are of the surface, and do not destroy the foundations of his social and domestic scheme. A French Canadian pony used to be considered the most virile and lasting stock on the continent, and it is fair to say that the French Canadians themselves are genuinely hardy, long-lived, virile, and enduring.
It was among such people that the hero of The Money Master, Jean Jacques Barbille, lived. He was the symbol or pattern of their virtues and of their weaknesses. By nature a poet, a philosopher, a farmer and an adventurer, his life was a sacrifice to prepossession and race instinct; to temperament more powerful than logic or common sense, though he was almost professionally the exponent of both.
There is no man so simply sincere, or so extraordinarily prejudiced as the French Canadian. He is at once modest and vain; he is even lyrical in his enthusiasms; he is a child in the intrigues and inventions of life; but he has imagination, he has a heart, he has a love of tradition, and is the slave of legend. To him domestic life is the summum bonum of being. His four walls are the best thing which the world has to offer, except the cheerful and sacred communion of the Mass, and his dismissal from life itself under the blessing of his priest and with the promise of a good immortality.
Jean Jacques Barbille had the French Canadian life of pageant, pomp, and place extraordinarily developed. His love of history and tradition was abnormal. A genius, he was, within an inch, a tragedy to the last button. Probably the adventurous spirit of his forefathers played a greater part in his development and in the story of his days than anything else. He was wide-eyed, and he had a big soul. He trained himself to believe in himself and to follow his own judgment; therefore, he invited loss upon loss, he made mistake upon mistake, he heaped financial adventure upon financial adventure, he ran great risks; and it is possible that his vast belief in himself kept him going when other men would have dropped by the wayside. He loved his wife and daughter, and he lost them both. He loved his farms, his mills and his manor, and they disappeared from his control.
It must be remembered that the story of The Money Master really runs for a generation, and it says something for Jean Jacques Barbille that he could travel through scenes, many of them depressing, for long years, and still, in the end, provoke no disparagement, by marrying the woman who had once out of the goodness of her heart offered him everything—herself, her home, her honour; and it was to Jean Jacques’s credit that he took neither until the death of his wife made him free; but the tremendous gift offered him produced a powerful impression upon his mind and heart.
One of the most distinguished men of the world to-day wrote me in praise and protest concerning The Money Master. He declared that the first half of the book was as good as anything that had been done by anybody, and then he bemoaned the fact, which he believed, that the author had sacrificed his two heroines without real cause and because he was tired of them. There he was wrong. In the author’s mind the story was planned exactly as it worked out. He was never tired; he was resolute. He was intent to produce, if possible, a figure which would breed and develop its own disasters, which would suffer profoundly for its own mistakes; but which, in the end, would triumph over the disasters of life and time. It was all deliberate in the main intention and plan. Any failures that exist in the book are due to the faults of the author, and to nothing else.
Some critics have been good enough to call ‘The Money Master’ a beautiful book, and there are many who said that it was real, true, and faithful. Personally I think it is real and true, and as time goes on, and we get older, that is what seems to matter to those who love life and wish to see it well harvested.
I do not know what the future of the book may be; what the future of any work of mine will be; but I can say this, that no one has had the pleasure in reading my books which I have had in making them. They have been ground out of the raw material of the soul. I have a hope that they will outlast my brief day, but, in any case, it will not matter. They have given me a chance of showing to the world life as I have seen it, and indirectly, and perhaps indistinctly, my own ideas of that life. ‘The Money Master’ is a vivid and somewhat emotional part of it.
CHAPTER I. THE GRAND TOUR OF JEAN JACQUES BARBILLE
“Peace and plenty, peace and plenty”—that was the phrase M. Jean Jacques Barbille, miller and moneymaster, applied to his home-scene, when he was at the height of his career. Both winter and summer the place had a look of content and comfort, even a kind of opulence. There is nothing like a grove of pines to give a sense of warmth in winter and an air of coolness in summer, so does the slightest breeze make the pine-needles swish like the freshening sea. But to this scene, where pines made a friendly background, there were added oak, ash, and hickory trees, though in less quantity on the side of the river where were Jean Jacques Barbille’s house and mills. They flourished chiefly on the opposite side of the Beau Cheval, whose waters flowed so waywardly—now with a rush, now silently away through long reaches of country. Here the land was rugged and bold, while farther on it became gentle and spacious, and was flecked or striped with farms on which low, white houses with dormer-windows and big stoops flashed to the passer-by the message of the pioneer, “It is mine. I triumph.”
At the Manor Cartier, not far from the town of Vilray, where Jean Jacques was master, and above it and below it, there had been battles and the ravages of war. At the time of the Conquest the stubborn habitants, refusing to accept the yielding of Quebec as the end of French power in their proud province, had remained in arms and active, and had only yielded when the musket and the torch had done their work, and smoking ruins marked the places where homes had been. They took their fortune with something of the heroic calm of men to whom an idea was more than aught else. Jean Jacques’ father, grandfather, and great-great-grandfather had lived here, no one of them rising far, but none worthless or unnoticeable. They all had had “a way of their own,” as their neighbours said, and had been provident on the whole. Thus it was that when Jean Jacques’ father died, and he came into his own, he found himself at thirty a man of substance, unmarried, who “could have had the pick of the province.” This was what the Old Cure said in despair, when Jean Jacques did the incomprehensible thing, and married l’Espagnole, or “the Spanische,” as the lady was always called in the English of the habitant.
When she came it was spring-time, and all the world was budding, exuding joy and hope, with the sun dancing over all. It was the time between the sowing and the hay-time, and there was a feeling of alertness in everything that had life, while even the rocks and solid earth seemed to stir. The air was filled with the long happy drone of the mill-stones as they ground the grain; and from farther away came the soft, stinging cry of a saw-mill. Its keen buzzing complaint was harmonious with the grumble of the mill-stones, as though a supreme maker of music had tuned it. So said a master-musician and his friend, a philosopher from Nantes, who came to St. Saviour’s in the summer just before the marriage, and lodged with Jean Jacques. Jean Jacques, having spent a year at Laval University at Quebec, had almost a gift of thought, or thinking; and he never ceased to ply the visiting philosopher and musician with questions which he proceeded to answer himself before they could do so; his quaint, sentimental, meretricious observations on life saddening while they amused his guests. They saddened the musician more than the other because he knew life, while the philosopher only thought it and saw it.
But even the musician would probably have smiled in hope that day when the young “Spanische” came driving up the river-road from the steamboat-landing miles away. She arrived just when the clock struck noon in the big living-room of the Manor. As she reached the open doorway and the wide windows of the house which gaped with shady coolness, she heard the bell summoning the workers in the mills and on the farm—yes, M. Barbille was a farmer, too—for the welcome home to “M’sieu’ Jean Jacques,” as he was called by everyone.
That the wedding had taken place far down in Gaspe and not in St. Saviour’s was a
