he let De Vac assume to his mind's eye the person of the hated De Montfort, and it followed that De Vac was nearly surprised into an early and mortifying defeat by the King's sudden and clever attack.
Henry III had always been accounted a good swordsman, but that day he quite outdid himself and, in his imagination, was about to run the pseudo De Montfort through the heart, to the wild acclaim of his audience. For this fell purpose he had backed the astounded De Vac twice around the hall when, with a clever feint, and backward step, the master of fence drew the King into the position he wanted him, and with the suddenness of lightning, a little twist of his foil sent Henry's weapon clanging across the floor of the armory.
For an instant, the King stood as tense and white as though the hand of death had reached out and touched his heart with its icy fingers. The episode meant more to him than being bested in play by the best swordsman in England—for that surely was no disgrace—to Henry it seemed prophetic of the outcome of a future struggle when he should stand face to face with the real De Montfort; and then, seeing in De Vac only the creature of his imagination with which he had vested the likeness of his powerful brother-in-law, Henry did what he should like to have done to the real Leicester. Drawing off his gauntlet he advanced close to De Vac.
“Dog!” he hissed, and struck the master of fence a stinging blow across the face, and spat upon him. Then he turned on his heel and strode from the armory.
De Vac had grown old in the service of the kings of England, but he hated all things English and all Englishmen. The dead King John, though hated by all others, he had loved, but with the dead King's bones De Vac's loyalty to the house he served had been buried in the Cathedral of Worcester.
During the years he had served as master of fence at the English Court, the sons of royalty had learned to thrust and parry and cut as only De Vac could teach the art, and he had been as conscientious in the discharge of his duties as he had been in his unswerving hatred and contempt for his pupils.
And now the English King had put upon him such an insult as might only be wiped out by blood.
As the blow fell, the wiry Frenchman clicked his heels together, and throwing down his foil, he stood erect and rigid as a marble statue before his master. White and livid was his tense drawn face, but he spoke no word.
He might have struck the King, but then there would have been left to him no alternative save death by his own hand; for a king may not fight with a lesser mortal, and he who strikes a king may not live—the king's honor must be satisfied.
Had a French king struck him, De Vac would have struck back, and gloried in the fate which permitted him to die for the honor of France; but an English King—pooh! a dog; and who would die for a dog? No, De Vac would find other means of satisfying his wounded pride. He would revel in revenge against this man for whom he felt no loyalty. If possible, he would harm the whole of England if he could, but he would bide his time. He could afford to wait for his opportunity if, by waiting, he could encompass a more terrible revenge.
De Vac had been born in Paris, the son of a French officer reputed the best swordsman in France. The son had followed closely in the footsteps of his father until, on the latter's death, he could easily claim the title of his sire. How he had left France and entered the service of John of England is not of this story. All the bearing that the life of Jules de Vac has upon the history of England hinges upon but two of his many attributes—his wonderful swordsmanship and his fearful hatred for his adopted country.
CHAPTER II
South of the armory of Westminster Palace lay the gardens, and here, on the third day following the King's affront to De Vac, might have been a seen a black-haired woman gowned in a violet cyclas, richly embroidered with gold about the yoke and at the bottom of the loose-pointed sleeves, which reached almost to the similar bordering on the lower hem of the garment. A richly wrought leathern girdle, studded with precious stones, and held in place by a huge carved buckle of gold, clasped the garment about her waist so that the upper portion fell outward over the girdle after the manner of a blouse. In the girdle was a long dagger of beautiful workmanship. Dainty sandals encased her feet, while a wimple of violet silk bordered in gold fringe, lay becomingly over her head and shoulders.
By her side walked a handsome boy of about three, clad, like his companion, in gay colors. His tiny surcoat of scarlet velvet was rich with embroidery, while beneath was a close-fitting tunic of white silk. His doublet was of scarlet, while his long hose of white were cross-gartered with scarlet from his tiny sandals to his knees. On the back of his brown curls sat a flat-brimmed, round-crowned hat in which a single plume of white waved and nodded bravely at each move of the proud little head.
The child's features were well molded, and his frank, bright eyes gave an expression of boyish generosity to a face which otherwise would have been too arrogant and haughty for such a mere baby. As he talked with his companion, little flashes of peremptory authority and dignity, which sat strangely upon one so tiny, caused the young woman at times to turn her head from him that he might not see the smiles which she could scarce repress.
Presently the boy took a ball from his tunic, and, pointing at a little bush near them, said, “Stand you there, Lady Maud, by yonder bush. I would play at toss.”
The young woman did as she was bid, and when she had taken her place and turned to face him the boy threw the ball to her. Thus they played beneath the windows of the armory, the boy running blithely after the ball when he missed it, and laughing and shouting in happy glee when he made a particularly good catch.
In one of the windows of the armory overlooking the garden stood a grim, gray, old man, leaning upon his folded arms, his brows drawn together in a malignant scowl, the corners of his mouth set in a stern, cold line.
He looked upon the garden and the playing child, and upon the lovely young woman beneath him, but with eyes which did not see, for De Vac was working out a great problem, the greatest of all his life.
For three days, the old man had brooded over his grievance, seeking for some means to be revenged upon the King for the insult which Henry had put upon him. Many schemes had presented themselves to his shrewd and cunning mind, but so far all had been rejected as unworthy of the terrible satisfaction which his wounded pride demanded.
His fancies had, for the most part, revolved about the unsettled political conditions of Henry's reign, for from these he felt he might wrest that opportunity which could be turned to his own personal uses and to the harm, and possibly the undoing, of the King.
For years an inmate of the palace, and often a listener in the armory when the King played at sword with his friends and favorites, De Vac had heard much which passed between Henry III and his intimates that could well be turned to the King's harm by a shrewd and resourceful enemy.
With all England, he knew the utter contempt in which Henry held the terms of the Magna Charta which he so often violated along with his kingly oath to maintain it. But what all England did not know, De Vac had gleaned from scraps of conversation dropped in the armory: that Henry was even now negotiating with the leaders of foreign mercenaries, and with Louis IX of France, for a sufficient force of knights and men-at-arms to wage a relentless war upon his own barons that he might effectively put a stop to all future interference by them with the royal prerogative of the Plantagenets to misrule England.
If he could but learn the details of this plan, thought De Vac: the point of landing of the foreign troops; their numbers;
