Mixed Faces. Norton Roy

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Mixed Faces - Norton Roy

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done."

      The man surrendered to that entrancing smile and the glitter of exposed and perfect white teeth.

      "Well the least I can do is to give you a lift, if you're going toward town," he said, with a return grin. "Get in, can't you?"

      "Can't I? Watch me, as the drunk said when the policeman tapped him and told him he couldn't sleep sitting against a lamp post," and, grateful for conveyance, he climbed aboard. "It's the first time I ever won anything by missing anything," he said, laughing at his own paradox. "My feet are so sore from walking over these country roads that after this I'll never be able to look at a farm horse without tears in my eyes, and I'll take him by the hand and give the poor chap a box of corn salve. Phew! Pavements for mine. Do automobiles ever get sore feet out here?"

      Jimmy learned that the driver was a foreman at the Sayers plant and was very enthusiastic about the merits of the car.

      "It's not old enough or advertised enough to be well known yet," he said, "but she will be. I know. Been in automobile factories all my life. Worked for some of the best of 'em. These are A-1. And Sayers is a live one. Fine old feller, too. That's his house up there on the hill. Some swell, eh?"

      Jimmy looked up and saw a fine home that he had admired on his way out and had deduced that it belonged to the nabob of the town.

      "I could do with it first rate," Jimmy assented. "All except the society stunt and that——" He concluded with a little cluck of his tongue.

      The driver laughed.

      "You don't know old Tom Sayers," he said. "Old Tom doing society stunts! Humph! He began as a machinist. Then got to be a designing engineer and now—well—there you are! Self-made man, Old Tom, and as fine as they make 'em. I don't reckon he'd care for a house as grand as that but you see he's married. Funny how some women first want to get married, then want their men to get rich, then instead of bein' satisfied get the society itch and after that are forever scratchin', ain't it? Mrs. Sayers spends about half her time in Europe. Schools here weren't good enough for her girl Margaret, so she took her over to some of those nunneries in France and Switzerland, and goodness knows where. Gone some time now. Mighty pretty girl. But Old Tom? If you think he's ever gallivantin' anywhere except around his works, you ought to be up there loafin' some day when you think no one's about to see you! Old Tom can say things in five minutes that you don't have to learn by heart to remember the rest of your life. He works four hundred men now and he knows 'em all. Don't you doubt that!"

      Jimmy, who was so keenly alive and imaginative that he was interested in nearly everything and everybody, looked back over his shoulder at the fine old remodeled colonial house on the hill with its broad sweep of lawns, its background of splendid trees, mountains in the distance, and the lively river at its feet, and, distinctly urban as he was, thought that if Mrs. Sayers knew when she was well off she'd stay at home.

      "If I had a place like that with Maw in it—say sitting up there on the veranda, knitting—she's great on knitting, Maw is!—I reckon the show hasn't hit Broadway yet that could drag me out for a single night. No-sir-ee! Not if the whole chorus had chocolate legs!" he said to the foreman, who vociferously agreed.

      "Beats the Dutch how some folks get everything, and others nothin'," he half grumbled.

      "Cheer up, son!" said Jimmy. "You never get anything by envying somebody else. Why, look at me! I haven't even ever owned a run-about! And I'm not kicking! I like to see others have a lot of things I can't have myself, because it makes me glad to think that most likely they're happy owning things I'd like to have too, if I could afford 'em. By gosh! It's the finest feeling in the world to know that other folks are happy. Keeps you from feeling unhappy yourself. Makes it a mighty pleasant world for all of us. All the money I've got in the world, if made into cloth, wouldn't make me a patch if I had a hole in the seat of my pants as big as a postage stamp; but I don't lay awake nights grieving for fear I'll be pinched for indecent exposure. Not me! I just thank God the hole's not any bigger and keep plugging along, and I whistle while I plug. It helps. Plug & Whistle, I reckon, is the best firm on earth."

      His benefactor had become so engrossed in his quaint passenger that the car was driven squarely up to the hotel door to let him out.

      "Got any kids at home?" Jimmy asked, and on being told there were three, said cheerfully, "Wait a minute," and ran up the steps three at a time to return with a box of chocolates purloined from his samples.

      "Take that to 'em," he said to the driver. "They're all right, I know. I'm a candy drummer. Good thing you've only got three because I couldn't spare a bigger box. My boss isn't a bad old chap, but he did ask me one time if I went on the road to sell candy or to give it away. The only man in the world I'd like to change jobs with is Santa Claus. Much obliged for the ride."

      He loitered in the hotel lobby long enough to read a bill announcing that there would be a mass meeting that night in the "Grand Opera House" under the auspices of the Princetown Municipal Improvement League and then saw in big letters, that the meeting would be addressed by "His Honor, Judge J. Woodworth-Granger."

      Jimmy had forgotten his rebuff, but now frowned a trifle at the recollection aroused by that name. He was entertained at supper by his sole fellow guest who sold machinery and hoped to get an order from the Sayers' plant. And although the technical part was as foreign as Greek to Jimmy, he was mightily interested and wanted to know all about it. After dinner he sat alone on the veranda in front of the hotel and watched people coming down the drowsy, shaded street or loitering in the town square. There was nothing else to do. No theaters, cinema shows but three nights a week, and this an off night. Some wandering fireflies absorbed him for a while, and then they flew away, leaving him alone. Suddenly he dropped his chair from where it had been tilted back against the wall, and said, "Well, I reckon I'll have to go and hear what the judge has to say about improving this place. It needs it!" He found the Grand Opera House readily enough by following the slowly moving people who traveled in but one direction. Also he found on entering that there's not much in a name, its grandeur consisting of a lot of badly worn wooden seats, dingy painting, and some strips of jute carpet in the aisles that looked as if they had been collected after a cyclone. The stage was the bright spot, due to the decorations of flags, banners and bunting. Jimmy got a seat in the back row after some difficulty. The Opera House was full, perhaps because there was no charge for admission, perhaps because there was no other place to go; but Jimmy charitably thought the town should be patted on the back for its interest in public improvements. Two girls played a duet on a piano and played it rather badly. And then there came in from the wings those who were to occupy the chairs on the stage. They entered as solemnly as if each was alone and about to recite Hamlet's soliloquy. Some of them threw out their chests and glared at the audience, others slunk in like harness makers visiting a lace factory. All were seated before there stalked in the counterpart of the drummer in the back row, and there was some evidence in the Judge's deportment that he had the dramatic sense to wait for a proper pause so that the spectators might see him in all his aloof magnificence. Had the two girls played "See the Conquering Hero Comes," he might have accepted it as befitting.

      "Stranger here, ain'tchu?" Jimmy's neighbor, a dried up little old man, queried.

      "Yes, why?" Jimmy mumbled back.

      "Come to stay long?"

      "Never can tell," replied Jimmy aloud, and mentally added, "Hope not."

      "Goin' inter business?"

      "No."

      "Lookin' fer a job? I hear as how old Tom Sayers is hirin' all the men he can git to work on his new buildin's." A moment's wait and then, "Ain't a bricklayer, be you? You don't look

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