The Outlaw of Torn. Edgar Rice Burroughs

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The Outlaw of Torn - Edgar Rice Burroughs

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tattered sandals had she but even vaguely guessed the thoughts which passed in De Vac's mind; but the extra gold pieces he dropped into her withered palm as she delivered the bundle to him, together with the promise of more, quite effectually won her loyalty and her silence for the time being.

      Slipping the key into the pocket of his tunic and covering the bundle with his long surcoat, De Vac stepped out into the darkness of the alley and hastened toward the dock.

      Beneath the planks he found a skiff which he had moored there earlier in the evening, and underneath one of the thwarts he hid the bundle. Then, casting off, he rowed slowly up the Thames until, below the palace walls, he moored near to the little postern gate which let into the lower end of the garden.

      Hiding the skiff as best he could in some tangled bushes which grew to the water's edge, set there by order of the King to add to the beauty of the aspect from the river side, De Vac crept warily to the postern and, unchallenged, entered and sought his apartments in the palace.

      The next day, he returned the original key to Brus, telling the old man that he had not used it after all, since mature reflection had convinced him of the folly of his contemplated adventure, especially in one whose youth was past, and in whose joints the night damp of the Thames might find lodgement for rheumatism.

      “Ha, Sir Jules,” laughed the old gardener, “Virtue and Vice be twin sisters who come running to do the bidding of the same father, Desire. Were there no desire there would be no virtue, and because one man desires what another does not, who shall say whether the child of his desire be vice or virtue? Or on the other hand if my friend desires his own wife and if that be virtue, then if I also desire his wife, is not that likewise virtue, since we desire the same thing? But if to obtain our desire it be necessary to expose our joints to the Thames' fog, then it were virtue to remain at home.”

      “Right you sound, old mole,” said De Vac, smiling, “would that I might learn to reason by your wondrous logic; methinks it might stand me in good stead before I be much older.”

      “The best sword arm in all Christendom needs no other logic than the sword, I should think,” said Brus, returning to his work.

      That afternoon, De Vac stood in a window of the armory looking out upon the beautiful garden which spread before him to the river wall two hundred yards away. In the foreground were box-bordered walks, smooth, sleek lawns, and formal beds of gorgeous flowering plants, while here and there marble statues of wood nymph and satyr gleamed, sparkling in the brilliant sunlight, or, half shaded by an overhanging bush, took on a semblance of life from the riotous play of light and shadow as the leaves above them moved to and fro in the faint breeze. Farther in the distance, the river wall was hidden by more closely massed bushes, and the formal, geometric precision of the nearer view was relieved by a background of vine-colored bowers, and a profusion of small trees and flowering shrubs arranged in studied disorder.

      Through this seeming jungle ran tortuous paths, and the carved stone benches of the open garden gave place to rustic seats, and swings suspended from the branches of fruit trees.

      Toward this enchanting spot slowly were walking the Lady Maud and her little charge, Prince Richard; all ignorant of the malicious watcher in the window behind them.

      A great peacock strutted proudly across the walk before them, and, as Richard ran, childlike, after it, Lady Maud hastened on to the little postern gate which she quickly unlocked, admitting her lover, who had been waiting without. Relocking the gate the two strolled arm in arm to the little bower which was their trysting place.

      As the lovers talked, all self-engrossed, the little Prince played happily about among the trees and flowers, and none saw the stern, determined face which peered through the foliage at a little distance from the playing boy.

      Richard was devoting his royal energies to chasing an elusive butterfly which fate led nearer and nearer to the cold, hard watcher in the bushes. Closer and closer came the little Prince, and in another moment, he had burst through the flowering shrubs, and stood facing the implacable master of fence.

      “Your Highness,” said De Vac, bowing to the little fellow, “let old DeVac help you catch the pretty insect.”

      Richard, having often seen De Vac, did not fear him, and so together they started in pursuit of the butterfly which by now had passed out of sight. De Vac turned their steps toward the little postern gate, but when he would have passed through with the tiny Prince, the latter rebelled.

      “Come, My Lord Prince,” urged De Vac, “methinks the butterfly did but alight without the wall, we can have it and return within the garden in an instant.”

      “Go thyself and fetch it,” replied the Prince; “the King, my father, has forbid me stepping without the palace grounds.”

      “Come,” commanded De Vac, more sternly, “no harm can come to you.”

      But the child hung back and would not go with him so that De Vac was forced to grasp him roughly by the arm. There was a cry of rage and alarm from the royal child.

      “Unhand me, sirrah,” screamed the boy. “How dare you lay hands on a prince of England?”

      De Vac clapped his hand over the child's mouth to still his cries, but it was too late. The Lady Maud and her lover had heard and, in an instant, they were rushing toward the postern gate, the officer drawing his sword as he ran.

      When they reached the wall, De Vac and the Prince were upon the outside, and the Frenchman had closed and was endeavoring to lock the gate. But, handicapped by the struggling boy, he had not time to turn the key before the officer threw himself against the panels and burst out before the master of fence, closely followed by the Lady Maud.

      De Vac dropped the key and, still grasping the now thoroughly affrightened Prince with his left hand, drew his sword and confronted the officer.

      There were no words, there was no need of words; De Vac's intentions were too plain to necessitate any parley, so the two fell upon each other with grim fury; the brave officer facing the best swordsman that France had ever produced in a futile attempt to rescue his young prince.

      In a moment, De Vac had disarmed him, but, contrary to the laws of chivalry, he did not lower his point until it had first plunged through the heart of his brave antagonist. Then, with a bound, he leaped between Lady Maud and the gate, so that she could not retreat into the garden and give the alarm.

      Still grasping the trembling child in his iron grip, he stood facing the lady in waiting, his back against the door.

      “Mon Dieu, Sir Jules,” she cried, “hast thou gone mad?”

      “No, My Lady,” he answered, “but I had not thought to do the work which now lies before me. Why didst thou not keep a still tongue in thy head and let his patron saint look after the welfare of this princeling? Your rashness has brought you to a pretty pass, for it must be either you or I, My Lady, and it cannot be I. Say thy prayers and compose thyself for death.”

      Henry III, King of England, sat in his council chamber surrounded by the great lords and nobles who composed his suit. He awaited Simon de Montfort, Earl of Leicester, whom he had summoned that he might heap still further indignities upon him with the intention of degrading and humiliating him that he might leave England forever. The King feared this mighty kinsman who so boldly advised him against the weak follies which were bringing his kingdom to a condition of revolution.

      What the outcome of this audience would have

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