truce to this truancy, and method be my maxim: let us for a moment link our reasonings, and solder one stray rivet; man being a writing animal, there still remains the question, what is writing? Ah, there's the rub: a very comfortable definition would it be, if every pen-holder and pen-wiper could truly claim that kingship of the universe—that imagery of his Maker—that mystical, marvellous, immortal, intellectual, abstraction, manhood: but, what then is WRITING? Ye tons of invoices, groaning shelves of incalculable legers, parchment abhorrences of rare Charles Lamb, we think not now of you; dreary piles of unhealthy-looking law-books, hypochondriacal heaps of medical experiences, plodding folios of industrious polemics, slow elaborations of learned dullness, we spare your native dust; letters unnumbered, in all stages of cacography, both physical and metaphysical, alack! most of you must slip through the meshes of our definition yet unwove; poor deciduous leaves of the forest, that, at your best, serve only—it is yet a good purpose—to dress the common soil of human kindness, without attaining to the praise of wreaths and chaplets ever hanging in the Muses' temple; flowers withered on the stalk, whose blooming beauty no lover's hand has dropped upon the sacred waters of Siloa, like the Hindoo's garland on her Ganges; prolix, vain, ephemeral letters (especially enveloped penny-posters)—and sparing only some few redolent of truth, wisdom, and affection—your bulky majority of flippant trash, staid advices, dunnings, hoaxings, lyings, and slanderings, degrade you to a lower rank than that we take on us to designate as "writing."
And what, O what—"how poor is he that hath not patience!"—shall we predicate of the average viscera of circulating libraries?—abominable viscera!—isn't that the word, my young Hippocrates?—A parley—a parley! and the terms of truce are these: If this present pastime of mine (for pastime it is, so spurn not at its logic,) be mercifully looked on by you, lady novelists and male dittoes—yet truly there are giants in your ranks, as Scott, and Ward, and Hugo, and Le Sage, towering above ten thousand pigmies—if I be spared your censures well-deserved, interchangeably as toward your authorships will I exercise the charitable wisdom of silence: a white flag or a white feather is my best alternative in soothing or avoiding so terrible a host; and verily, to speak kinder of those whose wit, and genius, and graphic powers have so smoothed this old world's wrinkled face of care, many brilliant, many clever, many well-intended caterers to public amusement, throng your ill-ordered ranks: still, there are numbered to your shame as followers of the fool's-cap standard, the huge corrupting mass of depraved moralists, meagre trash-inditers, treacherous scandal-mongers, men about town who immortalize their shame, and the dull, pernicious school of feather-brained Romancists: and take this sentence for a true one, a verum-dictum. But enough, there are others, and those not few, even far less veniable; ye priers into family secrets—fawning, false guests at the great man's open house, eagerly jotting down with paricidal pen the unguarded conversation of the hospitable board—shame on your treason, on its wages, and its fame! ye countless gatherers and disposers of other men's stuff; chiels amang us takin' notes, an' faith, to prent 'em too, perpetually, without mitigation or remorse; ye men of paste and scissors, who so often falsely, feebly, faithlessly, and tastelessly are patching into a Harlequin whole the disjecta membra of some great hacked-up reputation; can such as ye are tell me what it is to write? Writing is the concreted fruit of thinking, the original expression of new combinations of idea, the fresh chemical product of educational compounds long simmering in the mind, the possession of a sixth sense, distinguishing intelligence, and proclaiming it to the four winds; writing is not labour, but ease; not care, but happiness; not the petty pilferings of poverty, but the large overflowings of mental affluence; it begs not on the highway, but gives great largess, like a king; it preys not on a neighbour's wealth, but enriches him; it may light, indeed, a lamp, at another's candle, but pays him back with brilliancy; it may borrow fire from the common stock, but uses it for genial warmth and noble hospitality.
