thereby. Indeed, as he laid down his gun outside the low churchyard wall, while Marcella and the Hardens were greeting, that generally self-possessed though modest person was conscious of a quite disabling perturbation of mind. Why in the name of all good manners and decency had he allowed himself to be discovered in shooting trim, on that particular morning, by Mr. Boyce's daughter on her father's land, and within a stone's throw of her father's house? Was he not perfectly well aware of the curt note which his grandfather had that morning despatched to the new owner of Mellor? Had he not ineffectually tried to delay execution the night before, thereby puzzling and half-offending his grandfather? Had not the incident weighed on him ever since, wounding an admiration and sympathy which seemed to have stolen upon him in the dark, during these few weeks since he had made Miss Boyce's acquaintance, so strong and startling did he all in a moment feel them to be?
And then to intrude upon her thus, out of nothing apparently but sheer moth-like incapacity to keep away! The church footpath indeed was public property, and Miss Harden's burdens had cried aloud to any passing male to help her. But why in this neighbourhood at all?—why not rather on the other side of the county? He could have scourged himself on the spot for an unpardonable breach of manners and feeling.
However, Miss Boyce certainly made no sign. She received him without any empressement, but also without the smallest symptom of offence. They all moved into the church together, Mr. Raeburn carrying a vast bundle of ivy and fern, the rector and his sister laden with closely-packed baskets of cut flowers. Everything was laid down on the chancel steps beside Marcella's contribution, and then the Hardens began to plan out operations. Miss Harden ran over on her fingers the contributions which had been sent in to the rectory, or were presently coming over to the church in a hand-cart. "Lord Maxwell has sent the most beautiful pots for the chancel," she said, with a grateful look at young Raeburn. "It will be quite a show." To which the young rector assented warmly. It was very good, indeed, of Lord Maxwell to remember them always so liberally at times like these, when they had so little direct claim upon him. They were not his church or his parish, but he never forgot them all the same, and Mellor was grateful. The rector had all his sister's gentle effusiveness, but a professional dignity besides, even in his thanks, which made itself felt.
Marcella flushed as he was speaking.
"I went to see what I could get in the way of greenhouse things," she said in a sudden proud voice. "But we have nothing. There are the houses, but there is nothing in them. But you shall have all our out-of-door flowers, and I think a good deal might be done with autumn leaves and wild things if you will let me try."
A speech, which brought a flush to Mr. Raeburn's cheek as he stood in the background, and led Mary Harden into an eager asking of Marcella's counsels, and an eager praising of her flowers.
Aldous Raeburn said nothing, but his discomfort increased with every moment. Why had his grandfather been so officious in this matter of the flowers? All very well when Mellor was empty, or in the days of a miser and eccentric, without womankind, like Robert Boyce. But now—the act began to seem to him offensive, a fresh affront offered to an unprotected girl, whose quivering sensitive look as she stood talking to the Hardens touched him profoundly. Mellor church might almost be regarded as the Boyces' private chapel, so bound up was it with the family and the house. He realised painfully that he ought to be gone—yet could not tear himself away. Her passionate willingness to spend herself for the place and people she had made her own at first sight, checked every now and then by a proud and sore reserve—it was too pretty, too sad. It stung and spurred him as he watched her; one moment his foot moved for departure, the next he was resolving that somehow or other he must make speech with her—excuse—explain. Ridiculous! How was it possible that he should do either!
He had met her—perhaps had tried to meet her—tolerably often since their first chance encounter weeks ago in the vicarage drawing-room. All through there had been on his side the uncomfortable knowledge of his grandfather's antipathy to Richard Boyce, and of the social steps to which that antipathy would inevitably lead. But Miss Boyce had never shown the smallest consciousness, so far, of anything untoward or unusual in her position. She had been clearly taken up with the interest and pleasure of this new spectacle upon which she had entered. The old house, its associations, its history, the beautiful country in which it lay, the speech and characteristics of rural labour as compared with that of the town—he had heard her talk of all these things with a freshness, a human sympathy, a freedom from conventional phrase, and, no doubt, a touch of egotism and extravagance, which rivetted attention. The egotism and extravagance, however, after a first moment of critical discomfort on his part, had not in the end repelled him at all. The girl's vivid beauty glorified them; made them seem to him a mere special fulness of life. So that in his new preoccupation with herself, and by contact with her frank self-confidence, he had almost forgotten her position, and his own indirect relation to it. Then had come that unlucky note from Mellor; his grandfather's prompt reply to it; his own ineffective protest; and now this tongue-tiedness—this clumsy intrusion—which she must feel to be an indelicacy—an outrage.
Suddenly he heard Miss Harden saying, with penitent emphasis, "I am stupid! I have left the scissors and the wire on the table at home; we can't get on without them; it is really too bad of me."
"I will go for them," said Marcella promptly. "Here is the hand-cart just arrived and some people come to help; you can't be spared. I will be back directly."
And, gathering up her black skirt in a slim white hand, she sped down the church, and was out of the south door before the Hardens had time to protest, or Aldous Raeburn understood what she was doing.
A vexed word from Miss Harden enlightened him, and he went after the fugitive, overtaking her just where his gun and dog lay, outside the churchyard.
"Let me go, Miss Boyce," he said, as he caught her up. "My dog and I will run there and back."
But Marcella hardly looked at him, or paused.
"Oh no!" she said quickly, "I should like the walk."
He hesitated; then, with a flush which altered his usually quiet, self-contained expression, he moved on beside her.
"Allow me to go with you then. You are sure to find fresh loads to bring back. If it's like our harvest festival, the things keep dropping in all day."
Marcella's eyes were still on the ground.
"I thought you were on your way to shoot, Mr. Raeburn?"
"So I was, but there is no hurry; if I can be useful. Both the birds and the keeper can wait."
"Where are you going?"
"To some outlying fields of ours on the Windmill Hill. There is a tenant there who wants to see me. He is a prosy person with a host of grievances. I took my gun as a possible means of escape from him."
"Windmill Hill? I know the name. Oh! I remember: it was there—my father has just been telling me—that your father and he shot the pair of kestrels, when they were boys together."
Her tone was quite light, but somehow it had an accent, an emphasis, which made Aldous Raeburn supremely uncomfortable. In his disquiet, he thought of various things to say; but he was not ready, nor naturally effusive; the turn of them did not please him; and he remained silent.
Meantime Marcella's heart was beating fast. She was meditating a coup.
"Mr. Raeburn!"
"Yes!"
"Will you think me a very extraordinary person if I ask you a question? Your father and mine were great friends,
