The Three Fates. F. Marion Crawford
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In the critical and literary departments, the dilettante is the cruel enemy of those who are driven to write for bread, but who lack either the taste, the qualifications, or the opportunities which might give them a seat within, among the reporters’ desks! Cruellest of all in the eyes of the poor scribbler is the well-to-do man of leisure and culture who is personally acquainted with the chief editor, and writes occasional criticisms, often the most important, for nothing. Then there is the young woman who has been to college, who lacks nothing, but is ever ready to write for money, which she devotes to charitable purposes, thereby depriving some unfortunate youth of the dollar a day which means food to him, for whose support the public is not already taxed. But she knows nothing about him, and it amuses her to be connected with the press, and to have the importance of exchanging a word with the editor if she meets him in the society she frequents. The young man goes on the accustomed day for the new books. “I have nothing for you this week, Mr. Tompkins,” says the manager of the literary department as politely as possible. The books are gone to the Vassar girl or to the rich idler, and poor Tompkins must not hope to earn his daily dollar again till seven or eight days have passed. His only consolation is that the dawdling dilettante can never get all the work, because he or she cannot write fast enough to supply the demand. Without the spur of necessity it is impossible to read and review two volumes a day for any length of time. It is hard to combine justice to an author with the necessity for rushing through his book at a hundred pages an hour. It is indeed important to cut every leaf, lest the aforesaid literary manager should accuse poor little Mr. Tompkins of carelessness and superficiality in his judgment; but it is quite impossible that Tompkins should read every word of the children’s story-book, of the volume of second class sermons, of the collection of fifth rate poetry, and of the harrowing tale of city life, entitled The Bucket of Blood, or The Washerwoman’s Revenge, all of which have come at once and are simultaneously submitted to his authoritative criticism.
George Wood cut through thirty pages of the volume he held in his hand, then went to the end and cut backwards, then returned to the place he had reached the first time, and cut through the middle of the book. It was his invariable system, and he found that it succeeded very well.
“It is not well done,” he said to himself, quoting Johnson, “but one is surprised to see it done at all. What can you expect for fifty cents?”
CHAPTER IV.
Many days passed before George thought of renewing his visit to Washington Square, and during that time he was not even tempted to go and see Mrs. Trimm. If the truth were to be told it might appear that the vision of the two young girls, which had kept George in company as he returned to his home, did not present itself again for a long time with any especial vividness. Possibly the surroundings and occupations in the midst of which he lived were not of a nature to stir his memories easily; possibly, too, and more probably, the first impression had lacked strength to fascinate his imagination for more than half an hour. The habit of reading a book, writing twenty lines of print about it and throwing it aside, never to be taken up again, may have its consequences in daily life. Though quite unconscious of taking such a superficial view of so serious a matter, George’s mind treated the Misses Fearing very much as it would have treated a book that had been sent in for notice, dealt with and seen no more. Now and then, when he was not at work, and was even less interested than usual in his father’s snatches of conversation, he was conscious of remembering his introduction to the two young ladies, and strange to say there was something humorous in the recollection. Totty’s business-like mode of procedure amused him, and what seemed to him her absurd assumption of a wild improbability. The ludicrous idea of the whole affair entertained his fancy for a few seconds before it slipped away again. He could not tell exactly where the source of his mirth was situated in the chain of ideas, but he almost smiled at the thought of the enormous, stiff easy-chairs, and of the bookcase in the corner, loaded to the highest shelf with histories bound in tree calf and gold. He remembered, too, the look of disappointment in Totty’s eyes when he had alluded to the respectability of the furniture, as they walked up Fifth Avenue.
Those thoughts did not altogether vanish without suggesting to George’s inner sight the outlines of the girls’ faces, and at the same time he had a faint memory of the sounds of their voices. It would not displease him to see and hear both again, but, on the other hand, a visit in the afternoon was an undertaking of some importance, a fact which cannot be realised by people who have spent their lives in society, and who go to see each other as a natural pastime, just as the solitary man takes up a book, or as the sailor who has nothing to do knots and splices odds and ends of rope. It is not only that the material preparations are irksome, and that it is a distinctly troublesome affair for the young literary drudge to make himself outwardly presentable; there is also the tiresome necessity of smoothing out the weary brain so that it may be capable of appreciating a set of unfamiliar impressions in which it anticipates no relaxation. Add to all this the leaven of shyness which so often belongs to young and sensitive natures, and the slight exertion necessary in such a case swells and rises till it seems to be an insurmountable barrier.
A day came, however, when George had nothing to do. It would be more accurate to say that on a particular afternoon, having finished one piece of work to his satisfaction, he did not feel inclined to begin