The Three Fates. F. Marion Crawford

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The Three Fates - F. Marion Crawford

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knew of no greater or more real evils, she fancied that the lives of others must be like her own—a labyrinth of transparent cobwebs, to brush against one of which, even inadvertently, was but a little removed from crime itself. Her education had been so strongly influenced by religion and her natural sensitiveness was so great, that the main object of life presented itself to her as the necessity for discovering an absolute right or wrong in the most minute action, and the least relaxation of this constant watch appeared to her to be indicative of moral sloth. The fact that, with such a disposition she was not an intolerable nuisance to all who knew her, was due to her innate tact and good taste, and in some measure to her youth, which lent its freshness and innocence to all she did and thought and said. At the present time her conscience seemed to be more than usually active and dissatisfied. She assuredly did not believe that it was her mission to reform George Wood, or to decorate his somewhat peculiar character with religious arabesques of faith, hope, and charity; but it is equally certain that she felt an unaccountable interest in his conduct, and a degree of curiosity in his actions which, considering how slightly she knew him, was little short of amazing. Had she been an older woman, less religious and more aware of her own instincts, she would have asked herself whether she was not already beginning to care for George Wood himself rather than for the blameless rectitude of her own moral feelings. But with her the refinements of a girlish religiousness had so far got the upper hand of everything else that she attributed her uneasiness to the doubt about her own conduct rather than to a secret attraction which was even then beginning to exercise its influence over her.

      It was to be foreseen that Constance Fearing would not fall in love easily, even under the most favourable circumstances. The most innocent love in the world often finds a barrier in the species of religious sentimentality by which she was at that time dominated, for morbid scruples have power to kill spontaneity and all that is spontaneous, among which things love is first, or should be. Constance was not like her sister Grace, who had loved John Bond ever since they had been children, and who meant to marry him as soon as possible. Her colder temperament would lose time in calculating for the future instead of allowing her to be happy in the present. Deep in her heart, too, there lay a seed of unhappiness, in the habit of doubting which had grown out of her mistrust of her own motives. She was very rich. Should a poor suitor present himself, could she help fearing lest he loved her money, when she could hardly find faith in herself for the integrity of her own most trivial intentions? She never thought of Grace without admiring her absolute trust in the man she loved.

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      Thomas Craik lay ill in his great house, listening for the failing beatings of his heart as the last glow of the February afternoon faded out of the curtains and withdrew its rich colour from the carved panels on the walls. He lay upon his pillows, an emaciated old man with a waxen face and head, sunken eyes that seemed to have no sight in them. Short locks of yellowish grey hair strayed about his forehead and temples, like dry grasses scattered over a skull. There was no beard upon his face, and the hard old lips were tightly drawn in a set expression, a little apart, so that the black shadow of the open mouth was visible between them. The long, nervous hands lay upon the counterpane together, the fingers of the one upon the wrist of the other feeling the sinking pulse, searching with their numbed extremities for a little flutter of motion in the dry veins. Thomas Craik lay motionless in his bed, not one outward sign betraying the tremendous conflict that was taking place in his still active brain. He was himself to the last, such as he had always been in the great moments of his life, apparently cool and collected, in reality filled with the struggle of strong, opposing passions.

      He was not alone. Two great physicians were standing in silence, side by side, before the magnificent chimney-piece, beneath which a soft fire of dry wood was burning steadily with a low and unvarying musical roar. An attendant sat upright upon a carved chair at the foot of the bed, not taking his eyes from the sick man’s face.

      The room was large and magnificent in its furniture and appointments. The high wainscot had been carved in rare woods after the designs of a great French artist. The walls above were covered with matchless Cordova leather from an Italian palace. The ceiling was composed of rich panels that surrounded a broad canvas from the hand of a famous Spanish master, dead long ago. The chimney-piece was enriched with old brass work from Cairo, and with exquisite tiles from Turkish mosques. Priceless eastern carpets of which not one was younger than the century, covered the inlaid wooden floor. Diana of Poitiers had slept beneath the canopy of the princely bedstead; it was said that Louis the Fourteenth had eaten off the table that was placed beside it, and Benvenuto Cellini had carved the silver bell which stood within reach of the patient’s hand. There was incongruity in the assemblage of different objects, but the great value of each and all saved the effect from vulgarity, and lent to the whole something of the odd harmony peculiar to certain collections.

      It was the opinion of the two doctors that Tom Craik was dying. They had done what they could for him and were waiting for the end. As to his malady it was sufficiently clear to both of them that his vitality was exhausted and that even if he survived this crisis he could not have long to live. They agreed that the action of the heart had been much impaired by a life of constant excitement and that the nerves had lost their elasticity. They had taken pains to explain to his sister, Mrs. Sherrington Trimm, that there was very little to be done and that the patient should be advised to make his last dispositions, since a little fatigue more or less could make no material difference in his state, whereas he would probably die more easily if his mind were free from anxiety. Totty had spent the day in the house and intended to return in the evening. She bore up very well under the trial, and the physicians felt obliged to restrain her constant activity in tending her brother while she was in the room, as it seemed to make him nervous and irritable. She had their fullest sympathy, of course, as persons who are supposed to be sole legatees of the dying very generally have, but so far as their professional capacity was concerned, the two felt that it went better with the patient when his faithful sister was out of the house.

      From time to time inquiries were made on the part of acquaintances, generally through their servants, but they were not many. Though the other persons in the room scarcely heard the distant ringing of the muffled bell, and the careful opening and shutting of the street door, the feeble old man never failed to catch the sound of both and either with his eyes or half-uttered words asked who had called. On receiving the answer he generally moved his head a little wearily and his lids drooped again.

      “Is there anybody you expect? Anybody you wish to see?” one of the physicians once asked, bending low and speaking softly. He suspected that something was disquieting the dying man’s mind.

      But there was no answer, and the lids drooped again. It was now dusk and it would soon be night. Many hours might pass before the end came, and the doctors consulted in low tones as to which of them should remain. Just then the faint and distant rattle of the bell was heard. Immediately Tom Craik stirred, and seemed to be listening attentively. The two men ceased speaking and they could hear the front door softly open in the street below, and close again a few seconds later. One of the physicians glanced at the patient, saw the usual look of inquiry in his face and quickly left the room. When he returned he held a card in his hand, which he took to the bedside after looking at it by the fireside. Bending down, he spoke in a low tone.

      “Mr. George Winton Wood has called,” he said.

      Tom Craik’s sunken eyes opened suddenly and fixed themselves on the speaker’s face.

      “Any message?” he asked very feebly.

      “He said he had only just heard of your illness, and was very sorry—would call again.”

      A strange look of satisfaction came into the old man’s colourless face, and a low sigh escaped his lips as he closed his eyes again.

      “Would

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