Remember well, good critic, (for verily bad there be,) my purposes in this odd volume—this queer, unsophisticate, uncultivated book: to empty my mind, to clear my brain of cobwebs, to lift off my head a porters's load of fancy articles; and as in a bottle of bad champaign, the first glass, leaping out hurryskurry, at a railroad pace boiling a gallop, carries off with it bits of cork and morsels of rosin, even such is the first ebullition of my thoughts: take them for what they are worth, and blame no one but your discontented self that they are no better. Do you suppose, keen sir, that I am not quite self-conscious of their shallowness, utter contempt of subordination and selection, their empty reasoning and pellucid vanity?—There I have saved you the labour of a sentence, and present you with a killing verdict for myself. After a little, perhaps, your patience may find me otherwise; of clearer flow, but flatter flavour: these desultorinesses must first of all be immolated, for in their Ariel state they vex me, but I bind them down like slaving Calibans, by the magic of a pen; and glad shall I be to victimize my monsters, eager to dissipate my musquito-like tormentors; yea, I would "take up arms against a sea"—["Arms against a sea?" dearest Shakspeare, would that Theobald, or Johnson's stock-butt, "the Oxford Editor," had indeed interpolated that unconscionable image! It has been sapiently remarked by some hornet of criticism, that "Shakspeare was a clever man;" but cleverer far must that champion stand forth who wars with any prospect of success upon seas; perhaps Xerxes might have thought of it—or your Astley's brigand, who rushes sword in hand on an ocean of green baize. Who shall cure me of parentheses?]—well, "a sea of troubles, [thoughts trouble us more than things—I sin again; close it;] and by opposing, end them;" that is, by setting forth these troublous thoughts opposite, in stately black and white, I clip their wings, and make them peck among my poultry, and not swarm about my heaven. But soon must I be more continuous; turn over to my future title-pages, and spare your objurgation; a little more of this medley while the fit lasts, and afterward a staid course of better accustomed messes; a few further variations on this lawless theme of authorship, and then to try simpler tunes; briefly, and yet to be grandiloquent, as a last round of this giddy climax, after noisy clashing Chaos there shall roll out, "perfect, smooth, and round," green young worldlets, moving in quiet harmony, and moulded with systematic skill.
As an author, meanwhile, let man be most specifically characterized: a real author, voluntary in his motives, but involuntary as regards his acts authorial; full of matter, prolific of images and arguments, teeming, bursting, with something, much, too much, to say, and well witting how to say it: none of your poor devils compulsory from poverty—Plutus help them!—whose penury of pocket is (pardon me) too often equitably balanced by their emptiness of head; and far less one of the lady's-maid school, who will glory in describing a dish of cutlets at Calais, or an ill-trimmed bonnet, or the contents of an old maid's reticule, or of a young gentleman's portmanteau, or those rare occasions for sentimentality, moonlight, twilight, arbours, and cascades, in the moderate space of an hour by Shrewsbury clock: but a man who has it weightily upon his mind to explain himself and others, to insist, refute, enjoin: a man—frown not, fair helpmates; the controversial pen, as the controversial sword, be ours; we will leave your flower-beds and sweeter human nurseries, despotism over cooks and Penelobean penance upon carpet-work; nay, a trip to Margate prettily described, easy lessons and gentle hymns in behalf of those dear prattlers, and for the more cœrulean sort, "lyrics to the Lost one," or stanzas on a sickly geranium, miserably perishing in the mephitic atmosphere of routs—these we masculine tyrants, we Dionysii of literature, ill-naturedly have accounted your prerogatives of authorship. But who then are Sévigné and Somerville, Edgeworth and De Staël, Barbauld and Benger, and Aikin, and Jameson, Hemans, Landon, and a thousand more, not less learned, less accomplished, nor less useful? Forgive, great names, my half-repeated slander: riding with the self-conceited cortège of male critics, my boasted loyalty was well-nigh guilty of lèze majesté: but I repudiate the thought; my verdict shall have no reproach in it, as my championship no fear: how much has man to learn from woman! teach us still to look on humanity in love, on nature in thankfulness, on death without fear, on heaven without presumption; fairest, forgive those foolish and ungallant calumnies of my ruder sex, who boast themselves your teachers—making yet this wise use of the slander: never be so bold in authorship, as to hazard the loss of your sweet, retiring, modest, amiable, natural dependence: never stand out as champions on the arena of strife, but if you will, strew it with posies for the king of the tournament; it ill becomes you to be wrestlers, though a Lycurgus allowed it, and Atalanta, another Eve, was tripped up by an apple in
