on an ambling preambling palfrey, than on any determinate charger; curveting and prancing, and rambling and scrambling at his own unmanaged will: scorning the bit and bridle, too hot to bear the spur, careless of listing laws, and wishing rather playfully to show his paces, than to tilt against a foe.
An author's mind, quà author, is essentially a gossip; an oral, ocular, imaginative, common-place book: a pot pourri mixed from the hortus siccus of education, and the greener garden of internal thought that springs in fresh verdure about the heart's own fountain; a compound of many metals flowing from the mental crucible as one—perchance a base alloy, perchance new, and precious, and beautiful as the fine brass of Corinth; an accidental meeting in the same small chamber of many spiritual essences that combine, as by magnetism into some strange and novel substance; a mixture of appropriations, made lawfully a man's own by labour spent upon the raw material; corn-clad Egypt rescued from a burnt Africa by the richness of a swelling Nile—the black forest of pines changed into a laughing vineyard by skill, enterprise, and culture—the mechanism of Frankenstein's man of clay, energized at length by the spark Promethean.
And now, reader, do you begin to comprehend me, and my title? 'An Author's Mind' is first in the field, and, as with root and fruit, must take precedence of its booklets; bear then, if you will, with this desultory anatomization of itself yet a little longer, and then in good time and moderate space you will come to the rudiments—bones, so to speak—of its many members, the frame-work on which its nerves and muscles hang, the names of its unborn children, the title-pages of its own unprinted books.
Philosophers and fools, separately or together, as the case may be—for folly and philosophy not seldom form one Janus-head, and Minerva's bird seems sometimes not ill-fitted with the face of Momus—these and their thousand intermediates have tried in all ages to define that quaint enigma, Man: and I wot not that any pundit of literature hath better succeeded than the nameless, fameless man—or woman, was it?—or haply some innocent shrewd child—who whilom did enunciate that MAN IS A WRITING ANIMAL: true as arithmetic, clear as the sunbeam, rational as Euclid, a discerning, just, exclusive definition. That he is "capable of laughter," is well enough even for thy deathless fame, O Stagyrite! but equally (so Buffon testifies) are apes and monkeys, horses and hyenas; whether perforce of tickling or sympathy, or native notions of the humorous, we will not stop to contend. That he actually is "an animal whose best wisdom is laughter," hath but little reason in it, Democrite, seeing there are such obvious anomalies among men as suicidal jesters and cachinating idiots; nevertheless, my punster of Abdera, thy whimsical fancy, surviving the wreck of dynasties, and too light to sink in the billows of oblivion, is now become the popular thought, the fashionable dress of heretofore moping wisdom: crow, an thou wilt, jolly old chanticleer, but remember thee thou crowest on a dunghill; man is not a mere merry-andrew. Neither is he exclusively "a weeping animal," lugubrious Heraclite, no better definer than thy laughter-loving foe: that man weeps, or ought to weep, the world within him and the world without him indeed bear testimony: but is he the only mourner in this valley of grief, this travailing creation? No, no; they walk lengthily in black procession: yet is this present writing not the fit season for enlarging upon sorrows; we must not now mourn and be desolate as a poor bird grieving for its pilfered young—is Macduff's lamentable cry for his lost little ones, "All—what, all?" more piteous?—we must now indulge in despondent fears, like yonder hard-run stag, with terror in his eye, and true tears coursing down his melancholy face: we must not now mourn over cruelty and ingratitude, like that poor old worn-out horse, crying—positively crying, and looking imploringly for merciful rest into man's iron face; we must not scream like the wounded hare, nor beat against our cage like the wild bird prisoned from its freedom. Moreover, Heraclite, even in thine own day thou mightest well have heard of the classic wailings of Philomel for Atys, or of consumptive Canens, that shadow of a voice, for her metamorphosed Pie, and have known that very crocodiles have tears: pass on, thy desolate definition hath not served for man.
