself.
After meeting, when she went down the aisle, several women had spoken to her, inquired concerning her health, and told her, with wondering eyes, that she looked well. Richard was far behind her, but she did not look around. They very seldom accosted each other, unless it was unavoidable, in any public place. Still, Sylvia, going out with gentle flounces of her green shot silk, knew well that Richard's eyes followed her, and his thought was close at her side.
After she got home from meeting that Sunday, Sylvia Crane did not know how to pass the time until the evening. She could not keep herself calm and composed as was her wont on the Sabbath day. She changed her silk for a common gown; she tried to sit down and read the Bible quietly and with understanding, but she could not. She turned to Canticles, and read a page or two. She had always believed loyally and devoutly in the application to Christ and the Church; but suddenly now, as she read, the restrained decorously chanting New England love-song in her maiden heart had leaped into the fervid measures of the oriental King. She shut the Bible with a clap. “I ain't giving the right meaning to it,” she said, sternly, aloud.
She put away the Bible, went into the pantry, and got out some bread and cheese for her luncheon, but she could eat nothing. She picked the apple blossoms and arranged them in the copper-gilt pitcher on the best-room table. She even dusted off the hair-cloth sofa and rocker, with many compunctions, because it was Sunday. “I know I hadn't ought to do it to-day,” she murmured, apologetically, “but they do get terrible dusty, and need dusting every day, and he is real particular, and he'll have on his best clothes.”
Finally, just before twilight, Sylvia, unable to settle herself, had gone over to her sister's for a little call. Richard never came before eight o'clock, except in winter, when it was dark earlier. There was a certain half-shamefaced reserve about his visits. He knew well enough that people looked from their windows as he passed, and said, facetiously, “There goes Richard Alger to court Sylvy Crane.” He preferred slipping past in a half-light, in which he did not seem so plain to himself, and could think himself less plain to other people.
Sylvia, detained at her sister's by the quarrel between Cephas and Barnabas, had arisen many a time to take leave, all palpitating with impatience, but her sister had begged her, in a distressed