With flippant tongue a mercantile cosmopolite, stable in statistics and learned in the leger, here interposes an erudite suggestion: "Man is a calculating animal." Surely, so he is, unless he be a spendthrift; but he still shares his quality with others; for the squirrel hoards his nuts, the aunt lays in her barley-corns, the moon knoweth her seasons, and the sun his going down: moreover, Chinese slates, multiplying rulers, and, as their aggregated wisdom, Babbage's machine, will stoutly contest so mechanical a fancy. Savoury steams, and those too smelling strongly of truth, assault the nostrils, as a Vitellite—what a name of hungry omen for the imperial devourer!—plausibly insinuates man to be "a cooking animal." Who can gainsay it? and wherewithal, but with domesticated monkeys, does he share this happy attribute? It is true, the butcher-bird spits his prey on a thorn, the slow epicurean boa glazes his mashed antelope, the king of vultures quietly waits for a gamey taste and the rapid roasting of the tropics: but all this care, all this caloric, cannot be accounted culinary, and without a question, the kitchen is a sphere where the lord of creation reigns supreme: still, thou best of practical philosophers, caterer for daily dinners—man—MAN, I say, is not altogether a compact of edible commons, a Falstaff pudding-bag robbed of his seasoning wit, a mere congeries of food and pickles; moreover, honest Gingel of "fair" fame hath (or used to have, "in my warm youth, when George the Third was king,") automatons, [pray, observe, Sosii, I am not pedant or wiseacre enough to indite automata; we conquering Britons stole that word among many others from poor dead Greece, who couldn't want it; having made it ours in the singular, why be bashful about the plural! So also of memorandums, omnibuses, [you remember Farren's omniBI!] necropolises, gymnasiums, eukeirogeneions, and other unlegacied property of dear departed Rome and Greece. All this, as you see, is clearly parenthetical;] well, then, Gingel has automatons, that will serve you up all kinds of delicate viands, pleasant meats, and choice cates by clock-work, to say nothing of Jones' patent all-in-a-moment-any-thing-whatsoever cooking apparatus: no mine Apiciite, Heliogabalite, Sardanapalite, Seftonite, Udite, thou of extravagant ancestry and indifferent digestion; little, indeed, as you may credit me, man is not all stomach, nor altogether formed alone for feeding. Remember Æsop's parable, the belly and the members; and, above them all, do not overlook the head.
What think you then of "a featherless biped?" gravely suggests a rusty Plinyite. Absolute sir, and most obsolete Roman, doubtless you never had the luck to set eyes upon a turkey at Christmas; the poor bare bipes implumis, a forked creature, waiting to be forked supererogatively; ay, and risibilis to boot, if ever all concomitants of the hearty old festival were properly provocative of decent mirth. Thus then return we to our muttons, and time enough, quotha: literary pundit, (whose is the notable saying?) thy definition is bomb-proof, thy fancy unscaleable, thy thought too deep for undermining; that notion is at the head of the poll, a candidate approved of Truth's most open borough; for, in spite of secretary-birds with pens stuck clerk-like behind their ears (as useless an emblem of sinecure office as gold keys, silver, and coronation armour)—in spite of whole flights of geese, capable enough of saving capitols, but impotent to wield one of their own all-conquering quills—in spite, also, (keen-eyed categorists, be to my faults in ratiocination a little blind, for very cheerfulness,) in spite, I say, of copying presses, manifold inditers, and automaton artists, MAN IS A WRITING ANIMAL.
Wearily enough, you will think, have we disposed of this one definition: but recollect, and take me for a son of leisure, an amateur tourist of Parnassus, an idling gatherer of way-side flowers in the vale of Thessaly, a careless, unbusied, "contemplative man," recreating himself by gentle craft on the banks of much-poached Helicon; and if you, my casual friend, be neither like-minded in fancy nor like-fitted in leisure, courteously consider that we may not travel well together: at this station let us stop, freely forgiving each other for mutual misliking; to your books, to your business, to your fowling, to your feasting, to your mummery, to your nunnery—go: my track lays away from the highroad, in and out between yonder hills, among thickets, mossy rocks, green hollows, high fern, and the tangled hair of hiding river-gods; I meet not pedlers and bagsmen, but stumble upon fawns just dropped, and do not scare their doting mothers; I quench not my noonday thirst with fiery drams from a brazen tap, but, lying over the cold brook, drink to its musical Naiades; I walk no dusty roads of a working-day world, but flit upon the pleasant places of one made
